In the far future water is the most valuable substance. Two space pirates are captured, sold to a princess, and recruited to help her find her father who disappeared when he found ... See full summary »
Michael D. Roberts
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
Tony Stark has declared himself Iron Man and installed world peace... or so he thinks. He soon realizes that not only is there a mad man out to kill him with his own technology, but there's something more: he is dying.
Robert Downey Jr.,
The sci-fi television series Galaxy Quest, which took place aboard the intergalactic spaceship NSEA Protector, starred Jason Nesmith as suave Commander Peter Quincy Taggert, Gwen DeMarco as sexy communications person Lt. Tawny Madison (a role which consisted solely of repeating what the computer stated, much to Gwen's annoyance), Shakespearean trained Sir Alexander Dane as alien Dr. Lazarus, Fred Kwan as engineer Tech Sgt. Chen, and Tommy Webber as child gunner Laredo. Seventeen years after the show last aired, it lives on in the hearts of its rabid fans. However it lives on in infamy for its stars, who have not been able to find meaningful acting work since. Their current lives revolve around cashing in on however those roles will afford, which usually entails attending fan conventions or worse, such as shopping mall openings. Only Jason seems to relish his lot in life, until he finds out that his co-stars detest him because of his superior attitude as "the Commander", and much of ... Written by
Director Dean Parisot and star Tim Allen have revealed in interviews that the original tone of the film was much darker, with more scenes of violence. After test screenings the film was re-cut to emphasize the comedy and obtain a PG rating. See more »
When the shuttle lands on the mining planet, we see a crescent moon lighted from the left, but the shadows of the rocks show that the landscape is lighted from the right. Even if this is a planet of a double star, the moon should have a crescent on the right side. See more »
I still don't quite understand why "GQ" never conquered the box office. The movie is clever, hysterically funny, surprisingly moving and, as one reviewer pointed out, more respectful of (and better at communicating) the ideals of "Star Trek" than any of the recent "Trek" movies or television incarnations. The script is inventive, the special effects are vivid and powerful (especially when the actors see the real ship for the first time, and when the rock monster rampages through the ship), and the characters are incredibly well drawn.
I'm also puzzled by the negative reactions some people have to the film. Does the film fail to register because the "Trek" social phenomenon is unfamiliar to them, thus there's no frame of reference? I'd really like to know.
Comedy is possibly the hardest genre to get right, because line delivery, timing, direction and character shading all have to be pretty much perfect or the movie just won't be funny. GQ nails these elements -- right on the head and in virtually every scene -- and keeps up the pace by constantly moving its characters forward. Tony Shalhoub (Fred), Sam Rockwell (Guy Fleegman) and Enrico Colantoni (Mathesar) in particular are so dead-on perfect in their scenes that lack of box office and the Academy's traditional indifference to comedy are probably the only reasons these guys didn't get Oscar nods. (Okay, well, 1999 was also an incredibly strong year for American cinema.)
But GQ is also strangely moving -- particularly in the way it derives comedy from despair. The actor characters' lives are in ruins, not unlike the aliens they eventually save from extinction. Perhaps this is why -- even though the characters don't know it yet -- the two groups get along so well and why the actors make the decision to actually become their TV characters in the end. This may also be why the dismay in Mathesar's face when he learns the truth is so painful.
I suspect GQ also got lumped in with the likes of "Scary Movie" and "The Naked Gun" movies in the public's collective conscious: It was perceived as just another spoof and therefore not worthy of significant attention. I hope the movie develops enough of a cult following that it one day reaches that wider audience it deserves.
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