| Photos (See all 13 | slideshow) | Videos |
| Henry Thomas | ... | Nick Parker | |
| David O'Hara | ... | Will | |
| Teri Hatcher | ... | Charlotte Parker | |
| Bill Duke | ... | Detective Glass | |
| Sándor Técsy | ... | Sidney Miskiewicz | |
| Irma St. Paule | ... | Mrs. Rhula Miskiewicz | |
| Alex Kilgore | ... | Adam Dennis | |
| Marisol Padilla Sánchez | ... | Soledad | |
| Patricia Dunnock | ... | Sophie Parker | |
| Helen Hanft | ... | Louisa | |
| Remak Ramsay | ... | Richard Parker | |
| Lisby Larson | ... | Eleanor Parker | |
| Jon Tracy | ... | Leonard Wooley | |
| Charles E. Gerber | ... | Bob | |
| Ken Comer | ... | Detective Comer | |
| William H. Burns | ... | Detective Burns (as William Henry Burns) | |
| Guy Griffis | ... | Jimmy | |
| Nan Wilson | ... | Bea | |
| Yehuda Duenyas | ... | Erle | |
| Thomas C. Rainone | ... | Officer Field (as Tom Rainone) | |
| Larry Fishman | ... | Young Nick Parker | |
| Nina Polan | ... | Polish Woman Witness | |
| Tom Stern | ... | Angry Drunk | |
| Jilly Crook | ... | Luisa (voice) | |
| Alex Halpern | ... | Art Mover | |
| Noah Hunter | ... | Art Mover | |
| Donnell Rawlings | ... | Cop | |
| Steven Ranelli | ... | Cop | |
| rest of cast listed alphabetically: | |||
| Amy de Lucia | ... | Witness | |
| Alex Halpern | ... | Art Mover | |
| Alex Winter | ... | Subway Passenger (uncredited) | |
Directed by | |||
| Alex Winter | |||
Writing credits(WGA) | ||
| Alex Winter | (written by) | |
Produced by | |||
| Graham Bradstreet | .... | executive producer | |
| Christian Martin | .... | producer | |
| Ali Lou Mitchell | .... | executive producer | |
| Connie Tavel | .... | executive producer | |
Original Music by | |||
| Joe Delia | |||
Cinematography by | |||
| Joe DeSalvo | |||
Film Editing by | |||
| Thom Zimny | |||
Casting by | |||
| Todd M. Thaler | |||
Production Design by | |||
| Mark Ricker | |||
Set Decoration by | |||
| Carol Silverman | |||
Costume Design by | |||
| Azan Kung | |||
Production Management | |||
| Melissa Marr | .... | production manager | |
| P. Scott Nelson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jamie Nicholette Frey | .... | second second assistant director (as Jamie Frey) | |
| John M. Tyson | .... | first assistant director | |
Art Department | |||
| Pierre Rovira | .... | construction coordinator | |
| Michelle Schluter-Ford | .... | art department coordinator (as Michelle Schluter) | |
| Daniel Geary | .... | construction foreman (uncredited) | |
Sound Department | |||
| Coll Anderson | .... | production sound mixer | |
| Coll Anderson | .... | sound re-recording mixer | |
| Coll Anderson | .... | supervising sound editor | |
| Brian Bowles | .... | dialogue editor | |
| Andrew Bracken | .... | assistant sound editor | |
| Andrew Bracken | .... | sound effects recordist | |
| Frank Morrone | .... | sound re-recording mixer | |
| Michael Primmer | .... | boom operator | |
Special Effects by | |||
| Rob Benevides | .... | special effects makeup | |
Visual Effects by | |||
| Jeff Barnes | .... | executive producer: Computercafe | |
| Mike Bozulich | .... | digital effects supervisor: Computercafe | |
| Brandon Davis | .... | digital effects artist | |
| Akira Orikasa | .... | digital artist: ComputerCafe | |
| Tom Williamson | .... | visual effects supervisor | |
Stunts | |||
| Bill Anagnos | .... | stunt driver | |
| Stephanie Finochio | .... | stunts | |
Casting Department | |||
| Jonathan Strauss | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Stephanie S. Kim | .... | assistant costume designer | |
| Erik Marcisak | .... | wardrobe assistant | |
Editorial Department | |||
| Jason Brodkey | .... | assistant editor | |
| Robert Leaton | .... | colorist | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Laura Weinberg | .... | apprentice editor | |
Music Department | |||
| David Polemeni | .... | music consultant | |
Other crew | |||
| Christopher Buck | .... | producer asst | |
| Claudio Kuhn | .... | production assistant | |
| Spencer Millman | .... | production assistant | |
| Jenny Schweitzer | .... | assistant production coordinator | |
| Recent Posts (updated daily) | User |
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| Where can I find this? | harlock_ssx |
| beautiful movie | lillyanne3000 |
| About Will | marcellus_dixit |
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| An Occasional Hell | The Limey | Too Scared to Scream | So Sweet, So Dead | The Comfort of Strangers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
To put it plainly, the movie revolves around this artist, who is so deeply disturbed by the gruesome murders of his landlord and his (landlord's) mother, that he becomes pallid and starts hallucinating. Now, why do the murders have such febrile effects on him and does he actually hallucinate, is where lies the suspense of the movie. Though a fairly simple movie with just a handful of characters, FEVER' can be put under the rubric of scary movies. There is always an air of eeriness throughout the movie, with an abrupt shocking' scene popping up every now and then, with a high potential to chill the bones most of the viewers. Much of the credit for what the movie is, should be given to the acting, mainly of the prime two characters, Nick' and Will', played by Henry Thomas and David O'Hara respectively. While Henry Thomas does a pretty good job of a person spooked' by the murders in the movie, it is David O'Hara, who puts up a splendid performance, by acting as a mentally deranged, psycho' Irishman, who is a sailor, and is a staunch believer of Nazism. The presence of such a character in the movie actually makes it spookier, than it already is. Along with good acting, the direction is pretty decent, too, maintaining just the right amount of the funereal atmosphere throughout, without going overboard with gory details. However, worth mentioning is this particular scene, which can be said as the pivotal scene of the movie, in which Nick' encounters Will', in a train: Though there is very little flaw in the direction in the rest of the movie, this particular scene, especially being a crucial one, is so grossly misdirected, that it ruins the build-up to it. Either this scene should have had more attention paid to the minor details, which are seriously flawed, (and do much damage to it) or else, it could've done without the backdrop of an underground train-ride, and could have done with a much less complicated backdrop.
The movie has all the elements of a spook-thriller, and is scary from the beginning to the end, building up to a good suspense. The overall feel of the movie is also well maintained, without trying to give too much detail to gore, and primarily paying attention to maintain the stolid and chilling atmosphere, in a very subtle manner.
Rating:7/10