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The Fall of the House of Usher (1949)

 -  Horror  -  1956 (UK)
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Ratings: 4.6/10 from 130 users  
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A traveller arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a ... See full summary »



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Title: The Fall of the House of Usher (1949)

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At the urgent request of his friend Roderick Usher, a man journeys to the strange House of Usher but becomes enmeshed in the darkness that threatens to destroy not only the last remaining family members but also the very house itself.

Director: Guerdon Trueblood
Stars: Clifford Dodd, Tara Leigh, Michael MacRae


Credited cast:
Gwen Watford ...
Kay Tendeter ...
Irving Steen ...
Rest of cast listed alphabetically:
Vernon Charles ...
Dr. Cordwall
Connie Goodwin ...
Gavin Lee ...
The Butler
Keith Lorraine ...
Lucy Pavey ...
The Hag
Tony Powell-Bristow ...
Robert Wolard ...


A traveller arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax. Written by Jean-Marc Rocher <>

Plot Summary | Add Synopsis







Release Date:

1956 (UK)  »

Also Known As:

A queda da casa de Usher  »

Company Credits

Production Co:

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Technical Specs



Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


Not released in England until 1956 in a version running only 39 minutes. The BBFC gave this cut of the picture an X Certificate on March 22, 1956. See more »

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User Reviews

A "Found Object" of Cinema
28 September 2004 | by (Boondocks, Ohio) – See all my reviews

"Found Objects" are those things generally discarded or ignored that somehow possess an intrinsic artistry, and this "Quota Quickie" certainly qualifies. Dashed off in what looks like a couple of weekends on whatever locations were handy, with badly-synchonized sound and wretched acting of pointless dialogue, it nonetheless conveys a genuine creepiness I found oddly haunting. The photography reminds one of the French New Wave, which came along a decade later, with starkly realistic images contrasted with baroque set-ups and disorienting editing. The story -- as much as I could understand -- offers a nightmarish progression through some sort of curse, and a mockingly down-beat ending.

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