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The Wolves of Kromer (1998)

Once upon a time in the village of Kromer lived two beautiful young wolves. Cocksure Gabriel takes newcomer Seth under his paw and helps reconcile him to the vilification associated with ... See full summary »

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Cast

Credited cast:
...
Narrator
...
...
Margaret Towner ...
Doreen
Rita Davies ...
Rosemarie Dunham ...
Mrs Drax
...
The Priest
David Prescott ...
Mark
...
Mary
Matthew Dean ...
Kester
Leila Lloyd-Evelyn ...
Polly
...
Michael (as Alastair Cumming)
Rest of cast listed alphabetically:
Fred Vint ...
Infant
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Storyline

Once upon a time in the village of Kromer lived two beautiful young wolves. Cocksure Gabriel takes newcomer Seth under his paw and helps reconcile him to the vilification associated with being a wolf. They fall head-over-heels in puppy love, playing together around picturesque waterfalls, secluded woodlands, and moonlit lakes. One day a wicked old crone and her goofy sidekick kill their mistress, frame the wolves, and incite a torch-bearing mob of religious zealots to seek vengeance on the hapless pair. But who will live happily ever after? Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A Modern Fairytale About Lust, Greed and Sexuality


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Details

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Release Date:

8 March 2001 (Germany)  »

Box Office

Opening Weekend:

$3,292 (USA) (20 October 2000)

Gross:

$11,057 (USA) (17 November 2000)
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Company Credits

Production Co:

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Technical Specs

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Seth: Wait. Can't you see what big ears I have?
Polly: All the better for me to nibble.
Seth: My eyes. My eyes are enormous.
Polly: All the better to see me with.
Seth: My, what big hairy arms.
Polly: All the better to hold me.
Seth: What a big mouth I have.
Polly: All the better for you to kiss me.
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Soundtracks

Spirit in the Sky
Written and Performed by Norman Greenbaum
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User Reviews

 
Odd, odd, odd, but delightful fun.
29 October 2007 | by (United States) – See all my reviews

Odd, odd, odd. It's a little like watching Ken Russell seen through a prism of Alain Resnais. And the "wolves" of the title are not exactly "wolves" and not exactly "werewolves." You'll see what I mean when you see their costumes. Being a wolf, or becoming a wolf through inborn genetic or infectious disease or "contact" is a metaphor for homosexuality. (No, I'm not dissing what I am and what you probably are--it's just part of the film's wackiness.) Once you see it's from a play by Charles Lambert, it all makes sense. But it beautifully translates to film.

I love the old lady, Fanny, who despite myriad lines and wrinkles on her tanned old face still retains the remains of great beauty. Hearing the actress adopt a cockney or regional accent, puckishly enunciating her saucy remarks, is a delight. (She also played the incredible beauty at the end of "The Da Vinci Code.") This film is also a satire of the class war, reminiscent of Mike Leigh's "High Hopes." Catch Polly, a member of the Biffen family, with her ludicrous "county" accent as she wears her quilted jacket and complains that the minister won't allow her dog Parsnip into church.

A delightful film, helped by the fantastic beauty of the English countryside and the fantastic beauty of the lead Gabriel, played by James Layton. A melange of humor, beauty, and oddness.


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