Style Wars (1984)

Directors:

Henry Chalfant
Tony Silver

Genre:

Documentary | Music

Plot Keywords:

Breakdance | Subway | Graffiti | Hip Hop | New York City

Cast

Cap	...	Himself
Daze	...	Himself
Dondi	...	Himself
Frosty Freeze	...	Himself
Kase 2	...	Himself
Ed Koch	...	Himself
Crazy Legs	...	Himself
Mare	...	Himself
Min One	...	Himself
Seen	...	Himself
Skeme	...	Himself
Iz the Whiz	...	Himself

Directed by
Henry Chalfant
Tony Silver

Cinematography by
Burleigh Wartes

Film Editing by
Mary Alfieri
Victor Kanefsky
Samuel D. Pollard		(as Sam Pollard)

Camera and Electrical Department
Mark H. Weingartner	....	gaffer

Editorial Department
Chris F. Woods	....	digital intermediate colorist
John Dowdell	....	colorist (uncredited)

Distributors

• Public Broadcasting Service (PBS)

Also Known As:

Runtime:

Canada:69 min

Country:

USA

Language:

English

Color:

Color | Black and White

Aspect Ratio:

1.37 : 1

Certification:

Australia:M

Quotes:

Kase 2:People look at a person, what you write on trains? Oh, you vandalism and all that. Yeah I vandalism alright, but still in general I know what I'm doin'. I did somethin' to make yo eyes open up. Right? So why is you talking bout it for?

Movie Connections:

Featured in Beautiful Losers (2008)

Soundtrack:

Pump Me Up

Back in the days when graffiti was king

'They call themselves writers because that's what they do. They write their names among other things everywhere. Names they've been given or have chosen for themselves. Most of all they write in and on subway trains, which carry their names from one end of the city to the other. It's called bombing. And it has equally assertive counterparts in rap music and break dancing'. According to Tony Silver, the maker of this documentary film on graffiti and hip hop culture.

Back in the days when many neighborhoods in New York were still a crumbling wasteland, Major Koch (of course!) and the city workers responsible for the city's clean-up provide most of the laughs. One tormented Transport Authority official keeps complaining that the substance used to remove the paint also fogs the windows. A difficult choice. Either not getting a view from the windows because of the graffiti or because of the cleaning substance that fogs the windows.

And what about that cheesy ad campaign with Hector Camacho and Alex Ramos? 'Take it from the champs, graffiti is for chumps. Make your mark in society, not on society'.

And then in the press conference preceding the campaign.

'Mr mayor, are those posters graffiti proof?'

'Time will tell!'

Camacho and Ramos must be scratching the back of their heads by now. Many of the writers they agitated against have become legends by now but who remembers these two chumps?

It's hard to imagine the airwaves this caused when it first reached Europe. I think it was in 1985 when it first aired in the Netherlands and France and many other countries as well. Literally within months after this documentary was shown, cities like Amsterdam and Paris where bombed in a way they've never experienced before. Graffiti had made its mark, mostly by early pioneers that had their roots in the punk-scene, but after STYLE WARS the scene literally exploded and saw the beginning of hip hop culture in Europe as well. I think it's important to realize this film was much more influential in Europe. In the States it was the first major documentary on graffiti, but of a phenomenon that had existed for quite some time there, but in Europe - besides the early punk scene - it was unknown in 1983 and caused a huge stir. I've seen it many times now, but it never bores me. It remains just as vivid today as the first I saw it and it's subsequent historical significance just adds to the flavour when watching it again.

The film is packed with so many memorable moments, it's hard to pick one out. One of the most mesmerizing scenes is when three writers hang around at a subway station on the platform and start rapping on the rhymes from "The Message", by Grandmaster Flash and the Furious Five. After 30 seconds the actual song starts on the background just as the train rolls in. An amazing shot and a fantastic piece of editing, a wonderful scene! If there's anything like THE quintessential shot of New York City subcultures in 1982, this is it.

Now the much needed DVD-release is there, given the deluxe treatment by Public Art Films with two discs and lots of extras. I could have done without the interview with Tony Silver, not the most charismatic person around but most of the other stuff is OK with lost of artist galleries, tributes to DONDI and SHY 147 and lots of guest interviews with Fab 5 Freddy, Goldie, Guru, DJ Red Alert and photographer Martha Cooper.

Camera Obscura --- 9/10