| Hulk Hogan | ... | Mike McBride | |
| Shannon Tweed | ... | Hunter Wiley | |
| Carl Weathers | ... | Roy Brown | |
| Martin Kove | ... | Andy Powers | |
| Mike White | ... | Derek | |
| Gerard Plunkett | ... | Dr. Sarkisian | |
| Lisa Schrage | ... | Laura Berringer | |
| Dale Wilson | ... | Armand Berringer | |
| Jenny-Lynn Hutcheson | ... | Lily Berringer | |
| Eli Gabay | ... | Jamal | |
| Mark Gibbon | ... | Franz | |
| Martin Szlavy | ... | Helmut | |
| Anaya Farrell | ... | Dr. Magador | |
| Ron Reis | ... | Vlassi | |
| Emmanuelle Vaugier | ... | French Woman | |
| Ken Kirzinger | ... | John | |
| Adrian Formosa | ... | Tech #1 |
Directed by | |||
| Jon Cassar | |||
Writing credits(in alphabetical order) | ||
| Michael Berk | story | |
| Calvin Clements Jr. | (as Cal Clements Jr.) | |
| Douglas Schwartz | story | |
Produced by | |||
| Hulk Hogan | .... | executive producer (as Terry Bollea) | |
| Hulk Hogan | .... | producer | |
| Arvi Liimatainen | .... | producer | |
| Douglas Schwartz | .... | producer | |
| Harold Tichenor | .... | executive producer | |
Original Music by | |||
| Ken Harrison | |||
Cinematography by | |||
| David Geddes | |||
Film Editing by | |||
| Charles Robichaud | |||
Casting by | |||
| Bette Chadwick | |||
| Candice Elzinga | |||
Production Design by | |||
| Jill Scott | |||
Art Direction by | |||
| Eric Norlin | |||
Set Decoration by | |||
| Mary-Lou Storey | |||
Costume Design by | |||
| Karen L. Matthews | |||
Makeup Department | |||
| Julie McHaffie | .... | hair stylist | |
| Lisa Taylor Roberts | .... | makeup artist | |
| Mary Ann Valdes | .... | hair stylist: Mr. Hogan | |
Production Management | |||
| Jayme Pfahl | .... | post-production supervisor | |
| Anne M. Simonet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Arnold | .... | second assistant director | |
| Andrea Beardsley | .... | trainee assistant director | |
| Bill Ferguson | .... | second unit director | |
| Pierre Henry | .... | first assistant director | |
| Morgan Lewington | .... | second assistant director: second unit | |
| Fiona Winning | .... | third assistant director | |
Art Department | |||
| Chris Dutton | .... | property master | |
| Jim Geddes | .... | construction coordinator | |
Sound Department | |||
| Gashtaseb Ariana | .... | sound re-recording mixer | |
| Hennie Britton | .... | foley recordist | |
| Gordon Durity | .... | sound re-recording mixer | |
| Don Harrison | .... | foley artist | |
| Patrick Haskill | .... | sound editor | |
| Patrick Haskill | .... | sound effects editor | |
| Philip Hunter | .... | sound editor | |
| Gael MacLean | .... | sound supervisor | |
| Daryl Powell | .... | sound mixer | |
Special Effects by | |||
| Jeffrey Butterworth | .... | special effects assistant (as Jeffrey A. Butterworth) | |
| Terence J. Cox | .... | special effects first assistant | |
| Gary Paller | .... | special effects coordinator | |
Stunts | |||
| Curt Bonn | .... | stunt rigging coordinator | |
| Gavin Buhr | .... | stunts | |
| Jason Calder | .... | stunt performer | |
| Lauro Chartrand | .... | stunts | |
| Bill Ferguson | .... | stunt coordinator | |
| Terrance Leigh | .... | stunt double | |
| John Sampson | .... | stunts | |
| Darryl Scheelar | .... | stunt performer | |
| Rob Wilton | .... | stunt coordinator | |
| Rob Wilton | .... | stunts | |
Camera and Electrical Department | |||
| Fred Boyd | .... | gaffer | |
| Steve Holland | .... | generator operator | |
| Elizabeth House | .... | second assistant camera | |
| Ron MacLeay | .... | key grip | |
| Paul Michaud | .... | still photographer | |
| Marty Naucler | .... | first assistant camera: "a" camera, second unit | |
| John Seale Jr. | .... | focus puller: second camera | |
| Patrick Stepien | .... | "a" camera first assistant | |
| Gary Viola | .... | director of photography: second unit | |
| William Waring | .... | camera operator | |
| Michael 'Rail' Wrinch | .... | camera operator: second camera | |
| Vitali Zaporozhchenko | .... | still photographer | |
Casting Department | |||
| Ed Arenas | .... | location casting | |
| Sandra Couldwell | .... | extras casting | |
Costume and Wardrobe Department | |||
| Carolyn Cameron | .... | assistant costume designer (as Carolyn Pavelick) | |
| Terry Haws | .... | costume supervisor | |
| Lyne Talbot | .... | set costumer | |
Editorial Department | |||
| Gary Shaw | .... | video colorist | |
| Shelly Theaker | .... | assistant editor (as Shelley Theaker) | |
Transportation Department | |||
| Red Murphy | .... | transportation coordinator | |
Other crew | |||
| Carol Bailey | .... | first assistant accountant | |
| Santino Barile | .... | armorer | |
| Kevin L. Beggs | .... | executive consultant (as Kevin Beggs) | |
| Rick Constantineau | .... | production accountant | |
| Susan Crawford | .... | co-production coordinator | |
| Elaine Fleming | .... | co-production coordinator | |
| Rob Fournier | .... | armorer | |
| Lara Fox | .... | script supervisor | |
| Terry Haws | .... | set supervisor | |
| Chris Kaufman | .... | assistant: Doug Schwartz | |
| Rick Morwick | .... | stand-in | |
| Liz Rumball | .... | office production assistant | |
| Michael Williams | .... | location manager | |
Thanks | |||
| Craig Hamilton | .... | special thanks | |
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| Star Wars | Assault on Devil's Island | Transformers | G.I. Joe: The Rise of Cobra | Dreamcatcher |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Canada section |
Hulk saves the world, yet again. Like all of Hulk Hogans movies this is in the so bad it's good category. Naturally I wouldn't say that to his face. The one thing that stops this movie from excelling in that category though is that it has quite a few really revolting bits in it. For example, the fact that every single baddie of the two unconnected plots is a foreigner and every one of the morally good people is American.
There's little point in pointing out odd behaviour by the characters or plot inconsistencies in a movie like this, but I will anyway. In the first plot, which really is just a filler because they didn't manage to pad out the 2nd plot to last for more than an hour, the good guys need to rescue a little girl who's been kidnapped by her Austrian dad from his American wife. The Austrian turns out to be majorly wealthy, but a foreigner so he deserves all that he gets, like having about 15 of his life guards shot while Hulk and the team rescue the little girl. A bit over the top or what? This plot also serves the film makers with an excellent opportunity to show as much cleavage as possible. This is achieved by having Shannon Tweed, disguised as a guest, sneak into the exclusive party the little girl's dad is holding at his estate. She gets to wear a necklace with a camera hidden inside so her necklace and of course her cleavage are shown in close up's a number of times. Pure genius.
A common trait for really bad movies like this is the way Mister Evil's henchmen are disposed off. Naturally they're positioned all over the building but one single punch ALWAYS knocks them out cold, never to return to action for the rest of the movie. Unless of course there's a fight scene needed, then the baddies get hit over and over again before they finally get knocked out. Similarly, the baddies can fire machine gun rounds after rounds at the good guys without a single hit while the good guys need one single shot to dispose of entire armies. Unless the baddie has had a bit of screen time, then he'll be much harder to kill. Also, like in all bad action movies, either the number one or number two baddie will be totally cruel and evil when he's got the good guy tied up but will become a shivering coward once the roles are reversed.
I don't know, I'm probably not who this movie is marketed at (I shudder to think of the target audience) but I'd find it much more interesting if the baddies actually had a reason to be evil. They're always evil for no reason which makes them cartoon characters. But then, every single character in this movie is a cartoon character.
So, in conclusion. Good for a chuckle but not really a truly good, bad film.