Directed by
| Iren Koster | ||
Writing Credits
| Iren Koster | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Bill Lewski | ... | executive producer |
| Murray Sestak | ... | associate producer / producer |
| Tracey Silvers | ... | executive producer |
| Salik Silverstein | ... | producer |
| David Teitelbaum | ... | producer |
Music by
| Allan Zavod | ||
Cinematography by
| László Baranyai | ||
Editing by
| Brett Southwick | ||
Casting By
| Nick Hamon | ||
Production Design by
| Graham Blackmore | ||
Art Direction by
| Julian Faull | ||
Makeup Department
| Jacqui Elliott | ... | additional makeup artist |
| Helen Magelakis | ... | assistant makeup artist (as Helen Magelaki) |
| Christine McIntyre | ... | additional makeup artist |
| José Luis Pérez | ... | makeup department head |
Production Management
| Nino Negrin | ... | unit manager |
| Murray Sestak | ... | production manager |
Second Unit Director or Assistant Director
| Aurelia Ginevra | ... | second assistant director |
| Robert Kewley | ... | first assistant director |
| Iain Pirret | ... | additional assistant director |
| Velika Tasevski | ... | third assistant director |
Art Department
| Kathryn Bates | ... | stand-by props |
| Fiona McInerney | ... | set dresser |
| Maria Pena | ... | storyboard artist |
| Tao Weis | ... | set dresser |
Sound Department
| Victor de Koster | ... | sound liaison |
| Paul Huntingford | ... | foley artist |
| Doron Kipen | ... | foley mixer / sound mixer |
| Frank Lipson | ... | sound effects editor |
| John McKerrow | ... | sound recordist |
| Glenn Newnham | ... | dialogue editor |
| Rachael Sherriff | ... | foley editor |
| Jenny Sutcliffe | ... | boom operator |
| Keith Thomas | ... | sound mixer |
Special Effects by
| Peter Stubbs | ... | special effects supervisor |
| Kevin Turner | ... | special effects technician |
Stunts
| Zev Eleftheriou | ... | stunt coordinator |
| Warwick Sadler | ... | stunt player |
Camera and Electrical Department
| Ian Benallack | ... | key grip |
| Mathew Blackwood | ... | additional electrician |
| Francesca Bosch | ... | clapper loader |
| Tom Jannike | ... | second grip |
| Andrew Jepson | ... | generator operator |
| Iren Koster | ... | still photographer |
| Peter Moloney | ... | best boy (as Peter Maloney) |
| Janek Szalc | ... | additional electrician |
| Travis Walker | ... | fourth grip |
| Peter White | ... | focus puller |
| Rob Young | ... | gaffer |
Costume and Wardrobe Department
| Zed Dragojlovich | ... | assistant costume designer |
| Margaret Eastgate | ... | wardrobe assistant |
| Shauna Lovisetto | ... | wardrobe assistant |
| Frank Mangano | ... | wardrobe bus |
| Mandy Sedawie | ... | stand-by wardrobe |
Editorial Department
| Ian Anderson | ... | laboratory liaison |
| Melanie Hartskeerl | ... | negative matcher |
| Louis Keramidas | ... | laboratory liaison |
| Ian Letcher | ... | color grader |
| Rohan Wilson | ... | negative matcher |
Music Department
| Iren Koster | ... | composer: songs "Know The Feeling", Nowhere Land", I Wish You Were Mine", I Will Carry On" |
Script and Continuity Department
| Karinda Parkinson | ... | script supervisor |
Additional Crew
| Martine Broderick | ... | production coordinator |
| Tim Burgin | ... | unit assistant |
| John Fox | ... | armorer |
| Nigel Giles | ... | unit assistant |
| Sarah Harold | ... | production coordinator |
| Fiona Searson | ... | publicist |
| Oliver Streeton | ... | title designer |
| Atlanta Treloar | ... | production secretary |
| Tobi Webster | ... | production runner |
