At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
The only thing more outrageous than French novelist George Sand's torrid love affair with the decadent author Alfred de Musset and her affinity for wearing men's clothing, was the content ... See full summary »
A provocative erotic drama, stylishly rendered by Andre Techine, who won the Best Director award at the Cannes Film Festival for this compelling investigation into the intersection of sexual and artistic passion.
Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
This parody of the detective-story genre merrily detours into spoofing French foibles as well, making it more of an exercise in verbal gymnastics than a narrative with a mission. Esther is ... See full summary »
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional ... See full summary »
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They start a passionate relationship, although Martin remains very mysterious about his past and the reasons why he left his family. But when Alice tells him she's pregnant, he is suddenly almost driven to madness, as his past comes back to his mind. Alice will now do anything she can to help him. Written by
A weirdly inconsistent film, mixing hamfisted direction with an occasional obsessive attention to telling detail, seemingly shallow interactions with deeper thoughts, and Juliette Binoche's acting with Alexis Loret's acting. Loret can't act at all, even though he is pretty. This is not a great French film, but there's a lot to like about it nonetheless. Juliette Binoche is in fact that pretty, and she can act too. It has some (but not all) of the unforced naturalness that distinguishes French cinema. And it does not look upon its audience as a bunch of slack-jawed troglodytes, always a plus. Seven of ten, not the thing to convince someone to enjoy French cinema but pleasurable nonetheless.
3 of 4 people found this review helpful.
Was this review helpful to you?