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The Grandfather (1998)

El abuelo (original title)
PG | | Drama | 30 October 1998 (Spain)
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0:37 | Trailer
After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

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Nominated for 1 Oscar. Another 9 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Fernando Fernán Gómez ...
Rafael Alonso ...
...
Agustín González ...
Cristina Cruz ...
Alicia Rozas ...
Fernando Guillén ...
Francisco Piquer ...
Prior de Zaratay
María Massip ...
Gregoria
José Caride ...
Francisco Algora ...
Emma Cohen ...
Vicenta, la alcaldesa
...
Concha Gómez Conde ...
Doña Consuelito
Nuria Rodríguez ...
Criada
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Storyline

An elderly man returns to Spain after spent some time in Peru looking for gold mines and losing his fortune. He returns because his son has died leaving two daughters, and the son has left a note stating that one of the two is a bastard child. The grandfather hopes to find out which is his true granddaughter. Written by <Bondelev@usc.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements and language | See all certifications »
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Details

Country:

Language:

Release Date:

30 October 1998 (Spain)  »

Also Known As:

The Grandfather  »

Box Office

Budget:

ESP 400,000,000 (estimated)

Opening Weekend:

$12,726 (USA) (8 October 1999)

Gross:

$50,037 (USA) (29 October 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

Rafael Alonso died before he complete dubbing of his character, dubbing actor Félix Acaso did his voice. See more »

Quotes

Don Rodrigo de Arista Potestad: Villainy is forgivable. Ingratitude, never.
See more »

Connections

Version of La duda (1972) See more »

Soundtracks

Gymnopédie
By Erik Satie
Arranged by Manuel Balboa
Performed by Orquesta Sinfónica de Madrid
Conducted by Ángel Gil Ordóñez
Piano soloist: Liliam María Castillo (as Lilian Castillo)
See more »

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User Reviews

 
Beautiful filming accompanies sensitive interpretations
16 December 2000 | by (La Rioja, Spain) – See all my reviews

My immediate impression after seeing this film for the first time (and any really good film needs to be seen at least twice) was that at last here was another little masterpiece to add to the very limited cinematographical treasure troves produced by Spain in the last quarter of a century. 'El Abuelo' stands very well alongside `El Sur' (1982) and `Los Santos Inocentes' (1984), these two also being adapted from novels. I cannot help thinking that Garci is at his best when with the help of Valcárcel he adapts a story from real Spanish literature. As perhaps the most prestigious and prize-winning Spanish director (we shall pass over Almodóvar and his commercially orientated light entertainment), having won at Hollywood, Montreal, and Spain's own Goya prize several times, he has produced some memorable films and TV series (Historias del Otro Lado - Stories from the Other Side), mostly because he has that acute eye for capturing every detail as he shoots his scenes. He knows how to use his actors, and never better than in `El Abuelo'. The leading actors bring sincere interpretations, full of feeling, adding beauty to the situations being developed. The film is also a little tribute to Rafael Alonso, who died without seeing the finished film: his life ended with the hugely memorable part of an unpresuming private home teacher to the two little girls - Dolly and Nelly - one of whom is not really Don Rodrigo's granddaughter. Fernán Gómez is of course perfect, as he has been in most of his films in recent years, and Agustín González has at last played his best rôle in the whole of his acting career. Don Rodrigo returns from the Americas where he lost a fortune, to find out which of the two girls was due to his daughter-in-law's unfaithfulness. The novel itself is `costumbrista' as is also the novel by Concha Espina, `El Junco', which deals with a similar situation. Manuel Balboa once again has been exquisite in choosing his music and I must mention the sumptuous photography by Raúl Pérez Cubero, beautifully, lovingly captured in the countryside and around the grand old house, worth any prizes that may be floating around out there.....But I do not believe in prizes: they mostly exist only to perpetuate themselves. `El Abuelo' does not need any prizes - it stands up on its own merits: simply a wonderful film telling a story with simplicity and feeling.


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