| Photos (See all 52 | slideshow) | Videos (see all 9) |
| Julianne Moore | ... | Linda Partridge | |
| William H. Macy | ... | Donnie Smith | |
| John C. Reilly | ... | Officer Jim Kurring | |
| Tom Cruise | ... | Frank T.J. Mackey | |
| Philip Baker Hall | ... | Jimmy Gator | |
| Philip Seymour Hoffman | ... | Phil Parma | |
| Jason Robards | ... | Earl Partridge | |
| Alfred Molina | ... | Solomon Solomon | |
| Melora Walters | ... | Claudia Wilson Gator | |
| Michael Bowen | ... | Rick Spector | |
| Ricky Jay | ... | Burt Ramsey / Narrator | |
| Jeremy Blackman | ... | Stanley Spector | |
| Melinda Dillon | ... | Rose Gator | |
| April Grace | ... | Gwenovier | |
| Luis Guzmán | ... | Luis (as Luis Guzman) | |
| Henry Gibson | ... | Thurston Howell | |
| Felicity Huffman | ... | Cynthia | |
| Emmanuel Johnson | ... | Dixon (as Emmanuel L. Johnson) | |
| Don McManus | ... | Dr. Landon | |
| Eileen Ryan | ... | Mary | |
| Danny Wells | ... | Dick Jennings | |
| Orlando Jones | ... | Worm | |
| Michael Murphy | ... | Alan Kligman Esq. | |
| Pat Healy | ... | Sir Edmund William Godfrey / Young Pharmacy Kid | |
| Genevieve Zweig | ... | Mrs. Godfrey | |
| Mark Flannagan | ... | Joseph Green | |
| Neil Flynn | ... | Stanley Berry | |
| Rod McLachlan | ... | Daniel Hill | |
| Allan Graf | ... | Firefighter | |
| Patton Oswalt | ... | Delmer Darion | |
| Raymond 'Big Guy' Gonzales | ... | Reno Security Guard | |
| Brad Hunt | ... | Craig Hansen | |
| Jim Meskimen | ... | Forensic Scientist | |
| Chris O'Hara | ... | Sydney Barringer | |
| Clement Blake | ... | Arthur Barringer | |
| Frank Elmore | ... | 1958 Detective | |
| John Kraft Seitz | ... | 1958 Policeman | |
| Cory Buck | ... | Young Boy | |
| Tim Soronen | ... | Infomercial Guy (as Tim 'Stuffy' Sorenen) | |
| Jim Ortlieb | ... | Middle Aged Guy | |
| Thomas Jane | ... | Young Jimmy Gator | |
| Holly Houston | ... | Jimmy's Showgirl | |
| Benjamin Niedens | ... | Little Donnie Smith | |
| Veronica Hart | ... | Dentist Nurse #1 | |
| Melissa Spell | ... | Dentist Nurse #2 | |
| James Kiriyama-Lem | ... | Dr. Lee | |
| Jason 'Jake' Cross | ... | Pedestrian #1 (as Jake Cross) | |
| Charlie Scott | ... | Pedestrian #2 | |
| Juan Medrano | ... | Nurse Juan | |
| John Pritchett | ... | Police Captain | |
| Cleo King | ... | Marcie | |
| Michael Shamus Wiles | ... | Captain Muffy | |
| Jason Andrews | ... | Doc | |
| John S. Davies | ... | Cameraman | |
| Kevin Breznahan | ... | Geoff / Seminar Guy | |
| Miguel Pérez | ... | Avi Solomon (as Miguel Perez) | |
| David Masuda | ... | Coroner Man | |
| Neil Pepe | ... | Officer #1 | |
| Lionel Mark Smith | ... | Detective | |
| Annette Helde | ... | Coroner Woman | |
| Lynne Lerner | ... | Librarian | |
| Scott Burkett | ... | WDKK Page #1 | |
| Bob Brewer | ... | Richard's Dad | |
| Julie Brewer | ... | Richard's Mom | |
| Nancy Marston | ... | Julia's Mom | |
| Maurey Marston | ... | Julia's Dad | |
| Jamala Gaither | ... | WDKK P.A. | |
| Amy Brown | ... | WDKK Page #2 | |
| Meagen Fay | ... | Dr. Diane (as Meagan Fay) | |
| Patricia Forte | ... | Mim | |
| Patrick Warren | ... | Todd Geronimo | |
| Virginia Pereira | ... | Pink Dot Girl (voice) | |
| Craig Kvinsland | ... | Brad the Bartender | |
| Patricia Scanlon | ... | Cocktail Waitress | |
| Natalie Marston | ... | Julia | |
| Bobby Brewer | ... | Richard | |
| Clark Gregg | ... | WDKK Floor Director | |
| Art Frankel | ... | Old Pharmacist | |
| Matt Gerald | ... | Officer #2 | |
| Guillermo Melgarejo | ... | Pink Dot Guy | |
| Paul F. Tompkins | ... | Chad, Seduce & Destroy (voice) | |
| Mary Lynn Rajskub | ... | Janet, Frank's Assistant (voice) | |
| Jim Beaver | ... | Smiling Peanut Patron #1 | |
| Ezra Buzzington | ... | Smiling Peanut Patron #2 | |
| Denise Woolfork | ... | Smiling Peanut Patron #3 | |
| New World Harmonica Trio | ... | Harmonica Players | |
| Robert Downey Sr. | ... | WDKK Show Director (as Bob Downey Sr. 'a Prince') | |
| William Mapother | ... | WDKK Show Director's Assistant | |
| Larry Ballard | ... | WDKK Medic | |
| Brett Higgins | ... | Mackey Disciple Twin #1 | |
| Brian Higgins | ... | Mackey Disciple Twin #2 | |
| Michael Phillips | ... | Mackey Disciple in Middle (as Michael 'Jocco' Phillips) | |
| Lillian Adams | ... | Donnie's Old Neighbor | |
| Steven Bush | ... | Paramedic #1 | |
| Mike Massa | ... | Paramedic #2 | |
| Dale Gibson | ... | Paramedic #3 | |
| Scott Alan Smith | ... | E.R. Doctor | |
| rest of cast listed alphabetically: | |||
| Junichi Yanagita | ... | Mackey's Follower | |
| Robert Bella | ... | Detective #2 (uncredited) | |
| Douglas Busby | ... | Featured SAG Role (uncredited) | |
| Christina Eliason | ... | Hot Date (uncredited) | |
| Thomas Griffin | ... | Forensic Scientist (uncredited) | |
| Phil Hawn | ... | Bob, Seminar Attendee (uncredited) | |
| Miriam Margolyes | ... | Faye Barringer (uncredited) | |
| Tom Ohmer | ... | Detective (uncredited) | |
| Lynne Oropeza | ... | Bride (uncredited) | |
| Colleen Pelletier | ... | Gameshow Audience Member (uncredited) | |
| Dayna Price | ... | Brenda Barringer (uncredited) | |
| Herb Santos Jr. | ... | 21 Dealer (uncredited) | |
| Tom Tangen | ... | Drunken Dart Player (uncredited) | |
| Sean Wilson | ... | Arresting Police Officer (uncredited) | |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(WGA) | ||
| Paul Thomas Anderson | (written by) | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Robert Elswit | |||
Film Editing by | |||
| Dylan Tichenor | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| William Arnold | |||
| Mark Bridges | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist: Tom Cruise | |
| Gabor Heiligenberg | .... | hair stylist | |
| Selina Jayne | .... | makeup artist | |
| Elaine L. Offers | .... | makeup artist: Julianne Moore (as Elaine Offers) | |
| Tina Roesler Kerwin | .... | key makeup artist (as Tina K. Roesler) | |
| Kelvin R. Trahan | .... | key hair stylist (as Kelvin Trahan) | |
| Rita Troy | .... | key hair stylist | |
| Joel Harlow | .... | special makeup effects artist (uncredited) | |
| Camille Henderson | .... | makeup artist (uncredited) | |
| Joann Kozloff | .... | makeup artist (uncredited) | |
| Christopher Allen Nelson | .... | special makeup effects artist (uncredited) | |
| Lynn Rodgers | .... | makeup artist (uncredited) | |
| Derik Wingo | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Daniel P. Collins | .... | unit supervisor (as Dan Collins) | |
| Carla Fry | .... | executive in charge of production | |
| Mark Graziano | .... | post-production supervisor | |
| Daniel Lupi | .... | unit production manager | |
| Craig Markey | .... | production supervisor | |
Art Department | |||
| Richard F. Anderson | .... | on-set dresser (as Richard Anderson) | |
| Fiona Apple | .... | artwork: Claudia | |
| Chuck Askerneese | .... | assistant propmaster | |
| P. Scott Bailey | .... | second assistant props (as Scott Bailey) | |
| Fariba Behnam | .... | art department production assistant | |
| Earl F. Betts | .... | propmaker foreman (as Earl Betts) | |
| Conny Boettger | .... | set designer (as Conny Boettger-Marinos) | |
| Robert J. Carlyle | .... | construction coordinator | |
| Thomas Culberhouse | .... | propmaker | |
| Roger Dudley | .... | propmaker (as Roger G. Dudley) | |
| Brent Dyer | .... | propmaker | |
| Greg Eliot | .... | propmaker (as Greg Elliot) | |
| William A. Fobert | .... | propmaker (as Bill Fobert) | |
| Shepherd Frankel | .... | assistant art director | |
| Kristen Gassner | .... | art department buyer | |
| Gerald Gates Jr. | .... | paint foreman (as Gerald Gates) | |
| Egan Gauntt | .... | art department production assistant | |
| Jeff Gross | .... | propmaker | |
| Timothy Gunther | .... | propmaker | |
| Jill Haber | .... | painter | |
| Robert Hale | .... | painter | |
| Kim Lincoln | .... | graphic artist | |
| Jamie Litwak | .... | propmaker | |
| Wes Long | .... | on-set dresser | |
| Dikran Mahakian | .... | propmaker | |
| Reynold Marotta | .... | laborer | |
| Richard McConnell | .... | gang boss | |
| Richard McConnell | .... | propmaker | |
| Tony Miller | .... | plasterer | |
| Martin Milligan | .... | set dresser | |
| Ray Rarick | .... | general foreman | |
| Mike Reiber | .... | stand-by painter | |
| Darlene Salinas | .... | art department coordinator | |
| Matt Shepherd | .... | on-set dresser | |
| Brian Shupper | .... | on-set dresser (as Bryan Hurley Shupper) | |
| Andrew M. Siegel | .... | additional second assistant props (as Andrew Siegel) | |
| Pilo Silva | .... | greensman gang boss (as Porfirio 'Pilo' Silva) | |
| Steve Soffer | .... | graphic artist: opening graphics, game show unit | |
| Gary Stel | .... | labor foreman | |
| Juan Torres | .... | greensman | |
| Melora Walters | .... | artwork: Claudia | |
| Mark Weissenfluh | .... | leadman | |
| Shaun S. Wiggins | .... | labor gang boss | |
| Timothy S. Wiles | .... | property master (as Tim Wiles) | |
| Tony Wright | .... | laborer | |
| Don Yaklin | .... | propmaker | |
| D.A. Zingelewicz | .... | painter (as Danny Zingelewicz) | |
| Martin L. Mercer | .... | storyboard artist (uncredited) | |
| Tracy Michele Tabb | .... | graphic artist (uncredited) | |
| Quinn Yarbrough | .... | set dresser (uncredited) | |
Visual Effects by | |||
| Julie Adrianson-Neary | .... | digital artist: ILM (as Julie Neary) | |
| Vicki Beck | .... | CG operations: ILM | |
| Andrea Biklian | .... | negative line-up: ILM | |
| Patricia Blau | .... | senior staff: ILM | |
| Matt Bouchard | .... | digital artist: ILM | |
| Colin Brady | .... | animator: ILM | |
| Jason Brown | .... | technical support: ILM | |
| Beth D'Amato | .... | digital paint and rotoscope artist: ILM | |
| Lorelei David | .... | assistant visual effects editor: ILM | |
| Lindy DeQuattro | .... | digital artist: ILM (as Lindy Wilson) | |
| Mike Ellis | .... | scanning: ILM | |
| Chrissie England | .... | senior staff: ILM (as Chrissy England) | |
| Brian Flora | .... | digital matte artist: ILM | |
| Camille Geier | .... | visual effects producer: ILM | |
| Derek Gillingham | .... | frog construction: ILM | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Michele Gray | .... | digital plate restoration: ILM (as Michelle Spina) | |
| Paul Griffin | .... | visual effects animation supervisor: ILM | |
| Joseph Grossberg | .... | visual effects producer | |
| John Helms | .... | digital artist: ILM | |
| Tony Hudson | .... | digital model supervisor: ILM | |
| Tony Hurd | .... | CG operations: ILM | |
| Zoran Kacic-Alesic | .... | software research & development: ILM (as Zorian Kacic-Alesic) | |
| Florian Kainz | .... | software research & development: ILM | |
| Gregor Lakner | .... | CG supervisor: ILM | |
| Joe Letteri | .... | visual effects supervisor | |
| Joshua Levine | .... | digital artist: ILM | |
| Luke Longin | .... | lead matchmover: ILM | |
| Greg Maloney | .... | CG supervisor: ILM | |
| Tia L. Marshall | .... | digital artist: ILM (as Tia Marshall) | |
| Ian McCamey | .... | technical support: ILM | |
| Todd Mitchell | .... | scanning: ILM | |
| Steve Molin | .... | digital artist: ILM | |
| Jim Morris | .... | senior staff: ILM | |
| Dani Morrow | .... | matchmover: ILM | |
| Michelle Motta | .... | technical support: ILM | |
| David Nakabayashi | .... | visual effects art director: ILM | |
| Aaron Pfau | .... | frog construction: ILM | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Leslie Safley | .... | visual effects production assistant: ILM | |
| Jeff Saltzman | .... | matchmover: ILM (as Jeffrey Saltzman) | |
| Robin Saxen | .... | visual effects production coordinator: ILM | |
| Josh Seims | .... | production engineering software: ILM | |
| Joe Takai | .... | production engineering supervisor | |
| Stephanie Taubert | .... | digital plate restoration: ILM (as Stephanie Tolbert) | |
| Barbara Townsend | .... | digital artist: ILM | |
| Marjolaine Tremblay | .... | lead animator: ILM (as Marjoliane Tremblay) | |
| Michael Van Eps | .... | digital paint/rotoscope artist: ILM (as Mike Van Epps) | |
| Bruce Vecchitto | .... | color timing supervisor: ILM | |
| Andy Wang | .... | digital artist: ILM | |
| John Zdankiewicz | .... | animator: ILM | |
| Cam Griffin | .... | digital paint and rotoscope artist (uncredited) | |
| Kirk Henderson | .... | concept artist (uncredited) | |
| Lloyd Hess | .... | technical support (uncredited) | |
| Louis Katz | .... | rebel unit technical director (uncredited) | |
| Matt McDonald | .... | digital compositor (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| M. Zachary Sherman | .... | digital effects artist (uncredited) | |
| Tristan Tom | .... | technical support: ILM (uncredited) | |
| Dan Weeks | .... | software developer (uncredited) | |
Stunts | |||
| Michael Adams | .... | stunts | |
| Richard Burden | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Phil Culotta | .... | stunts | |
| Ousaun Elam | .... | stunts (as Ousan Elam) | |
| Debbie Evans | .... | stunts | |
| Ray Gabriel | .... | stunts | |
| Allan Graf | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Ethan Jensen | .... | stunts | |
| Mike Massa | .... | stunts | |
| John Moio | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts | |
| Dan Plum | .... | stunts | |
| Jeff Podgurski | .... | stunts | |
| Dennis Scott | .... | stunts | |
| Rick Seaman | .... | stunts | |
| Webster Whinery | .... | stunt coordinator | |
| Harry Wowchuk | .... | stunts | |
| Bob Yerkes | .... | stunts | |
| Bruno Angelico | .... | stunt driver (uncredited) | |
| Rob Sanchez | .... | stunt rigger (uncredited) | |
Camera and Electrical Department | |||
| Alfred Ainsworth | .... | video assist operator | |
| Paul E. Avery | .... | rigging electrician | |
| Paul C. Babin | .... | camera operator (as Paul Babin) | |
| Robert J. Babin | .... | rigging key grip (as Bob Babin) | |
| James Barrett | .... | electrician | |
| Ben Beaird | .... | key grip | |
| Nick Beaird | .... | grip | |
| Guy Norman Bee | .... | Steadicam operator (as Guy Bee) | |
| Christos Bitsakos | .... | second assistant camera (as Christos C. Bitsakos) | |
| Hans Bjerno | .... | aerial camera operator | |
| John Brosnan | .... | video playback operator: Playback Technologies, Inc. | |
| Craig Brown | .... | rigging best boy grip | |
| Billy Craft | .... | electrician | |
| Steve Craft | .... | second assistant camera | |
| Glen Davis | .... | best boy grip (as Glenn 'Bear' Davis) | |
| R. Michael De Chellis | .... | best boy electric (as Michael DeChellis) | |
| Steve Galvin | .... | rigging best boy electric: game show unit | |
| Tom Girskis | .... | lighting board operator: game show unit | |
| Raymond Gonzales | .... | electrician | |
| Thomas Holmes | .... | rigging electrician (as Thomas S. Holmes) | |
| Steve Irwin | .... | video playback operator: Playback Technologies, Inc. | |
| Jeff Kunkel | .... | dolly grip | |
| Jim Leidholdt | .... | rigging grip | |
| Michael R. Marquette | .... | additional first assistant camera (as Mike Marquette) | |
| André Martin | .... | camera technician: pathé camera | |
| Scott Moody | .... | gaffer: game show unit | |
| Shawn Neary | .... | best boy grip (as Shawn M. Neary) | |
| John O'Grady | .... | grip | |
| Chris R. Oliver | .... | grip (as Chris Oliver) | |
| James Plannette | .... | chief lighting technician | |
| Cynthia Pusheck | .... | underwater camera operator | |
| Michael G. Riba | .... | first assistant camera (as Michael Riba) | |
| Nikola Ristic | .... | electrician | |
| Kenny Schneider | .... | rigging gaffer (as Kenneth Schneider) | |
| Peter Sorel | .... | still photographer | |
| Justin Stroh | .... | electrician | |
| Carrie Williams | .... | provider: pathé camera | |
| Elizabeth Ziegler | .... | Steadicam operator | |
| Maryan Zurek | .... | underwater first assistant camera | |
| Victor Aguirre | .... | still photographer intern (uncredited) | |
| Debbie Arrowood | .... | second assistant camera (uncredited) | |
| Mindy Bee | .... | assistant camera (uncredited) | |
| Ben Betts | .... | video engineer (uncredited) | |
| Robert L. Blatman | .... | director of photography: second unit (uncredited) | |
| Louie Escobar | .... | rigging grip (uncredited) | |
| Michael-Ryan Fletchall | .... | crane technician (uncredited) | |
| Camille Freer | .... | second assistant camera (uncredited) | |
| Ákos Gulyás | .... | additional camera loader (uncredited) | |
| Billy Gunn | .... | lighting technician: game show (uncredited) | |
| Rick Lamb | .... | assistant camera (uncredited) | |
| Lon Magdich | .... | additional cinematographer (uncredited) | |
| Larry Markart | .... | video engineer (uncredited) | |
Animation Department | |||
| Gray Miller | .... | animator (uncredited) | |
Casting Department | |||
| Jerry Conca | .... | extras casting: Rainbow Casting | |
| Barbara Harris | .... | voice casting | |
| Michele Short | .... | casting assistant | |
| Tony Rasmussen | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Lisa Campbell | .... | costume production assistant | |
| Kelly Everett | .... | additional set costumer | |
| Rebecca Gregg | .... | costumer production assistant (as Rebecca Cummings) | |
| Linda J. McCarthy | .... | costumer (as Linda McCarthy) | |
| Pablo Nantas | .... | tailor | |
| Andrew Slyder | .... | set costumer | |
| Karla Stevens | .... | costume supervisor | |
| Tammy Surber | .... | set costumer (as Tammy Williamson) | |
| Ellen Ryba | .... | costumer (uncredited) | |
Editorial Department | |||
| Monica Anderson | .... | first assistant editor | |
| Marie Gaerlan | .... | apprentice editor | |
| Phil Hetos | .... | color timer | |
| Brent Kaviar | .... | post-production services | |
| Lara Khachooni | .... | additional apprentice editor | |
| Ladd Lanford | .... | first assistant editor | |
| Jody Levin | .... | executive in charge of post-production | |
| Christopher Marino | .... | assistant editor: avid (as Chris Marino) | |
| Gary Trentham | .... | additional apprentice editor | |
| D. Todd Deeken | .... | post-production services: New Line (uncredited) | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Bob McMillian | .... | color timer (uncredited) | |
| Peter Tackaberry | .... | apprentice editor (uncredited) | |
Music Department | |||
| Fiona Apple | .... | composer: additional music | |
| Bob Bowen | .... | music coordinator | |
| Julian Bratolyubov | .... | music preparation (as Julia Bratolyubov) | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Toby Emmerich | .... | executive in charge of music | |
| Tom Hardisty | .... | assistant music engineer | |
| Jonathan Karp | .... | music technical consultant | |
| Mark Kaufman | .... | music clearance executive | |
| Bill Monk | .... | game show score keeper (as Billy Monk) | |
| Ron Nugent | .... | game show score keeper | |
| Thomas Pasatieri | .... | conductor | |
| Thomas Pasatieri | .... | consultant: musical score | |
| Paul Rabjohns | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Dana Sano | .... | music supervisor | |
| Lori Silfen | .... | music business affairs executive | |
| Patti Zimmitti | .... | orchestra contractor | |
| Paul Thomas Anderson | .... | executive music producer (uncredited) | |
| Nathan Furst | .... | score technical assistant (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Other crew | |||
| Nellie Adami | .... | assistant production coordinator | |
| Guy Adan | .... | unit publicist | |
| Linda Andersson | .... | additional assistant chef | |
| Debbie Andrews | .... | construction accountant (as Debbi M. Andrews) | |
| Larry Ballard | .... | on-set medic | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Jennifer Barrons | .... | assistant: Paul Thomas Anderson | |
| Jennifer Barrons | .... | production associate | |
| Matt Bauer | .... | production office assistant | |
| Jeff Behlendorf | .... | post-production accountant | |
| Judith M. Brown | .... | studio teacher (as Judith Brown) | |
| Steven Butensky | .... | first assistant accountant | |
| Laurie Cartwright | .... | risk management | |
| Jennifer Clark | .... | accounting assistant | |
| Kenneth H. Clarke | .... | construction medic | |
| Valeria Migliassi Collins | .... | script supervisor | |
| Ken Daniells | .... | production assistant: Tom Cruise | |
| Michael Doven | .... | production associate: Tom Cruise | |
| Jennifer Duclos | .... | cast unit assistant | |
| Leon Dudevoir | .... | production executive | |
| Jeff Egan | .... | production safety | |
| Erik Ellner | .... | production attorney | |
| Cecilia Escobar | .... | payroll accountant | |
| Dave Evans | .... | assistant location manager | |
| Kerry A. Fitzmaurice | .... | set production assistant | |
| James Flemming | .... | assistant chef | |
| Lorin Flemming | .... | chef | |
| Jamala Gaither | .... | set production assistant | |
| Gregory Donald Gateley | .... | unit production assistant (as Greg Gately) | |
| Emily Glatter | .... | supervising production coordinator | |
| Linda 'Sam' Glynn | .... | assistant location manager (as Sam Glynn) | |
| Don Gray | .... | motion control: game show unit | |
| Allison Harvey | .... | production office assistant | |
| David Hayles | .... | on-set medic | |
| Justin Healy | .... | assistant location manager | |
| Gerry Hernandez | .... | assistant caterer | |
| Tim Hillman | .... | location manager (as Timothy Hillman) | |
| Dominique Jaramillo | .... | on-set medic (as Dominic Jaramillo) | |
| Chris Johnson | .... | electronic technician: game show unit | |
| Hector Jumilla Jr. | .... | production office assistant (as Hector Jumilla) | |
| John Brian King | .... | title designer (as Brian King) | |
| Jon Krueger | .... | assistant unit supervisor (as Jonathan Krueger) | |
| Thomas Krueger | .... | production medic | |
| Eileen Malyszko Lee | .... | production coordinator (as Eileen Malyszko) | |
| Ivan Martin del Campo | .... | production office assistant | |
| James Moody | .... | game show lighting designer | |
| James Moran | .... | set production assistant | |
| Jennifer Mount | .... | risk management | |
| Lisa Barkin Oxley | .... | production attorney | |
| Andrew Padilla | .... | security: Dignitary Protection International Agency | |
| David Panzer | .... | production safety | |
| Michael Phillips | .... | set production assistant (as Michael 'Jocco' Phillips) | |
| Paul Prokop | .... | production controller | |
| Alan D. Purwin | .... | aerial coordinator (as Alan Purwin) | |
| Mark Rance | .... | project documentarian | |
| Joshua Ravetch | .... | production resources | |
| Paul Real | .... | second assistant accountant | |
| Larry Ring | .... | assistant location manager | |
| Martin E. Rose | .... | coordinator: LAPD | |
| Albert G. Ruben | .... | insurance: J&H Marsh & McLennan, Inc. | |
| Juan Ruiz | .... | assistant caterer | |
| Chanel Salzer | .... | assistant location manager | |
| Charlie Scott | .... | craft service (as Charles Scott) | |
| Clifford Scott | .... | assistant craft service | |
| Julianna Selfridge | .... | risk management | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Rick Shuster | .... | pilot | |
| Kelly A. Snyder | .... | production accountant | |
| Wesley Staples | .... | studio teacher | |
| Sonya Thompsen | .... | contract administrator (as Sonya Thompsen Halsey) | |
| Aaron Ali Tichenor | .... | production secretary (as Aaron Tichenor) | |
| Dirk Vahle | .... | helicopter pilot | |
| Will Weiske | .... | special projects supervisor | |
| Kate Wilson | .... | assistant: Joanne Sellar | |
| Fred Witten | .... | game show consultant | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
| Richard Bellos | .... | stand-in: Phillip Baker Hall (uncredited) | |
| Claudia Cooper | .... | stand-in (uncredited) | |
| Jason Cox | .... | production assistant (uncredited) | |
| Sebastian Feldman | .... | stand-in: Alfred Molina (uncredited) | |
| Trent Hara | .... | production coordinator: second unit (uncredited) | |
| Lynn Harris | .... | production executive (uncredited) | |
| P.J. Ince | .... | production assistant (uncredited) | |
| Dominique Jaramillo | .... | production medic (uncredited) | |
| Joseph Keideth | .... | security: Mr. Cruise (uncredited) | |
| Ryan Krayser | .... | production assistant (uncredited) | |
| Carrie L.A. | .... | location scout (uncredited) | |
| Gray Miller | .... | title designer (uncredited) | |
| Niamh Murphy | .... | textile artist (uncredited) | |
| Lynne Oropeza | .... | stand-in: Felicity Huffman (uncredited) | |
| Marshal Silverman | .... | stand-in (uncredited) | |
| Corey Sklov | .... | production assistant (uncredited) | |
| Randy Walker | .... | police technical advisor: "Call The Cops" (uncredited) | |
Thanks | |||
| Amanda Anderson | .... | special thanks | |
| Fiona Apple | .... | special thanks | |
| Joe Ball | .... | special thanks | |
| Danny Bramson | .... | special thanks | |
| Alison Dickey | .... | special thanks | |
| Charles Fort | .... | special thanks | |
| Jeri Fowle | .... | special thanks | |
| Carl Geller | .... | special thanks: NBC Productions | |
| Paul Gough | .... | special thanks | |
| Holly Hall | .... | special thanks | |
| Sheila Hamilton | .... | special thanks: Big Bear Municipal Water District | |
| Robert Harvey | .... | special thanks (as Bob Harvey) | |
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| Melodee Hindle | .... | special thanks | |
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| Orlando Jones | .... | special thanks | |
| Brian Kehew | .... | special thanks: for the thing | |
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| Karen Lackos | .... | special thanks | |
| Jennifer Jason Leigh | .... | special thanks | |
| Chuck LeRoy | .... | special thanks: Valley Plaza | |
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| Adam Levite | .... | special thanks | |
| Roman Lupi | .... | special thanks | |
| Michael Lynne | .... | special thanks | |
| Gene Martin | .... | special thanks: Big Bear Municipal Water District | |
| Mike Mulvihill | .... | special thanks | |
| Lois O'Connor | .... | special thanks (as Lois Robards) | |
| Joel Pearlman | .... | special thanks (as Joel Perlman) | |
| Michael Penn | .... | special thanks | |
| Mark Poster | .... | special thanks: Big Bear Municipal Water District | |
| Mark Rance | .... | special thanks | |
| Ranee Ruble | .... | special thanks: Big Bear Lake Film Office | |
| Robert Shaye | .... | special thanks (as Bob Shaye) | |
| Mike Sowa | .... | special thanks | |
| Rick Sparr | .... | special thanks | |
| Barry Tyerman | .... | special thanks | |
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`Magnolia' seems to divide audiences as much as it bewilders them. Some there are who see it as a brilliant exercise in creative, thought-provoking moviemaking, a film that challenges the notion that modern American cinema is comprised exclusively of formulaic retreads of earlier films or slick, mechanical displays of technical virtuosity, devoid of meaning and feeling. Others view `Magnolia' as the nom plus ultra of pretentiousness and self-satisfied smugness. Which of the two assessments is the correct one or does the truth lie somewhere in between?
Actually, there is much to admire and cherish in `Magnolia.' Writer/director Paul Thomas Anderson has done a commendable job in putting on the screen a relatively unique vision a qualification I feel forced to make because it does seem patently derived from much of the trailblazing work of director Robert Altman. Like Altman, Anderson creates a vast canvas of barely-related and briefly overlapping storylines and characters that come together under the umbrella of a single major theme and a few minor ones as well. Anderson's concern is to explore the concept of forgiveness and to examine the part it plays in the redemption we all seek through the course of our lifetimes. In this film, dying characters struggle to make amends with the loved ones they will soon leave behind, while estranged characters grope tentatively to establish or re-establish the bonds that must link them to other members of the human race. Anderson presents a tremendously wide range of characters, though for a film set in the northern areas of Los Angeles, `Magnolia' provides a surprisingly non-diverse sea of Caucasian faces. However, in terms of the ages of the characters, Anderson's crew seems more comprehensive, running the gamut from a pre-teen wiz kid to a terminally ill man in his mid-60's. Many of these characters seem to have created any number of facades to help them cope with the miseries and disappointments of life and much of the redemption occurs only after those masks are stripped away revealing the emptiness and hurt that, in many cases, lurks so close to the surface.
Thematically, then, Anderson's film is a compelling one. Dramatically, however, it suffers from some serious flaws. Many viewers and critics have called `Magnolia' an artistic advancement, in both depth and scope, for Anderson, whose previous film was the similarly dense, moderately freeform `Boogie Nights.' I tend to disagree. If anything, `Boogie Nights,' by limiting itself to a much more narrowly restricted milieu the 1970's porn industry and focusing intently on a single main character, managed to connect more directly with the emotions of the audience. `Magnolia,' by being more expansive, paradoxically, seems more contracted. The pacing is often languid and the screenplay, running a bit over three hours, often seems bloated given the single-mindedness of its basic theme. Certainly, a few of these characters and storylines could have been dispensed with at no great cost to the film as a whole. By lining up all his characters to fit into the same general theme, the author allows his message to become a bit heavy-handed and over-emphatic. Anderson seems to want to capture the whole range of human experience on his enormous (and enormously long) movie canvas, yet because the characters seem to all be tending in the same direction - and despite the fact that the details of their experiences are different - the net effect is thematically claustrophobic.
The controversial ending, in which an event of literally biblical proportions occurs, feels generally right in the context of this film, though with some reservations. It seems perfectly in tune with the quality of heightened realism that Anderson establishes and sustains throughout the picture. On the other hand, the ending does pinpoint one of the failures of the film as a whole. Given that the screenplay has a strong Judeo-Christian subtext running all the way through it, one wonders why Anderson felt obliged to approach the religious issues in such strictly oblique terms. None of the characters not even those who are dying seem to turn to God for their forgiveness and redemption. In fact, one wonders what purpose that quirky ending serves since the characters are well on their way to making amends by the time it happens.
Anderson has marshaled an array of first-rate performances from a talented, well-known cast. Tom Cruise provides a wrenching case study of a shallow, charismatic shyster, who has parleyed his misogyny into a lucrative self-help industry. Yet, like many of the characters, he uses this façade as a shield to hide the hurt caused by a father who abandoned him and a mother whose slow, painful death he was forced to witness alone. The other actors, too numerous to mention, turn in equally worthy performances. Particularly interesting is the young boy who, in counterpoint to one of the other characters in the story, manages to save himself at an early age from the crippling effect of identity usurpation that it has taken so many others in this film a lifetime to overcome.
In many ways, `Magnolia' is the kind of film that could easily serve as the basis for a lengthy doctoral dissertation for a student majoring in either filmmaking or sociology. The density of its vision would surely yield up many riches of character, symbolism and theme that a first time viewer of the film would undoubtedly miss. Thus, in many ways, `Magnolia' is that rare film that seems to demand repeat exposure even for those audience members who may not `get it' the first time. As a viewing experience, `Magnolia' often seems rambling and purposeless, but it does manage to get under one's skin, and, unlike so many other, less ambitious works, this one grows in retrospect.