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Magnolia (1999)

R | | Drama | 7 January 2000 (USA)
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An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.
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1,411 ( 91)
Nominated for 3 Oscars. Another 28 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sir Edmund William Godfrey / Young Pharmacy Kid
Genevieve Zweig ...
Mrs. Godfrey
Mark Flannagan ...
Joseph Green
...
Stanley Berry
Rod McLachlan ...
Daniel Hill
...
Firefighter
...
Delmer Darion
Raymond 'Big Guy' Gonzales ...
Reno Security Guard
...
Craig Hansen
...
Forensic Scientist
...
Sydney Barringer
...
Arthur Barringer
Frank Elmore ...
1958 Detective
John Kraft Seitz ...
1958 Policeman
Cory Buck ...
Young Boy
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Storyline

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Things fall down. People look up. And when it rains, it pours.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong language, drug use, sexuality and some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

7 January 2000 (USA)  »

Also Known As:

Mag·no'li·a  »

Filming Locations:

 »

Box Office

Budget:

$37,000,000 (estimated)

Opening Weekend:

$193,604 (USA) (17 December 1999)

Gross:

$22,450,975 (USA) (12 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The story of the scuba diver being dropped from an airplane is a debunked urban legend. See more »

Goofs

When Linda Partridge is first placed in the ambulance, the EMT crew is not providing ventilations for her after stating that she has six respirations per minute (norm is 12-20). This would be priority and the crew should have been using an Ambu on scene. Such equipment is not seen until later. See more »

Quotes

[first lines]
Narrator: In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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Crazy Credits

As the credit for Robert Downey Sr. scrolls up the screen, the words "(a prince)" appear next to his name. See more »

Connections

Spoofed in Mission: Improbable (2000) See more »

Soundtracks

Bolero
(uncredited)
Written by Maurice Ravel
Performed by New World Harmonica Trio
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Autopsy of the Human Condition

A film such as Magnolia does not come around often enough. Though I felt that Boogie Nights attempted the same effect: exposing the base, unrelenting, human desires of Angelinos, it failed in several ways. Magnolia does not. Mr. Anderson sets out to show the underbelly of Americana, much like Mr. Mendes has done spectacularly with American Beauty. At the end of the century, these two films stand as landmarks in the evolution of the American. What we pursue in name only, piety, commonness with our fellow man, family, fame, fortune, and peace of mind, come crashing together in Magnolia, in an apex of misfortune, misunderstanding, forgiveness and renewal. These two films should scare the living daylights out of Americans, especially those living in Los Angeles. The stories show us that merely giving lip service to morals, self-improvement and camaraderie is not enough, we can fake it for only so long, before life overtakes us in a deluge of happenstance and retribution. Mr. Anderson is a wonderful storyteller, and Magnolia is the most visually and aurally satisfying film in years. Ms. Mann's music and the ensemble acting are symphonic. This movie is as tightly composed as any work in cinema one can remember. Obviously, I highly recommend it.


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