Inspired by Flaubert's Madame Bovary, Sokurov's Save and Protect recalls the most crucial events of Emma's decline and fall, including affairs with an aristocratic and a student. Focusing ... See full summary »
The existential protagonist is a hungry, homeless, socially isolated, and socially alienated young man living on the streets of an anonymous Russian big city in the 19th Century. He's ... See full summary »
From a misty night into the dark exposition rooms of a museum to ponder philosophically at paintings by 'Pieter Jansz Saenredam', 'Hercules Pieterszoon Seghers', Hendrikus van de Sande ... See full summary »
Third part in Aleksandr Sokurov's quadrilogy of Power, following Moloch (1999) and Taurus (2001), focuses on Japanese Emperor Hirohito and Japan's defeat in World War II when he is finally confronted by General Douglas MacArthur who offers him to accept a diplomatic defeat for survival.
A fine specimen of cinematographic pen-pushing, with very mixed agenda and nothing to say whatsoever, apart from the gallery of monsters who stood at the helm of the Soviet Union at one time or another. If there's art in a rogues' gallery, this is it. What can be deduced from Boris Yeltsyn staring into the kitchen table, beats me. As for the depiction of sh*t we've always been living in, there has never been anything new in it, even in the late 1980s when this "lyrical documentary" was made. If you want Sokurov, go elsewhere. His "The Sun" (http://www.imdb.com/title/tt0439817/) is the real masterpiece, for instance.
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