| Thora Hird | ... | Annie Longden (as Dame Thora Hird) | |
| Pete Postlethwaite | ... | Deric Longden | |
| Penny Downie | ... | Aileen Longden | |
| Jennifer Luckraft | ... | Nurse one | |
| David Shimwell | ... | Young man | |
| Anne Reid | ... | Gloria Brooks | |
| Keith Clifford | ... | Fred Brooks | |
| Eddie Caswell | ... | Widower | |
| Tom Higgins | ... | Doctor | |
| Diana Flacks | ... | Mrs Corey | |
| Malcolm Hebden | ... | Chemist | |
| Ruth Holden | ... | Mrs. Nellie Elliot | |
| Dinah Handley | ... | Do-gooder | |
| Katherine Dow Blyton | ... | Hospital Sister | |
| Gillian Waugh | ... | Speech Therapist | |
| Dennis Blanch | ... | Man with dogs | |
| Kate Dove | ... | Nursing Home Proprietor | |
| Noreen Kershaw | ... | Margaret | |
| Maxine Burth | ... | Nurse two | |
| Katisha Kenyon | ... | Nurse three | |
| Martin Pearson | ... | Man from gasboard | |
| rest of cast listed alphabetically: | |||
| Aileen Armitage | ... | Mrs. Bushell (voice on answerphone) (voice) | |
| Deric Longden | ... | Colin (voice on answerphone) (voice) | |
Directed by | |||
| Alan J.W. Bell | |||
Writing credits(in alphabetical order) | ||
| Deric Longden | book | |
| Deric Longden | screenplay | |
Produced by | |||
| Margaret Matheson | .... | executive producer | |
| David Noble | .... | associate producer | |
| Keith Richardson | .... | executive producer | |
| Sita Williams | .... | producer | |
Original Music by | |||
| Jim Parker | |||
Cinematography by | |||
| Alan Pyrah | (as Allan Pyrah) | ||
Film Editing by | |||
| Janey Walklin | |||
Casting by | |||
| Sue Jackson | |||
Production Design by | |||
| Andrew Sanderson | |||
Art Direction by | |||
| Teresa Clayton | |||
Costume Design by | |||
| Sue Hallas | |||
Makeup Department | |||
| Joyce Dean | .... | makeup designer | |
| Ruth Edwards | .... | makeup assistant | |
Production Management | |||
| Tony Edmondson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Roger Arscott | .... | first assistant director | |
| Donna Molloy | .... | second assistant director | |
Art Department | |||
| Peter Allan | .... | chargehand props | |
| Bob Bayne | .... | production buyer | |
| Neil McConachie | .... | graphic designer | |
Sound Department | |||
| Chris Gibbions | .... | boom operator | |
| Roy Lafbery | .... | digital sound editor | |
| Patrick Morris | .... | dubbing mixer | |
| Dave Whiteley | .... | sound recordist | |
Camera and Electrical Department | |||
| Keith Broome | .... | focus puller | |
| Dave Carey | .... | camera operator | |
| Michael Quinn | .... | grip | |
| Adge Smith | .... | gaffer | |
Costume and Wardrobe Department | |||
| Jan Marsden | .... | costume supervisor | |
Editorial Department | |||
| Robert Hough | .... | assistant film editor | |
| Neil Turner | .... | telecine colorist | |
Other crew | |||
| Aileen Armitage | .... | script associate | |
| Lynette Carroll | .... | production coordinator (as Lynnette Carroll) | |
| Josh Dynevor | .... | location manager | |
| Anne Pontefract | .... | script supervisor | |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb UK section |
This successfully treads a fine line dealing with the last days of a wonderful, slightly eccentric Mother (Dame Thora Hird)and her loving middle aged son (Pete Postlethwaite). The film has has a lighter, more playful tone than that premise would suggest.
It's not that the film looks away from the sadness of death. It can be tough to watch this life- filled older woman slowly deteriorate through a series of strokes. But it's clear what she will leave behind are a lot of loving memories of her quirky, feisty and funny self.
Occasionally the film does tip over into over-sentimentality, and on the other extreme, some of the running comic bits, especially by some underwritten supporting characters get milked way too long.
But in the end, this is a 2 actor show, and Hird and Postlethwaite create a couple of wonderful and memorable characters dealing tackling difficult issues with love and a laugh along with the tears,