On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the LAPD with a rogue detective who isn't what he appears to be.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
This film tells the story of Rubin "Hurricane" Carter, an African-American man who rose above his troubled youth to become a top contender for the middle-weight boxing title. However, his dreams are shattered when he is accused of a triple murder, and is convicted to three natural-life terms. Despite becoming a cause celebre and his dogged efforts to prove his innocence through his autobiography, the years of fruitless efforts have left him discouraged. This changes when an African-American boy and his Canadian mentors read his book and are convinced of his innocence enough to work for his exoneration. However, what Hurricane and his friends learn is that this fight puts them against a racist establishment that profited from this travesty and have no intention of seeing it reversed. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Director Norman Jewison showed the film uncompleted at the 1999 Toronto International Film Festival, without credits or proper color. He had been working on the movie the night before it was shown, and submitted it to the festival with the film still splinted together in hundreds of pieces. Before showing the movie he said to the eager audience, "I'm so nervous that the splints may fall apart." See more »
After the shootings in the bar are shown the first time, the exterior shot shows the traffic light at Madison Ave. In the later flashback, there is no traffic light. See more »
Ladies and gentlemen, this fine young fighter will be right here in Pittsburg on the boxing cog, this Monday night.
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I wasn't going to comment, but after reading some of the negative comments, I felt I must. I "waited for the video" for this movie because a movie about boxing didn't seem interesting. But that's just the thing. It's not about boxing. So if you're thinking you're going to see Raging Bull, you're not. There are a few boxing scenes, but they only serve to move the story along.
I have seen this movie more than once. The first time I was touched by the underlying theme of the movie, which was in my opinion, love conquering hate and injustice. Then I watched it again. I realized Denzel did a superb job. It WAS NOT a "typical Denzel role." He convincingly played Rubin "Hurricane" Carter, raised full of hate for and distrust of white people. When he goes to prison for the murder, he does an excellent performance showing the different personalities in his head, as well as showing how his inner spiritual journey transformed him. Any good movie shows the hero growing and changing. And Denzel again does this well towards the end of the movie, after befriending Lazarus and the Canadians. My favorite line which to me sums up the entire movie is when they're waiting to hear the judge's verdict and Rubin tells Lazarus, "Hate got me in here. But love's gonna bust me out."
I don't know much about the real Rubin Carter or the details of the case. What I found compelling about the movie was the fact that some people - be they white or black - can harbor such hatred for another person (I'm referring to Della Pesca's hatred toward Rubin). Another thing that got me was the friendship and love between Rubin and Lesra and the whole message of examining the higher principle of truth for which the law was meant to serve. It's just one of those movies that makes you think. Yeah, some of the writing is "just OK" in places, but the theme of the movie is wonderful and I think Denzel gave an Oscar worthy performance.
I gave this a 9 out of 10.
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