A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
This film tells the story of Rubin "Hurricane" Carter, an African-American man who rose above his troubled youth to become a top contender for the middle-weight boxing title. However, his dreams are shattered when he is accused of a triple murder, and is convicted to three natural-life terms. Despite becoming a cause celebre and his dogged efforts to prove his innocence through his autobiography, the years of fruitless efforts have left him discouraged. This changes when an African-American boy and his Canadian mentors read his book and are convinced of his innocence enough to work for his exoneration. However, what Hurricane and his friends learn is that this fight puts them against a racist establishment that profited from this travesty and have no intention of seeing it reversed. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Joey Giardello sued the film's producers for libel over the depiction of his fight with Carter. The case was settled out of court and Jewison agreed to make a statement on the DVD version that, "Giardello no doubt was a great fighter." See more »
When Rubin places the Polaroid photograph into his book, he closes it so that he is looking at the cover. In the next shot, as he puts the book down, the cover is facing the floor and he is looking at the back. See more »
Ladies and gentlemen, this fine young fighter will be right here in Pittsburg on the boxing cog, this Monday night.
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Every once and a while a film comes out that moves you on a deeply emotional and personal level. If you are fortunate, the cinematic experience stays with you beyond the drive home after the credits have roled. "The Hurricane" is one of these rare films that manages to inspire, and affect the viewer in a manner far too films fail to do. The cut I saw of Hurricane was missing the final credits and the colour had yet to be corrected, but the film was and is a masterpiece of storytelling by the acclaimed Norman Jewison. Like many of his films there is a deeply personal story to be told that has far reaching moral, political and social implications. "Hurricane" is the story of Rueben "Hurricane" Carter, a boxer wrongly imprissoned for a crime he didn't committ. The story unfolds from two perspectives, Rueben's and from the perspective a boy named Lazarus, who in Carter, finds a hero in need of salvation. Denzel Washington is memorizing in his role as Hurricane, while the rest of the cast have risen to the occasion. Jewison has made perhaps his best film in decades and maybe his best ever. His committment to telling "a good story" (quoting last year's inspiring Oscar speech) is obvious, as his is committment to social consciousness. He uses the camera as a witness to brutality, history and to one man's salvation and redemption as he explores the life and circumstances that brought Carter and Lazarus together. Like movies such as "Chariots of Fire", "The Shawshank Redemption" and "Amistad", this film manages to involve the viewer on a highly personal level. We see Carter as a human being in circumstances that test him beyond reason. The scene where he tells his wife to leave him because he can't survive prison knowing she is waiting for him on the outside is powerful and moving. This film is worthy of Oscars in every way. As it stands, this film is a credit to the real Hurricane Carter and the journey he took, and to Lazarus who becomes the catalyst in bringing Carter to salvation. With a running time of almost two and a half hours, I suspect it will be a bit shorter when released, but hopefully Jewison and co. will leave most of it as is. Don't let them make you change a thing Norman - you've got a real story here and a fabulous tribute to the power of the human spirit (from two perspectives no less!) Let the power of the story, the film and
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