A handmade stop-motion fairy tale for adults that tells the tale of the struggle between the aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak over the doll of their heart's desire.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and ... See full summary »
Cycles of life, with fantasy elements. An ax splits wood. Bits of split wood move in stop-motion; one piece has a woman's face near the top. Water streams in torrents; patches of snow give ... See full summary »
Laid-off old mannequins spend their cracked and broken lives in an old, abandoned warehouse. New mannequins are brought to the warehouse. They are old as well, but from a younger generation... See full summary »
I watched Krysar at about three in the morning in my bedroom and it absolutely terrified me. It takes major liberties with the original story, though that's all to the good. Hamelin is this ultra weird medieval labyrinth of garrets, spires, cavernous buildings, cellars and gargoyles. The people that live in it are harsh and selfish, cheat each other and are fixated on gluttony, alcohol, and prostitution. When they speak they speak in squawking untranslatable gibberish, so it's a bit like a silent movie but with a bit more menace from the onomatopoeia. The vast majority of the film shoots wooden puppets and automata, though the rats are real live rats, which is scary as hell. Obviously the townsfolk mess with the Pied Piper, and that was a bad idea.
Krysar scared the hell out of me because some of the townsfolk just felt so recognisable. In the day before I watched this I went past a posh house and there were a load of large pillows outside advertised as being free, and I took one home with me feeling very satisfied because it was a fine pillow. But there's this character in the movie who takes a lot of time with fabrics and pillows making himself luxuriously comfortable, and I sure felt bad watching him led on a large white pillow, whilst I was also in the same position on mine, high up in my pit in a secure apartment block! I have to admit that I watched this movie in 5 minute segments with little breaks to absorb the shock, it was that scary. Despite its complete lack of contemporaneity in aesthetic, it felt very much in soul like a criticism of the modern capitalist world with all its locks and keys securing the wealth of the few.
This film is pure unadulterated genius and I found it devastating to watch.
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