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Reviews & Ratings for
Razor 3: Who's Got the Gold? More at IMDbPro »Goyôkiba: Oni no Hanzô yawahada koban (original title)

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3 out of 4 people found the following review useful:
"I Want To Make Love To A Ghost Once", 7 May 2008
8/10
Author: Benjamin Gauss from Salzburg, Austria

Following the brilliant "Goyôkiba" (aka. "Hanzo The Razor - Sword Of Justice", 1972) and its excellent (and even sleazier) sequel "Goyôkiba: Kamisori Hanzô jigoku zeme" (aka. "Razor 2: The Snare", 1973), this "Goyôkiba: Oni no Hanzô yawahada koban" aka. "Razor 3: Who's Got The Gold" is the third, and sadly final installment to the awesome saga about the incorruptible Samurai-constable Hanzo 'The Razor' Ittami (brilliantly played by the great Shintarô Katsu), who fights corruption with his fighting expertise as well as his enormous sexual powers. As a big fan of 70s exploitation cinema made in Nippon, "Sword Of Justice" became an instant favorite of mine, and I was therefore more than eager to find the sequels, and full of anticipation when I finally stumbled over them recently. While this third "Hanzo" film is just not quite as brilliant as its predecessors it is definitely another great piece of cult-cinema that no lover of Japanese exploitation cinema can afford to miss. "Who's Got The Gold" is a bit tamer than the two foregoing Hanzo films, but it is just as brilliantly comical and crudely humorous, and immediately starts out fabulously odd: The film begins, when Hanzo's two assistants see a female ghost when fishing. Having always wanted to sleep with a ghost, Hanzo insists that his assistants lead him to the site of the occurrence... If that is not a promising beginning for an awesome film experience, I don't know what is. Shintaro Katsu, one of my personal favorite actors, is once again brilliant in the role of Hanzo, a role that seems to have been written specifically for him. Katsu IS Hanzo, the obstinate and fearless constable, who hates corruption and deliberately insults his superiors, and whose unique interrogation techniques include raping female suspects. The interrogated women than immediately fall for him, due to his sexual powers and enormous penis, which he trains in a rather grotesque routine ritual. I will not give away more about the plot in "Who's Got The Gold", but I can assure that it is as cool as it sounds. The supporting performances are also very good, and, as in the predecessors, there are plenty of hilariously eccentric characters. This is sadly the last film in the awesomely sleazy 'Hanzo' series. If they had made 20 sequels more, I would have happily watched them all! The entire Hanzo series is brilliant, and while this third part is a bit inferior compared to its predecessors, it is definitely a must-see for all lovers of cult-cinema! Oh how I wish they had made more sequels!

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4 out of 6 people found the following review useful:
Entertaining closure for the Hanzo trilogy, 2 March 2008
7/10
Author: chaosrampant from Greece

The final chapter in the Hanzo the Razor trilogy provides fitting closure for this entertaining series of samuraisploitation. Inoue replaces Yasuzu Masumura (Blind Beast, Red Angel, Manji) in the director's chair, but the style is pretty much the same, perhaps due to Shintaro Katsu serving as the producer, apart from the titular antihero.

Hanzo uncovers a female ghost who is guarding treasure hidden in the bottom of the lake. Of course, Hanzo being Hanzo, he's not put off by the fact she's a ghost, so he proceeds to rape... ahem, interrogate her, using the now familiar revolving net device. The plot takes through a series of blind monks who also doubletime as loansharks, corrupt officials, promiscuous wives and the necessary hack and slash. Hanzo's superior officer, Onishi, and his two servants, provide the typical comedic notes, and generally, it's business as usual.

Significantly less convoluted and easier to follow than the first (which is all over the place and a bit of a mess), less stylish, dramatic and bloody than the second (arguably the finest in the Hanzo series), but still entertaining and worthwhile on its own merits. Complete with trademark training sequences, the obligatory rape, swordfights, and a mystery Hanzo is called upon to investigate, this will ultimately satisfy the fans.

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6 out of 10 people found the following review useful:
final entry, 1 June 2005
8/10
Author: movieman_kev from United States

Shintarô Katsu, best known for the Zatôichi films, again stars in this third and final movie in the Kenji Misumi (mostly known for "Lone Wolf and Cub), directed saga of Hanzo 'The Razor' Itami feature the big dicked one battling ninjas, rapeing 'ghosts', and uncovering shady goings on at the Shogunate treasury. The Hanzo 'plot' was kinda getting stale and repetitive. What was once novel in the first film, was not any longer. Fortunately, this one was better then the second thanks to having more humor. I'm just glad that they choose to stop at the one trilogy (I'm looking at YOU Lucas)

My Grade: B

DVD Extras: Merely Trailers for all 3 Hanzo the Razor films

Eye Candy: Aoi Nakajima unleashes both tits, Mako Midori just her left one

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2 out of 4 people found the following review useful:
I want to make love to a ghost once., 28 September 2008
8/10
Author: lastliberal from United States

Shintarô Katsu, who played the blind swordsman "Zatoichi" in a total of 27 movies, ends the Hanzo trilogy with this excellent film in which he gets to make love to a ghost, Mako Midori (Blind Beast).

The big stick, used often in the pursuit of justice, is retired forever.

Katsu was his usual impudent self as he pursued those who would steal from the treasury to lend at usurious amounts to those who could not afford to pay.

The usual amazing swordplay and skill of the big guy was present, along with the blood.

I'm going to miss him.

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2 out of 5 people found the following review useful:
Third And Final Episode In The HANZO series, 20 February 2006
8/10
Author: EVOL666 from St. John's Abortion Clinic

*** This review may contain spoilers ***

WHO'S GOT THE GOLD? is (unfortunately) the last of the HANZO THE RAZOR films, starring Shintaro Katsu as the title character - the multi-weapon proficient, authority-bucking samurai officer with the "unique" technique of raping confessions out of unwilling female informants until they "spill the beans" and beg for more...

This entry starts with Hanzo "uncovering" a woman who poses as a ghost to guard a lake that's filled with bamboo trunks filled with gold stolen from the Treasury. This leads to Hanzo discovering a loan-sharking scheme and an orgy ring run by a blind monk. The requisite swordplay and rape/interrogation ensue - finalizing in a decent ending for this strange trilogy of films.

Not quite as strong and enjoyable as THE SNARE (part 2 of the series...), but still great for fans of samurai sleaze and Japanese pinky-style films. 8/10

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0 out of 3 people found the following review useful:
Who's Got The Gold is 15 carat Hanzo (whereas Sword of Justice was 18 carat, and The Snare was 20 carat)., 8 January 2010
7/10
Author: BA_Harrison from Hampshire, England

As much as I have enjoyed the Hanzo the Razor movies, three is definitely enough: 'Who's Got The Gold?', the final adventure for the Japanese lawman with the impressive package, is a fairly enjoyable piece of Pinku cinema, but offers little new in terms of ideas whilst taking a big step backwards as far as outrageousness is concerned.

The film opens with the appearance of a female ghost, and looks as though it is going to explore supernatural territory, something which might have taken the series in an interesting new direction; unfortunately, after the spook turns out to be nothing but a Scooby Doo-style ruse (cooked up by a corrupt treasury official keen to keep people away from the lake where he is hiding stolen gold), director Yoshio Inoue is content to recycle familiar elements from the first two films, the result being a rather stale affair.

Once again, Hanzo heads an investigation that requires him to interrogate women through the use of his mighty penis, slice up his enemies, and abuse his superiors. On the way, we get wild orgies, good-natured rape (Hanzo forces himself on women who wind up appreciating his willfulness), and bloody sword-fights.

If you've already seen and appreciated the first two films, you might as well watch this instalment to complete the set, but be warned, this is probably the least satisfying one of them all.

6.5 out of 10, rounded up to 7 for IMDb.

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0 out of 3 people found the following review useful:
Accomplished and highly engaging romp of a final outing for the mighty Hanzo, 16 November 2009
8/10
Author: t-birkhead from United Kingdom

After the glories of The Snare, it was unlikely that a further outing for Hanzo would be able to do any better, and this doesn't breach that expectation, but it is a fine film and sits neatly in between the fun but messy first chapter and the terrific second in terms of quality and general entertainment. The screenplay comes from Yasuzo Masumura and has some parallels with The Snare, as well as the expected hi-jinks of a Hanzo film, but the film rings nice little changes on the formula by amping up the character driven humour as well as giving the film a quieter, reflective edge. The film opens with Hanzos assistants scared by a ghost, and typically he decides straight away that he needs to have carnal knowledge of this ghost. It turns out that the ghost is serving as a guard for a stash of stolen coins and from this set-up unfolds a story of theft, corruption and usury, with expected violent and sleazy results. Shintaro Katsu is terrific as expected as Hanzo, coming across effortlessly as a deadly fighter and sexual force of nature, he is equally good in the moments of knowing humour and likable, almost an ordinary gentleman in moments of drama, it is a beautifully rounded performance filled with social conscience and a touching edge of personal feeling. The expected comedy comes off fine as well, his moments with "Snake" Magobei are perhaps the most amusing of the series whilst his interactions with his servants are kookily entertaining as ever. Though neatly laden throughout with nice moments, a fair amount of action and a little sleaze, the film does lose a little from a relatively restrained approach. There are shades of both prior films, the plotting, pace and smarts recall The Snare and when the film aims for sleaze it does very well, with a potently handled and impactful early interrogation sequence. Equally though, director Yoshio Inoue presents potentially sleazy scenes in a more experimental way as per Kenji Misumi's less well handled work in Sword Of Justice, with consequences sometimes very nice, as with a man playing a tune on the koto, with close ups of his fingers plucking at the strings as unbeknownest to him Hanzo ploughs his wife, and sometimes a bit weak, as with an orgy that is reduced to a nudity free psychedelic whirl of limbs in motion that just looks confusing. The nudity and bloodshed is generally downplayed which is a pity, though there is a little of both a stronger approach would have worked better, it is definitely the sort of film where trashy and unrestrained nudity and violence are most appropriate. But even with less in the way of exploitative goods this is still thoroughly entertaining stuff, the predictable moments are wrought with aplomb and there is more than enough intrigue and excitement, even some effective surprises to go around. Its a film for the fans really, playing off the work laid down in the previous instalments and working sweetly if not spectacularly with it. Altogether a near wholly pleasurable if mildly flawed end to a delightful trilogy, the second best of them and well worth a watch for enthusiasts of such things.

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0 out of 4 people found the following review useful:
The final, and best of the Hanzo films, 30 October 2000
10/10
Author: Traegorn RavenHawk from Eau Claire, WI

The third, and final installment of "Hanzo the Razor" is the most concrete of them all. The "training" even gets completed within the first five minutes of the film. Not for everyone, this film details Hanzo's investigation of loan sharking being performed by an order of blind monks. It also makes a historical comment on the prideful refusal of old Japan to incorporate Western technology. Where the first Hanzo film was just a funny and gory ride with little connection to it's plot, "Hanzo 3: Who's Got the Gold" manages to connect everything, and brings it all home in the end. Definitely the perfect finale. Oh yeah, Hanzo still has a lot of sex, and there's a lot of needless blood and violence (it *is* Hanzo the Razor after all).

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1 out of 9 people found the following review useful:
Brain pollution, 24 July 2009
4/10
Author: planktonrules from Bradenton, Florida

Shintarô Katsu gained tons of fame playing the wonderful character, Zatoichi. The Zatoichi films had a weird and unbelievable concept--a blind guy is the greatest swordsman in Japan and spends each movie righting wrongs and exacting retribution on evil doers. He's a heck of a nice guy and the films are exciting and addictive (I've actually seen every movie). It is because of this I saw this final installment of the Hanzo the Razor series, as I assumed it would be very similar....and boy was I wrong! It turns out that the Hanzo films are extremely sexual in nature and they also promote the rape of "women who deserve it". You see, Hanzo is a policeman from the Meiji period and he regularly takes evil women into custody and interrogates them by violently raping them with his "penis of steel". How he made his member so strong is something you have to see to believe, but it certainly is NOT for the squeamish.

Overall, I just can't recommend anyone sees these violent and misogynistic films. However, from looking at the other reviews, I can see that they are still very popular...and that is pretty scary. Despite some decent acting and amazing fight scenes, the films just are like brain pollution--and I'd hate to imagine how the films might have contributed to violence towards women.

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