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Autumn in New York (2000)

 -  Drama  -  11 August 2000 (USA)
5.4
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Ratings: 5.4/10 from 18,357 users   Metascore: 24/100
Reviews: 177 user | 98 critic | 21 from Metacritic.com

Romantic drama about an aging playboy who falls for a sweet, but terminally ill, young woman.

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Cast

Cast overview, first billed only:
...
...
...
John
...
Dolly
...
...
Sarah
...
Lynn McCale
...
Dr. Tom Grandy
...
Simon
...
Dr. Sibley
...
Shannon
Steven Randazzo ...
Alberto
...
Autumn Woman #1
George Spielvogel III ...
Netto
Ranjit Chowdhry ...
Fakir
Edit

Storyline

Love story da groppo in gola per due 'belli e impossibili' di Hollywood, di quelle che ti fanno sperare per tutto il film in un eccezionale lieto fine. In una New York autunnale ed umida, Will è uno chef cinquantenne molto amato dalle donne e senza storie troppo lunghe da raccontare, Charlotte è una ventenne dalla salute precaria ed entrambi sono convinti che la loro avventura durerà poco. Sarà vero? Ma l'amore può essere più forte di tutto quando un male incurabile sta minando il fisico della ragazza? Written by rosebud6

Plot Summary | Add Synopsis

Taglines:

He fell in love for the first time... she fell in love forever. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for language and some sensuality | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

11 August 2000 (USA)  »

Also Known As:

Otoño en Nueva York  »

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

£122,909 (UK) (15 June 2001)

Gross:

£122,909 (UK) (15 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The first major Hollywood film to be helmed by a woman of Asian origin. See more »

Goofs

Charlotte makes a hat specifically to wear to the ball, but she isn't wearing it when she finally gets there; presumably, she got distracted and forgot it. See more »

Quotes

John: Buddy, I hate to break it to you, but in the real world... where I live... there're only two kinds of love stories. Boy loses girl and girl loses boy. That's all there is. Somebody always gets left behind. You try to avoid that, you'll end up an old man toastin' yourself with egg nog in the mirror on Christmas Eve. You'll end up dying in your own arms.
See more »

Connections

References Breakfast at Tiffany's (1961) See more »

Soundtracks

Happy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Something to redress the balance !!
30 March 2001 | by (Ile-de-France / Paris Region, France) – See all my reviews

Whilst everyone is naturally entitled to their own opinion, I was rather shocked to read the large number of negative comments about this film on the site. A redress is therefore more than necessary ! Compared to a lot of the violent rubbish we get in the cinema today, here is a film without violence, beautifully made, and concentrating on "L O V E ! " Naturally the story is all the more intense as we know that one of the protagonists's days are numbered, and why not indeed ? A parallel may be drawn with the film LOVE STORY but in AUTUMN IN NY, the dialogues are much less crude and closer to reality. The film is technically, plastically, very beautiful ( I m very sensitive to Autumn leaves ) and this film ranks with the best in the autumn ' genre ', ie, "All that Heaven allows", featuring Rock Hudson & Jane Wyman, and "The Trouble with Harry" by Alfred Hitchcock. Rarely is autumn sunlight put to such good use as in this film. The subtle autumn light of New York accompanies the autumn of Charlotte's own short life towards the winter's snow and her voyage into eternity. Too much emphasis is placed on the difference in age between the two protagonists as well as supposed flaws in their characters. Who cares ? Love is Love ! Why should't a play-boy discover true love ? I think it is wonderful. Let's face it, true love is the only thing in the whole wide world that all peoples can agree on ! This film is reminiscent of the great American weepies of the 40's such as Waterloo Bridge or Random Harvest, but with present-day film quality as an extra a bonus. Unfortunately, these kind of romantic melodramas seem to have lost favour with the public today, which is a great great shame, as romance and love are eternal themes which will never die. I think the film will stand the test of time and hopefully at a future time when violence and evil sentiment on the cinema screen will be less sought after than today will come onto its own. Indeed a second viewing of the film allowed me to appreciate even more the plastic beauty of the film which I missed the first time round as I was worried how it was going to end. In addition to that I was even more impresses the second time round by the performance to the two actors. So long live beauty and romance as portrayed in this film and let's hope there'll be more to come in the cinema of the future.


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