BBC Sunday-Night Theatre: Season 5, Episode 50

Nineteen Eighty-Four (12 Dec. 1954)

TV Episode  -   -  Drama
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Ratings: 8.1/10 from 283 users  
Reviews: 12 user | 1 critic

George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.



(novel), (adapted as a television play by)
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Episode cast overview, first billed only:
O'Brien (as Andre Morell)
Yvonne Mitchell ...
Arnold Diamond ...
Campbell Gray ...
Hilda Fenemore ...
Pamela Grant ...
Keith Davis ...
Janet Barrow ...
Woman Supervisor
Norman Osborne ...
First Youth
Tony Lyons ...
Second Youth
Malcolm Knight ...
Third Youth
John Baker ...
First Man
Victor Platt ...
Second Man


George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.

Plot Summary | Add Synopsis







Release Date:

12 December 1954 (UK)  »

Box Office


£3,249 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


Following remarks by the Duke of Edinburgh that he and the Queen had "thoroughly enjoyed" the broadcast, the live repeat, four days later, attracted the largest television audience since the Coronation. See more »


When Winston Smith returns to his workstation and puts his glasses on in the first minutes of the film, a microphone boom shadow is clearly visible, See more »


Featured in The 100 Greatest Scary Moments (2003) See more »

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User Reviews

'You may as well say goodbye'
17 June 2003 | by (London) – See all my reviews

I had heard of this programme but never seen it so was very pleased when BBC4 screened it recently.

In many ways the play was shockingly 'modern' with its allusions to sex and pornography...even the word 'orgasm' is mentioned which must have caused a few raised eyebrows in English drawing rooms! ('ask your father, dear....')

What struck me more though was how BBC drama has changed since this was broadcast in 1954. While the production values are minimal (the sets of Victory Mansions for example look like something out of a primary school play, and the opening 'exterior' shot of the Ministry of Love looks like it was drawn with crayon) the acting is superb and unlike anything you would get on a modern tv drama.

The sense of claustrophobia is intense and the 'stagey' feel adds to this. Cushing is brilliant as are the majority of the cast. While set in 1984 the atmosphere is clearly that of bombed out, austere post war London - the dinner lady 'Them's stew with salt; them's stew without' has an Edwardian proletarian twang which has now utterly gone from English speech. My one dislike was the scene when the 'proles' were reading a pornographic book - this looked like three RADA students pretending to be 'common'. Wilfred Brambell as the old man was suspiciously like 'Steptoe' - did Galton and Simpson get the idea from this, I wonder...!

And Orwell's story comes across excellently - the sense of hopelessness in the face of grinding totalitarianism - he would have been proud.

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