BBC Sunday-Night Theatre: Season 5, Episode 50

Nineteen Eighty-Four (12 Dec. 1954)

TV Episode  -   -  Drama
8.1
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Reviews: 12 user | 1 critic

George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.

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(novel), (adapted as a television play by)
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Title: Nineteen Eighty-Four (12 Dec 1954)

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Cast

Episode cast overview, first billed only:
...
...
O'Brien (as Andre Morell)
Yvonne Mitchell ...
...
Arnold Diamond ...
Campbell Gray ...
Hilda Fenemore ...
Pamela Grant ...
Keith Davis ...
Janet Barrow ...
Woman Supervisor
Norman Osborne ...
First Youth
Tony Lyons ...
Second Youth
Malcolm Knight ...
Third Youth
John Baker ...
First Man
Victor Platt ...
Second Man
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Storyline

George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

12 December 1954 (UK)  »

Box Office

Budget:

£3,249 (estimated)
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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Following remarks by the Duke of Edinburgh that he and the Queen had "thoroughly enjoyed" the broadcast, the live repeat, four days later, attracted the largest television audience since the Coronation. See more »

Goofs

In the canteen, after Winston has said goodbye to Syme, the camera settles back on him and moves forward, bumping into the dining table in the process. See more »

Connections

Version of 1984 (2009) See more »

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User Reviews

1948! Geddit? Eh?
12 April 2002 | by See all my reviews

This is quite the best version of this over-rated fable due in great part to Peter Cushing's subtle and moving reading of Winston Smith. He was an actor of only a very few identities but he was very good at 'playing the text' which means that even the most fantastic tale is utterly believable and gripping.

Save for a few filmed inserts, this is a live performance and that also adds something quite magical to the piece. For once the story becomes a compelling adventure rather than the clumsy and misdirected polemic that it is sometimes staged as.

Subsequent versions have been grounded too much in designer's desire to create a 'nightmare world' in which the action takes place. In the 1980s version the impact of the 'message' is lessened by unconvincing filth and modish gloom. Here the barren sets and simple costumes leave more space for the action.

A little confusion may arise because Wilfred Bramble appears in two parts but in general, as was often was the case at the BBC, the low budget actually adds to the thing.


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