| Frank Coghlan Jr. | ... | Sonny Rogers (as Junior Coghlan) | |
| Shirley Temple | ... | Mary Lou Rogers | |
| Kenneth Howell | ... | Harry Vanderpool | |
| Dorothy Ward | ... | Phyllis | |
| Harry Myers | ... | Mr. Rogers | |
| Virginia True Boardman | ... | Mrs. Rogers | |
| rest of cast listed alphabetically: | |||
| Queenie the Dog | ... | Queenie (uncredited) | |
Directed by | |||
| Charles Lamont | |||
Writing credits | ||
| Ewart Adamson | (adaptation) | |
| Ewart Adamson | (continuity) | |
| Charles Lamont | uncredited | |
Produced by | |||
| E.H. Allen | .... | producer | |
Cinematography by | |||
| Dwight Warren | (photographed by) | ||
Sound Department | |||
| W.C. Smith | .... | sound | |
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| Race for Your Life, Charlie Brown | Kolya | Peep World | Maurice | Feast of Love |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb USA section |
A FROLICS OF YOUTH Short Subject.
A teenager, embarrassed by his fear of dogs, runs away from home. The abandoned spaniel he finds helps to change his mind.
PARDON MY PUPS is an enjoyable little film, with Shirley Temple stealing all her scenes as the hero's lively kid sister. The opening gag - dealing with bedwetting - is in poor taste, but is quickly forgotten. Highlight: the climactic fisticuffs, which look impressively realistic.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.