Documentary that chronicles how Francis Ford Coppola's Apocalypse Now was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project (which has never been resurrected).
Filmmaker Martin Scorsese interviews his mother and father about their life in New York and the family history back in Sicily. These are two people who have lived together for a long time ... See full summary »
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Several Jewish and Palestinian children are followed for three years and put in touch with each other, in this alternative look at the Jewish-Palestinian conflict. The three filmmakers ... See full summary »
"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family. Written by
An alluring view of cinema Italia with someone who definitely knows his stuff.
I definitely enjoyed an evening watching Turner Classic Movies listening to Martin Scorsese discuss his appreciation and affection for many of the formative films of Italian cinema, particularly the neo-realism movement and the post-war works of Rossellini, De Sica, Fellini, Visconti and Antonioni. So personal is this documentary, that it was like spending an evening with a friend sharing a mutual interest; and for those with an interest in International cinema, this is a rare treat. My suggestion is to hunt down as many of these films as you can find on video, then view them on the biggest television you can find. Among the more obscure and brilliant works discussed are PAISAN, GERMANY-YEAR ZERO, OSSESSIONE, SENSO, L'ECLISSE and I VITELLONI; along with more popular masterpieces, OPEN CITY, BICYCLE THIEF, LA DOLCE VITA, EIGHT AND A HALF and L'AVVENTURA. Superb!
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