| John Amplas | ... | Himself | |
| Carl Augenstein | ... | Himself | |
| Steve Bissette | ... | Himself | |
| David Emge | ... | Himself | |
| Ken Foree | ... | Himself | |
| Christine Forrest | ... | Herself (as Christine Romero) | |
| Roy Frumkes | ... | Himself | |
| Michael Gornick | ... | Himself | |
| Joe Kane | ... | Himself (as The Phantom of the Movies) | |
| Nicole Potter | ... | Narrator (voice) | |
| Scott H. Reiniger | ... | Himself | |
| George A. Romero | ... | Himself | |
| Richard P. Rubinstein | ... | Himself | |
| Tom Savini | ... | Himself | |
| Susan Tyrrell | ... | Narrator (voice) | |
| Gahan Wilson | ... | Himself | |
| Groucho Marx | ... | Ronald Kornblow (uncredited) (archive footage) | |
| Gaylen Ross | ... | Francine Parker (archive footage) (uncredited) |
Directed by | |||
| Roy Frumkes | |||
Writing credits(in alphabetical order) | ||
| Roy Frumkes | ||
Produced by | |||
| Len Anthony | .... | executive producer | |
| Paul Borghese | .... | co-executive producer | |
| Roy Frumkes | .... | producer | |
| Sukey Raphael | .... | associate producer | |
Original Music by | |||
| Rick Ulfik | |||
Cinematography by | |||
| Reeves Lehman | |||
Film Editing by | |||
| Gary Cooper | |||
| Dennis Werner | |||
Production Management | |||
| Wellington Fung | .... | production manager | |
Art Department | |||
| Robert De Bellis | .... | art director: New York | |
| Kathleen Hoffmann | .... | calligraphy | |
| Al Kilgore | .... | one sheet art | |
| Nicole Potter | .... | title graphics | |
Sound Department | |||
| Jim Brewelhide | .... | sound recordist: Pittsburgh | |
| Tom Clancey | .... | sound recordist: Pittsburgh | |
| Rick Dior | .... | sound mixer | |
| Howard Hirsch | .... | sound | |
| Sal Yannotti | .... | sound | |
Camera and Electrical Department | |||
| Dan Brosnan | .... | stop-motion director of photography | |
| James Callanan | .... | second camera operator | |
| Thomas Coash | .... | camera operator: New York | |
| Dennis Daniel | .... | still photographer: Pittsburgh | |
| Richard Dwyer | .... | camera operator: Pittsburgh (as Zout Dwyer) | |
| Grant Fritchey | .... | gaffer | |
| K.S. Kolbert | .... | still photographer | |
| Larry Merz | .... | still photographer: New York | |
| Tom Savini | .... | still photographer | |
| Ralph Vituccio | .... | camera operator: Pittsburgh | |
Animation Department | |||
| Henry Jones | .... | animator | |
| Carl Paolino | .... | animation director | |
Editorial Department | |||
| Noëlle Penraat | .... | negative matcher | |
| Michael Schweitzer | .... | assistant editor | |
Other crew | |||
| Ted Bonnitt | .... | production assistant | |
| Elizabeth Malcolm | .... | production assistant: Pittsburgh shoot | |
Thanks | |||
| Claudio Argento | .... | special thanks | |
| Dario Argento | .... | special thanks | |
| Tom Brown | .... | thanks: Zanesville | |
| Tony Ceglia | .... | thanks | |
| Carl Devito | .... | thanks | |
| Tom Dubensky | .... | thanks | |
| Christine Forrest | .... | special thanks (as Chris Romero) | |
| David Franklin | .... | thanks | |
| Alana Frumkes | .... | thanks | |
| Christopher Frumkes | .... | thanks | |
| Lewis Frumkes | .... | thanks | |
| Michael Gornick | .... | thanks | |
| Harriet Hall | .... | thanks | |
| Robert A. Harris | .... | thanks | |
| Charles Hirsch | .... | thanks | |
| Reeves Lehman | .... | thanks | |
| Victor Petrashevic | .... | thanks | |
| Sukey Raphael | .... | thanks | |
| David Rhodes | .... | thanks | |
| Silas Rhodes | .... | thanks | |
| George A. Romero | .... | special thanks | |
| Richard P. Rubinstein | .... | special thanks | |
| Tom Savini | .... | special thanks | |
| Rocco Simonelli | .... | thanks | |
| Sidney Tager | .... | thanks | |
| Lynn Vandewater | .... | thanks | |
| Joe Violante | .... | thanks (as Joey Violante) | |
| Robert James Winston | .... | thanks | |
| Ramy Zada | .... | thanks | |
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| Full Tilt Boogie | Hollywood Dinosaur Chronicles | Night of the Day of the Dawn of the Son of the Bride of the Return of the Terror | Terror on Tape | The Making of a Legend: Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Well, the one thing I learned from this documentary is that George A. Romero smokes a lot and that he apparently can't give an interview without holding a cigarette in his fingers, whether it's lit or not. Apart from that, this documentary doesn't feature any groundbreaking news or memorable information. I guess that, as usually the case with footage like this, it's a lot more fun to make it than to actually watch it as an extra feature on the DVD. Roy Frumkes probably had the time of his life following and interviewing horror idols like George Romero, Ken Foree and Tom Savini (especially since he was still a student at the time) but for other viewers it's not that interesting. The introduction is rather ingenious, as it shows a comical sketch of the Marx-brothers mocking Pittsburgh (the place where all Romero's movies are set) and than it's just a whole lot of interviews and sequences from "Night", "Dawn" and the modern vampire movie "Martin". The documentary explains how Romero was influenced by the news events of that time and that he's a truly gifted filmmaker with a sixth sense for imaginative camera angles. Stuff we all knew already, in other words. There's some nice trivia about the mall where "Dawn of the Dead" was shot, like for instance, filming was interrupted during the month of December because of the Christmas decoration that couldn't feature in the film. The parts with Tom Savini are also a lot of fun to watch, because he clearly loves his job and was offered a lot of creative freedom by Romero for his zombie make-up in "Dawn". There surely are worse ways to spend 60 minutes of your life, but overall this documentary is not really worth bothering for.