| Jean Archambault | ... | Andre | |
| Chris Bark | ... | David | |
| Anthony Bekenn | ... | Assistant Commandant | |
| David Bolt | ... | Epstein | |
| Peter Boretski | ... | Trefius | |
| Linda Callow | ... | Choir Singer | |
| Douglas Campbell | ... | Manlus | |
| Marigold Charlesworth | ... | Mrs. Grant | |
| Joseph Cooper | ... | Rabbi | |
| Peter Dvorsky | ... | Con Man | |
| Glyn Evans | |||
| Michael Fletcher | ... | Max Boldt | |
| John Friesen | ... | Fritz | |
| Derek Keurvorst | ... | Commandant | |
| Janet Land | ... | Maid | |
| Robin McCullough | ... | Roland | |
| Brendan McKane | ... | Canadian MP | |
| Belinda Metz | ... | Christina | |
| Louis Negin | ... | Otto Schmidt | |
| Joan Orenstein | ... | Elisabeth | |
| Charles Palmer | |||
| Heinar Pillar | ... | Graebner | |
| Larry Reynolds | |||
| Michael J. Reynolds | ... | Blair | |
| Nicholas Rice | ... | Klein | |
| Jan Rubes | ... | Jacob | |
| Rochelle Stern | ... | Box Car Singer | |
| Annie Szamosi | ... | Klara | |
| Michael Tait | ... | Crerar | |
| R.H. Thomson | ... | Charlie Grant | |
| Vlasta Vrana | ... | Police Chief | |
| David Burt | ... | Nazi Camp Commander (uncredited) | |
| Ric Sarabia | ... | Doomed Jew (uncredited) |
Directed by | |||
| Martin Lavut | |||
Writing credits(in alphabetical order) | ||
| Anna Sandor | writer | |
Produced by | |||
| William Gough | .... | producer | |
| Harris Voge | .... | associate producer | |
Original Music by | |||
| Thomas Legrady | |||
Cinematography by | |||
| Vic Sarin | |||
Film Editing by | |||
| Myrtle Virgo | |||
Casting by | |||
| Doug Barnes | |||
| Marsha Chesley | |||
Production Design by | |||
| Arthur Herriott | |||
Set Decoration by | |||
| Alan Laurie | |||
Costume Design by | |||
| Suzanne Mess | |||
Makeup Department | |||
| Daisy Lee Bijac | .... | makeup artist | |
| Anita Miles | .... | hair stylist | |
Production Management | |||
| Neill Browne | .... | unit manager (as Neil A. Browne) | |
Second Unit Director or Assistant Director | |||
| Robert Malenfant | .... | assistant director | |
Art Department | |||
| Jason Herriott | .... | painter | |
Sound Department | |||
| David Brown | .... | sound recordist | |
| Terry Cooke | .... | sound re-recordist | |
| Clark Hill | .... | sound editor | |
Special Effects by | |||
| Arne Boye | .... | special effects | |
Camera and Electrical Department | |||
| Jan Gibson | .... | lighting technician | |
| David Towers | .... | assistant camera | |
Editorial Department | |||
| Arvo Reinart | .... | assistant editor | |
Music Department | |||
| Edward Vincent | .... | music consultant | |
Other crew | |||
| Alexander Balisch | .... | historical consultant | |
| Laurie Cook | .... | production coordinator | |
| Ralph Macdonald | .... | stager | |
| Brooks McGrath | .... | continuity | |
| Bob Powers | .... | design coordinator | |
![]() |
![]() |
![]() |
![]() |
![]() |
| The Aryan Couple | Perlasca. Un eroe italiano | Mother Night | Sunshine | Au nom de tous les miens |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Canada section | Add this title to MyMovies |
I remember seeing this film as a kid on CBC television and being very touched by it. Pre-Schindler's list, this film examines the life of a Canadian diamond merchant living in Nazi Germany who is caught helping Jewish families escape for which he pays the price. After saving hundreds of lives, Charlie Grant (played wonderfully by R.H. Thomson) is eventually thrown into a concentration camp for his acts of kindness. Even now, 15 some odd years later I can recall the powerful dialogue. Grant delivers a moving verbal slap in the face to a Nazi officer demanding to know why he bothers with the lives of "filthy Jews"...to which he replies he would rather commune with "filthy Jews, than with the likes of you". Eventually the camps are of course liberated, but not before the Nazi's shoot down the remaining barely surviving inmates. Grant somehow escapes this fate and is picked up by incoming Allied forces staggering down a muddy road babbling in German and then English, "I am Canadian...I am Canadian". I still get a lump thinking of it, and I am forced to wonder why this film doesn't get more play especially around Canada's Remembrance Day (Veterans Day). It would help to appreciate the efforts of those heroes who DID help, and maybe assist in alleviating some of the shame of our Government's blind eye given to Jewish immigrants during WWII. All that aside a wonderfully inspirational film...moving, and worth sitting through the heartache of the subject.