A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
John Waters' first 16mm film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
In Baltimore, guerrilla filmmaker Cecil B. Demented leads a band of cinema revolutionaries who kidnap Honey Whitlock, a bitchy and aging movie star of big-budget froth. Cecil wants her in his movie, a screed against Hollywood they film during blitzkrieg attacks on a multiplex, a Maryland Film Commission press conference, and the set of a "Forrest Gump" sequel. He insists on celibacy; the cast and crew channel sexual energy into the production. With a family-values coalition, aggrieved Teamsters, and the police on their trail, Cecil needs help from porno, kung-fu, and drive-in audiences. What about Honey? Will she bolt or refuse to act? Or will she hit her marks and light up the screen? Written by
John Waters wrote up the lyrics for the spoof rap songs on the soundtrack ("Bankable Bitch (We Don't Need No Pitch)," "No Budget", et al.) during the screenwriting phase, but the music supervisor couldn't find any rappers who were familiar with filmmaking lingo. Waters then met, quite by accident, Baltimore rap producer Steven Janis. Janis provided DJ Class and a number of other Baltimore-area rap artists, all of who had to be familiar with the pages of moviemaking terminology that Waters provided. See more »
A moment before Cecil licks the movie camera, the word "Panavision" can clearly be seen above the "Panaflex" logo that he licks. When it cuts to the close-up of him licking the "Panaflex" logo, the "Panavision" logo is covered with a blank plate that matches the color of the camera. In the next clear shot of the camera, the "Panavision" logo is back and the "Panaflex" logo is covered in black. See more »
No! I want to go home! I don't want to be in show business anymore!
I knew you were the weak one, Fidget. Just remember, your parents liked Godzilla.
They wouldn't even let you see R-rated films as a child.
They've never even been to a midnight movie.
They enjoy classic TV sitcoms turned into feature length films.
They've never rented a porno movie.
And to top it all off, they talk out loud in the theatre once the feature has begun.
Oh, that really is unforgivable, Fidget.
Okay, okay! My ...
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The credits thank "Fred and Ginger" both insinuating Fred Astaire and Ginger Rogers, the dance duo, and "Fred e Ginger" a movie by Federico Fellini, paying homage to the duo. See more »
Many of you have probably never heard of this film, which stars Stephen Dorff as a rebel filmmaker who goes to some interesting extremes to get his movie made. The film is directed by noted underground director John Waters, and Waters tosses in scores of Hollywood in-jokes (check out the marquee during the opening credits!). The reason more people didn't see this in the theater is simply that it's so... so... different. It's highly unique, and therefore less likely to appeal to a mass audience.
But you do need to see it, really! Cecil B. Demented (Dorff) is the leader of a motley band of would-be film aficionados who kidnap a Hollywood actress (Melanie Griffith) at the premiere of her latest film. Demented's idea is to make a movie using guerrilla tactics, making the statement that studio films are Bad and independent films are Good. Waters' point is that the studio system is such that any movie coming out of it fits into a formula to make it more palatable to the masses - that is, that the movies you see in the multiplexes are dumbed down for your viewing pleasure.
Demented tries to achieve his vision by staging protests of a sort at movie houses, film screenings, speeches, and even a drive-in. His entourage includes a Satanist, a former porn star, and many other social and sexual deviants. There's hardly a taboo subject Waters doesn't cover here! And to be sure, the character of Demented himself never changes, which is in itself a welcome respite. Had this been a Hollywood film, you might have seen the nefarious filmmaker suddenly see the error of his ways in the final three minutes. I won't give anything away to you, folks, but rest assured that the characters remain true to themselves, except for Griffith's character. She changes, but it's a subtle, honest change.
There are surprises everywhere you turn, but let me warn you: this is absolutely not a film for everyone. There is plenty here to offend even the most open of minds. It is at once a unique, refreshing, and exciting film. It never even rests to catch its breath - it doesn't want the audience to fall back into its Hollywoodized lull.
Major kudos for screenwriting go to Waters and to his amazing cast. If you're into offbeat films, please watch this.
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