A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
In Baltimore, guerrilla filmmaker Cecil B. Demented leads a band of cinema revolutionaries who kidnap Honey Whitlock, a bitchy and aging movie star of big-budget froth. Cecil wants her in his movie, a screed against Hollywood they film during blitzkrieg attacks on a multiplex, a Maryland Film Commission press conference, and the set of a "Forrest Gump" sequel. He insists on celibacy; the cast and crew channel sexual energy into the production. With a family-values coalition, aggrieved Teamsters, and the police on their trail, Cecil needs help from porno, kung-fu, and drive-in audiences. What about Honey? Will she bolt or refuse to act? Or will she hit her marks and light up the screen? Written by
The theater in which Cecil B. Demented kidnaps Honey Whitlock is Baltimore's own Senator Theater, where John Waters' films premiere. See more »
A moment before Cecil licks the movie camera, the word "Panavision" can clearly be seen above the "Panaflex" logo that he licks. When it cuts to the close-up of him licking the "Panaflex" logo, the "Panavision" logo is covered with a blank plate that matches the color of the camera. In the next clear shot of the camera, the "Panavision" logo is back and the "Panaflex" logo is covered in black. See more »
Opening Credit Theme
Written, Produced and Performed by Moby
Featuring samples from "Music for the Movies 1"
Written by Larry Hochman
Courtesy of V2 Records/ Mute Records/ Destiny Music Ltd. See more »
A wildly satirical look at mainstream and underground cinema
I haven't seen enough John Waters movies to make a comparison to this one, so I can't tell if this was his most impressive work or not. But impressive, it is. I can see that Waters has a keen eye for satire. He does a fine job at mocking both underground and mainstream cinema, without being too exaggerated. He never goes over the top. Some of the scenes may be a little less than satisfying, the comedy may sag at times and there are very few actual "laugh out loud" gags--but at least Waters doesn't overdo the comedy to the point where it's sickening. Sure, he has a quirky sense of style that doesn't have a worldwide appeal. There is a scene in the movie involving a porn star and a gerbil (use your imagination). However, what Waters has is edge with taste. None of this mindless, gross-out crap we often spot in recent years; his stuff has intelligence.
What's great about this movie is its sense of irony. Stephen Dorff is perfectly cast as the emotionless, soul-less cult director Cecil B. Demented. The great thing about his performance--and Waters mentions this too--is he blurts out the most blatant, silly ideas and he totally plays it straight. He's serious about his cinematic deeds, no matter how far-fetched and stupid they sound. The movie is full of quirky characters. One quote that I will always remember is by Adrian Greenier, who plays the bong-toking crew member, when he's talking to Melanie Griffith's character. He offers her a hit from his crackpipe. She refuses, and he tells her, "I used to have all sorts of problems. Now it's just drugs. It's given my life a real focus!"
The climax is pretty...well...snappy. Unique but snappy. And I think Waters could've come up with something better. I don't know what, I just felt it was missing something.
"Cecil B. Demented" is wild, original and often funny. And after seeing this movie, I'm anxious to check out Waters' earlier work. On the DVD, there is a pretty good commentary by the director. He rambles on at times, but it's often pretty insightful. It's also interesting to find out "There is no extra in a John Waters movie." He incorporates the same cast members into every one of his movies.
My score: 7 (out of 10)
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