A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
In Baltimore, guerrilla filmmaker Cecil B. Demented leads a band of cinema revolutionaries who kidnap Honey Whitlock, a bitchy and aging movie star of big-budget froth. Cecil wants her in his movie, a screed against Hollywood they film during blitzkrieg attacks on a multiplex, a Maryland Film Commission press conference, and the set of a "Forrest Gump" sequel. He insists on celibacy; the cast and crew channel sexual energy into the production. With a family-values coalition, aggrieved Teamsters, and the police on their trail, Cecil needs help from porno, kung-fu, and drive-in audiences. What about Honey? Will she bolt or refuse to act? Or will she hit her marks and light up the screen? Written by
The theater in which Cecil B. Demented kidnaps Honey Whitlock is Baltimore's own Senator Theater, where John Waters' films premiere. See more »
A moment before Cecil licks the movie camera, the word "Panavision" can clearly be seen above the "Panaflex" logo that he licks. When it cuts to the close-up of him licking the "Panaflex" logo, the "Panavision" logo is covered with a blank plate that matches the color of the camera. In the next clear shot of the camera, the "Panavision" logo is back and the "Panaflex" logo is covered in black. See more »
There are no rules in underground cinema, only edges.
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The credits thank "Fred and Ginger" both insinuating Fred Astaire and Ginger Rogers, the dance duo, and "Fred e Ginger" a movie by Federico Fellini, paying homage to the duo. See more »
This was like the worst kind of student film but ten times as long. It opened reasonably promisingly and Melanie Griffiths was quite funny but, right at the point where the box office would probably refuse to refund your ticket price on the grounds of crapness, it took a horrible turn for the worse and stayed there. I have to say that I don't think you can blame the actors - the script and direction were both pathetic and infantile. Sad to see a film which knocks Hollywood blockbusters turn out to be so very much inferior to them. Waters is hoist with his own petard!
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