| Thora Hird | ... | Violet (1 episode, 1998) | |
| Eileen Atkins | ... | Celia (1 episode, 1998) | |
| David Haig | ... | Wilfred Paterson (1 episode, 1998) | |
| Patricia Routledge | ... | Miss Fozzard (1 episode, 1998) | |
| Julie Walters | ... | Marjory (1 episode, 1998) | |
| Penelope Wilton | ... | Rosemary (1 episode, 1998) |
Series Directed by | |||
| Stuart Burge | (2 episodes, 1998) | ||
Series Writing credits | ||
| Alan Bennett | (6 episodes, 1998) | |
Series Produced by | |||
| Alan Bennett | .... | executive producer (1 episode, 1998) | |
| Lorraine Goodman | .... | associate producer (1 episode, 1998) | |
| Mark Shivas | .... | producer (1 episode, 1998) | |
Series Original Music by | |||
| George Fenton | (1 episode, 1998) | ||
Series Cinematography by | |||
| Tim Palmer | (unknown episodes) | ||
Series Film Editing by | |||
| Sue Wyatt | (1 episode, 1998) | ||
| Chris Gill | (unknown episodes) | ||
Series Production Design by | |||
| Stuart Walker | (1 episode, 1998) | ||
| Francesca Boyd | (unknown episodes) | ||
Series Art Direction by | |||
| Diane Dancklefsen | (1 episode, 1998) | ||
Series Costume Design by | |||
| Dany Everett | (1 episode, 1998) | ||
Series Makeup Department | |||
| Frances Hannon | .... | hair stylist / makeup designer (1 episode, 1998) | |
| Linda McInnes | .... | makeup designer (unknown episodes) | |
| Lynda Tully | .... | makeup artist (unknown episodes) | |
Series Production Management | |||
| Liz Pearson | .... | post-production supervisor (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| William Campbell | .... | first assistant director (1 episode, 1998) | |
Series Art Department | |||
| John Bush | .... | production buyer (1 episode, 1998) | |
| Jack Carter | .... | construction manager (1 episode, 1998) | |
| John Hogan | .... | property master (1 episode, 1998) | |
| Mina Martinez | .... | graphic designer (1 episode, 1998) | |
Series Sound Department | |||
| Tony Jackson | .... | sound recordist (6 episodes, 1998) | |
| Mags Scholes | .... | boom operator (unknown episodes) | |
Series Camera and Electrical Department | |||
| David Fader | .... | camera operator (1 episode, 1998) | |
| Joe Ryan | .... | gaffer (1 episode, 1998) | |
| John Treays | .... | lighting director (1 episode, 1998) | |
Series Editorial Department | |||
| Josef d'Bache-Kane | .... | assistant on-line editor (1 episode, 1998) | |
| Liz Pearson | .... | post-production supervisor (1 episode, 1998) | |
| Alan Tully | .... | telecine grader (1 episode, 1998) | |
| Alan Bishop | .... | telecine grader (unknown episodes) | |
Series Other crew | |||
| Sarah Atkinson | .... | production coordinator (1 episode, 1998) | |
| Patrick Isherwood | .... | production accountant (1 episode, 1998) | |
| John Rakoff | .... | rehearsal manager (1 episode, 1998) | |
| Heather Storr | .... | script supervisor (1 episode, 1998) | |
| Francine Brown | .... | script supervisor (unknown episodes) | |
| Beverly Winston | .... | script supervisor (unknown episodes) | |
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| "Talking Heads" | "Pride and Prejudice" | "Holding On" | "State of Play" | "Rhodes" |
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| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Drama section | IMDb UK section |
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My comment is restricted to the episode (one of six in the series) called "Waiting for the Telegram" with Thora Hird, as it is the only one I've seen. I had taped it and planned to watch it for ten minutes before going out. I couldn't turn it off, and by the end I was sobbing loudly enough to disturb the neighbours. After half an hour of listening to one actress speaking, I had new insight into WWI, the AIDS epidemic and its effect on young men today (paralleled tacitly, but unmistakeably, to the decimating effect of war on youth), and the effects of age, disability, and loneliness.
I have since bought and read the book of the series (worth it for the author's introduction alone), and was too disturbed to sleep afterwards, particularly by the episode with Julie Walters. I will be getting the complete series on video as soon as possible and recommending it to everyone in the entire world.
Watch this for profound insight into the human condition. Not easy, but worth it. Alan Bennett is a genius.