Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, ... See full summary »
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Hetty wakes on her 60th birthday and decides to become a private investigator. With assistance from a teenager called Geoffrey and her husband Robert, combined with her own common sense, Hetty is confident she can solve any case.
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
darker, and with fewer happy endings than the first series, "talking heads 2" is a real treat. alan bennett's ability to capture natural voices, phrases and opinions shines through, here. some characters are unsympathetic ("the hand of god"); some are very easy to emapthise with, despite the terrible things they do ("playing sandwiches"). the sharp performances from a superb group of actors, and very understated direction and lighting, make the series even more intense. "miss fozzard finds her feet" had me laughing aloud: patricia routledge's upright, proud narrator is quite content to blur the lines of morality by the end of her half hour. "waiting for the telegram" left me flabberghasted and sobbing, as dame thora hird's subtle, gentle performance revealed far more to the audience than the character could ever have realised. so carefully constructed as to be almost real, it's a triumph.
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