Stepping Out is a 1991 musical-comedy film directed by Lewis Gilbert, starring Liza Minnelli, written by Richard Harris and based on a play also written by Harris. Minnelli plays the role ... See full summary »
Harold Guppy moves into the Beasley household as a lodger. Before long Mrs. Beasley falls for him and eventually ends up in his bed. Her 13-year old daughter Joyce is aware of what is ... See full summary »
1947 in a small town in England. The war has been won two years ago, but there's still rationing of meat. When princess Elizabeth is going to marry, a group of businessmen wants to impress ... See full summary »
Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, ... See full summary »
Set at the end of the '60s, as Swaziland is about to receive independence from Great Britain, the film follows the young Ralph Compton, at 12, through his parents' traumatic separation, ... See full summary »
Richard E. Grant
Jerry is a successful New York psychiatrist who is diagnosed with leukemia. When he tells his mother, she reveals that Jerry was adopted from a young Catholic girl called Sheila in ... See full summary »
A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »
Onslow presents lessons for life when hosting an Open University program, by showing various moments from the "Keeping Up Appearances" show. All the favourites are here to relive again & again in an hour long glance back.
darker, and with fewer happy endings than the first series, "talking heads 2" is a real treat. alan bennett's ability to capture natural voices, phrases and opinions shines through, here. some characters are unsympathetic ("the hand of god"); some are very easy to emapthise with, despite the terrible things they do ("playing sandwiches"). the sharp performances from a superb group of actors, and very understated direction and lighting, make the series even more intense. "miss fozzard finds her feet" had me laughing aloud: patricia routledge's upright, proud narrator is quite content to blur the lines of morality by the end of her half hour. "waiting for the telegram" left me flabberghasted and sobbing, as dame thora hird's subtle, gentle performance revealed far more to the audience than the character could ever have realised. so carefully constructed as to be almost real, it's a triumph.
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