The Perils of Penelope Pitstop (1969–1971)

TV Series  |  TV-G  |   |  Animation, Family, Comedy
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The Ant Hill Mob has to protect Penelope Pitstop from a murderous lawyer who is after her inheritance.

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Cast

Series cast summary:
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 Penelope Pitstop (17 episodes, 1969-1970)
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Storyline

Syvester Sneekly is the legal guardian of female race car driver Penelope Pitstop. He disguises himself as The Hooded Claw for the purpose of killing her so he can get her wealth. The Ant Hill Mod ( Cyide, Softly, Zippy, Pockets, Dum Dum, Yak Yak and Snoozy ) always save her. Written by Jordan Malone

Plot Summary | Add Synopsis


Certificate:

TV-G | See all certifications »
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Release Date:

13 September 1969 (USA)  »

Also Known As:

Los peligros de Penélope  »

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Technical Specs

Runtime:

(17 episodes)

Sound Mix:

(RCA Sound Recording)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Originally, the villains on the show were supposed to be Dick Dastardly and his dog Muttley. However, they were spun off onto their own show Dastardly and Muttley in Their Flying Machines (1969). See more »

Quotes

Penelope Pitstop: [on several occasions] He-y-alp!
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Connections

Featured in Animation Lookback: Hanna-Barbera Part 2 (2010) See more »

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User Reviews

 
So much fun!
2 October 2006 | by (United Kingdom) – See all my reviews

The mark of a good show is always how much the technical staff and actors enjoy doing it. The DVD commentaries for this show prove it, as Janet Waldo (Penelope), Gary Owens (narrator) and Iwao Takamoto (designer) spend the whole time regaling us with wonderful anecdotes about Paul Lynde, Mel Blanc, Joe Barbera, and just how much fun was had during the production - fun they're still having just as much of from watching the episodes again over 35 years later.

The Wacky Races / Dastardly & Muttley / Penelope Pitstop triumvirate were also supremely blessed by the scripting elegance of Micheal Maltese, who years earlier had created the Road Runner and Coyote with Chuck Jones (and it shows in this series in particular with the Hooded Claw's ridiculously over-complicated Rude Goldberg traps).

This is the real joy of 'golden age' Hanna-Barbera (1968-1969 were the very best years, IMO); where the emphasis was in appealing character designs and the quality of the writing and voice-work, rather than what would look most sophisticated on the screen (although by 1960s TV animation standards, this is actually pretty good).

Still a classic so many years later, and a show that could really teach today's more turgid cartoons about giving your animators free reign to enjoy themselves so that everyone benefits in the end.


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