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5/10
Take My Movie... Please
boblipton7 May 2017
From the middle to the late 1930s, Mentone produced about eighty musical shorts. These were distributed by Universal Studios, and were usually directed by Milton Schwartzwald. After Mentone ceased production, Schwartzwald went to work directly for Universal, in their music department.

This is one of their efforts: it's a quick variety show, an offering of several acts. That was a common product from most major studios. The Mentone product often tried to wrap these shows in a story or other framing device. Here it's Henny Youngman, trying to sell an investor on an investment in the coming thing: television. The acts, which are competent, are shown in a box.

The most interesting aspect for me is the presence of Youngman, whom I remember from my youth as a cigar-chomping comic, who offered quick, snappy jokes in rapid-fire succession.
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8/10
Henny Youngman? Nah, Roy Smeck!
Lilcount10 May 2017
Warning: Spoilers
This short was one of six rare Universal shorts from the 1930's unspooled at MOMA on May 10, 2017.

Comedian Henny Youngman, sans fiddle and theme song and billed as "Henry Youngman," plays an inventor trying to raise capital to mass-produce his new system of television. He delivers a few of his soon-to-be famous one-liners ("She ate like a bird...a vulture.") but is otherwise nondescript as the de facto emcee of a vaudeville revue.

The real star of this film is "The Wizard of the Strings" Roy Smeck. Smeck had made his first sound film in 1923 in Lee De Forest's PhonoFilm system. Here he plays several tunes on an 8-string lap steel guitar. One number has him accompanying himself (via multiple exposure) on acoustic guitar and ukulele. (Apparently this is an homage to his film debut.) The best of his playing is reminiscent of Les Paul.

Smeck would go on to have a long and distinguished career as performer, inventor, and teacher. He appeared on shows hosted by Jack Paar and Steve Allen and in his eighties was the subject of an Oscar-nominated documentary short, titled, fittingly, "The Wizard of the Strings."

Roy Smeck is the reason we give this short an eight. The rest is plebeian at best.

It's not likely you will ever get to see this film except at a museum, but if it's playing, see it. Highly recommended.
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