| Photos (see all 5 | slideshow) | Videos |
| Ian Holm | ... | Joe Gould | |
| Stanley Tucci | ... | Joe Mitchell | |
| Hope Davis | ... | Therese Mitchell | |
| Sarah Hyland | ... | Elizabeth Mitchell | |
| Hallee Hirsh | ... | Nora Mitchell | |
| Celia Weston | ... | Sarah | |
| Patrick Tovatt | ... | Harold Ross | |
| Susan Sarandon | ... | Alice Neel | |
| Patricia Clarkson | ... | Vivian Marquie | |
| John Tormey | ... | Harry Kolis | |
| Jack O'Connell | ... | Chef | |
| Jerry Mayer | ... | Minetta Bartender | |
| Nell Campbell | ... | Tamar (Hostess) | |
| Ron Ryan | ... | Jack | |
| Allan Corduner | ... | Francis McCrudden | |
| Merwin Goldsmith | ... | Monsieur Gerard | |
| Laura Hughes | ... | Dr. Kim Maxwell | |
| Steve Martin | ... | Charlie Duell | |
| James Hanlon | ... | Mike, Cop at Coffee Shop | |
| David Wohl | ... | Max Gordon | |
| Julie Halston | ... | Sadie Gordon | |
| Aida Turturro | ... | Waitress | |
| Alice Drummond | ... | Helen | |
| Justine Johnston | ... | Mrs. Bagly | |
| Gordon Joseph Weiss | ... | Man at Flophouse | |
| Andre Belgrader | ... | Teddy (as Andrei Belgrader) | |
| Gabor Morea | ... | Pawnbroker | |
| Ben Shenkman | ... | David | |
| Katy Hansz | ... | Margaret | |
| Mark Casella | ... | Cop at the Building Site | |
| Harry Bugin | ... | Newsman | |
| Lauren Ward | ... | Anne | |
| Jessica Walling | ... | Betty | |
| Ted Blumberg | ... | Phil (The Writer) | |
| Ben Jones | ... | Southern Man at the Party | |
| Peter Francis James | ... | Man at Party | |
| Richard Litt | ... | Bartender | |
| Tom Foral | ... | Man in Gallery (as Tom Joseph Foral) | |
| Leigh Carlson | ... | Janet | |
| rest of cast listed alphabetically: | |||
| Jon M. McDonnell | ... | Bar Patron (uncredited) | |
Directed by | |||
| Stanley Tucci | |||
Writing credits(WGA) | ||
| Joseph Mitchell | (books "Professor Seagull" and "Joe Gould's Secret") | |
| Howard A. Rodman | (screenplay) | |
Produced by | |||
| Elizabeth W. Alexander | .... | producer | |
| Michael Lieber | .... | executive producer | |
| Stanley Tucci | .... | producer | |
| Chrisann Verges | .... | executive producer | |
| Charles Weinstock | .... | producer | |
Original Music by | |||
| Evan Lurie | |||
Cinematography by | |||
| Maryse Alberti | |||
Film Editing by | |||
| Suzy Elmiger | |||
Casting by | |||
| Kathleen Chopin | |||
| Ellen Lewis | |||
Production Design by | |||
| Andrew Jackness | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Catherine Davis | |||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Victor DeNicola | .... | key hair stylist | |
| Rita Ogden | .... | makeup artist | |
| Jackie Payne | .... | hair stylist | |
| Carla White | .... | key makeup artist | |
Production Management | |||
| Kelley Cribben | .... | post-production supervisor | |
| Mike Phillips | .... | production supervisor | |
| Troy Thomas | .... | unit manager | |
| Chrisann Verges | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Julie A. Bloom | .... | second assistant director | |
| Sam Hoffman | .... | first assistant director | |
| Shea Rowan | .... | second second assistant director | |
Art Department | |||
| JoAnn Atwood | .... | set dresser | |
| Anthony Baldasare | .... | on-set dresser | |
| Eric Cheripka | .... | props | |
| James Donahue | .... | painter | |
| Ann Edgeworth | .... | assistant property master | |
| Joseph Garzero | .... | chargeman scenic artist | |
| Denise Gurkas | .... | camera scenic artist | |
| Sandy Hamilton | .... | property master | |
| Joanna Hartell | .... | set dresser | |
| Michael Herlihy | .... | construction foreman | |
| Molly Hughes | .... | art department assistant | |
| Alexandra Mazur | .... | assistant set decorator | |
| Eric M. Metzger | .... | set dresser | |
| Timothy Metzger | .... | lead man | |
| Joan Winters | .... | graphic designer | |
Sound Department | |||
| Benjamin Cheah | .... | sound editor | |
| Kate Eales | .... | assistant sound editor | |
| Robert Hein | .... | supervising sound editor | |
| William Sarokin | .... | production sound mixer | |
| Reilly Steele | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Tom Anderson | .... | best boy electric (as Thomas M. Anderson) | |
| Francesca Cobaco | .... | rigging gaffer | |
| Veal Cutlet | .... | company grip | |
| Jon Delgado | .... | lamp operator | |
| James Edmiston | .... | company grip | |
| Anthony Gamiello | .... | company grip | |
| Dennis Gamiello | .... | key grip | |
| Abbot Genser | .... | still photographer | |
| Tim Guffin | .... | loader | |
| Peter Koola | .... | lamp operator | |
| Edward W. Lowry | .... | dolly grip | |
| Michael J. Maurer | .... | lamp operator (as Michael Maurer) | |
| Rocco Palmieri | .... | lamp operator | |
| Louis Petraglia | .... | best boy grip | |
| Cris Purificato | .... | company grip | |
| Phil Purificato | .... | company grip | |
| James Quinn | .... | company grip | |
| Scott H. Ramsey | .... | gaffer | |
| Mark Schwentner | .... | generator operator | |
Casting Department | |||
| Jennifer Euston | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Vernon Rodriquez | .... | wardrobe assistant | |
Editorial Department | |||
| Keith Croket | .... | associate editor | |
Music Department | |||
| David Carbonara | .... | music editor | |
| Susan Jacobs | .... | music supervisor | |
Transportation Department | |||
| Bobby Marsh | .... | driver | |
Other crew | |||
| Keith Adams | .... | location scout | |
| Marc Alan Austen | .... | stand-in: Ian Holm | |
| Betty Chin | .... | production coordinator | |
| Jennifer Craig | .... | development executive | |
| Karen C. Eide | .... | assistant production office coordinator | |
| Larry Horodner | .... | assistant location manager | |
| Sam Hutchins | .... | location manager | |
| Daniel Kaufman | .... | stand-in: Stanley Tucci | |
| Michael C. Kingsley | .... | office production assistant | |
| Nicole Klett | .... | location assistant | |
| Kiersten Pilar Miller | .... | production assistant | |
| Tim Monich | .... | dialect coach | |
| Jesse Nye | .... | production assistant | |
| Brian M. O'Neill | .... | location assistant | |
| Olimpia T. Rinaldi | .... | production accountant | |
| Josh Schneider | .... | accountant | |
| Addy Smith | .... | production secretary | |
| Darryl A. Smith | .... | first assistant accountant | |
| Ethan Smith | .... | location assistant | |
| Ajamu Walker | .... | production assistant | |
| Brooks Baldwin | .... | dialect coach (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
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It's no accident that the opening scene of "Joe Gould's Secret" is an all-American family having a normal conversation over breakfast. The head of this household, author Joseph (Joe) Mitchell (director Stanley Tucci) is about to have his world turned upside-down by a person whom he's at first merely intrigued by, but then finds himself friends with: Joe Gould, a homeless beggar who "speaks seagull." Gould (Ian Holm) is himself an author, claiming to have recorded a staggering volume recounting the conversations of strangers he calls the 'Oral History' or simply 'O.H.' One portion of the OH is his own thoughts on these conversations, which he keeps with different people he knows all over New York City. The other is the actual conversations, which he claims to have hidden away under lock and key. Gould won't let anyone read it because it's too personal to him. Over the course of the story, Mitchell starts to suspect that these writings don't even exist. He also finds that he's got a lot more in common with this mentally ill tramp than he'd care to admit.
The heart of the story is the friendship between Gould and Mitchell. Both men are well portrayed and given great depth by the actors who play them. That the script is the best of any produced this year doesn't hurt either. Mitchell treats Gould as a story he's writing, as merely an interesting character for people to read about, and not a human being. Mitchell thinks he's done Gould a great service, but finds that all he's done is take away even more of Gould's humanity. Most of his `friends' treat him in a similar fashion: they love how he entertains them with his craziness, but when it comes to helping him, the most they're willing to do is make a contribution to the "Joe Gould fund." Holm's performance is mesmerizing. Behind all of Gould's ravings is a sadness that he always manages to keep just below the surface. Holm brings across several levels of a man's personality, sometimes in no more than a glance. His work here is a perfect, once-in-a-lifetime achievement I hope he is remembered for.
There is much more to Joe Gould's Secret than a message about how we treat the homeless in America. It has so many levels, you could watch it several times and find a different story in it each time. Tucci has several points to make, but doesn't do it at the expense of storytelling. His love and understanding of the story and characters shines through, like a kid finding a stray puppy, running home with it, and announcing, "look what I found!"
Grade: A