As a suicidal man (Mark Rosenthal) stands on a roof ready to throw himself off the building, his friends gather to try to convince him not to do it. Through the friends, his tale is told in... See full summary »
James Le Gros,
A weekend in a summer house, where six late twenties friends have reunited. A series of life crises force them to confront their relationships and lives, leading them to discover what it really means to grow up.
Jean Louisa Kelly,
Four hip women get ready for Friday night in LA: they dress, talk about sex, and hit a bar before meeting four men at a rave. The men prepare by talking about sex and drinking. Rick and Jean, two attorneys, have set up the evening, connect at the club, and have a good time. The pairings of Shawn, Trent, Whitney and Emma are more serendipitous. But it's Mike and Sara's night that has serious repercussions: he's an NFL player, loud, swaggering; she's a party animal who drinks a lot early that evening. At 4 AM, she appears at Jean's, disheveled and bruised, saying Mike raped her. Arrested, he says he's innocent, and in flashbacks we see both sides of the story. Written by
The film's title was changed from "Jello Shots" to "Body Shots" because of threatened litigation on the part of Kraft Foods (owner of the "Jell-O" trademark). See more »
A woman has an orgasm, it's like a fuckin' earthquake, right? I was doing this one Bertha once, I swear to God it was like a 7.5. It's like, I'm lookin' at my dick, going, "Jesus Christ, why can't you do that?"
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Opening quote: "I'll go for a ride on your jelly roll. But I won't give you nothin' from my soul." --Anonymous See more »
Before falling off into oblivion. The first forty five minutes were good. It starts off in an interesting way and it's easy to become immersed in what is going on. Unfortunately the second half is poorly written. The driving force is killed off, and what follows only leads into the least anti-climatic ending ever seen. What's worse about the ending is that it fails to resolve any of the film's events. Which almost makes the entire movie a waste of a film.
The directing is great, way better than this film deserves. The acting was good. I liked Jerry O'Connell's performance. Tara Reid was surprisingly convincing in displaying her emotions. Amanda Peet could have done better. Ron Livingston was great, and is shown in a somewhat different light.
The film has a lot of wasted potential. I'm surprised that the last half of the script wasn't completely rewritten. It is as if the writer only planned out the first half before starting to write it. If it's a dollar rental, it may be worth it. Just to be safe, I'd only recommend it if it ends up on a subscription movie channel.
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