The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary »
Mail author for translation. Kodos hegycsucsok, fekete fenyvesek vilagaban el a havasok nehezsorsu nepe. Csutak Gergely favago nyomorusagos eletet felesege irant erzett nagy szerelme es ... See full summary »
A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it's "practically their back yard"). However, they are forced to leave their ... See full summary »
During the year 1962, a young prepubescent boy in rural Austrailia watches painfully as his best friend and first love, an older girl, blossoms into womanhood and falls for a thuggish rugby... See full summary »
A brilliant recent graduate struggles to find work. After falling into a babysitting job, she is introduced by the child's mother to the world of the international call center, its employees, and the fast pace that drives them.
A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective. Written by
The opening line of the credits reads 'For Michael 1960 -1997', referring to Michael Hutchence, a close friend of director Lowenstein. See more »
In the scene with Dirk and Nina arguing over the pineapple chunks, the label on the can changes from shot to shot, from "pineapple pieces" to "sliced pineapple". Neither can contains "pineapple chunks" as said in the dialogue. See more »
Flip, turn the fucking TV off! People are trying to sleep.
[Flip does not respond]
Flip, have some fucking consideration.
[Danny turns the TV off]
For Christ's sake, Flip... Flipster? Oh, shit. Shit! Fuck!
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Apologies to: Jean-Luc Godard, Buster Keaton, Louise Brooks, Anna Karina, Antonin Artand, Robert Bresson, Jean-Pierre Melville, Andrei Tarkovsky, Fedorico Fellini, Emir Kusturica, Wong Kar Wei, Yasujiro Ozu, Jean-Paul Satre, Simone de Beauvoir, Jean-Paul Belmondo, Jean-Pierre Leaud, Alain Delon, Francis Ford Coppola, Elvis Presley & Sandy Harbutt. See more »
A great Aussie film successfully continuing the tradition of character based humour that made shows such as the BBC's 'The Young Ones' so successful. The protagonist's frequent housing changes and philosophical musings are entertaining and while there isn't so much as an overall plot to tie it all together, you are absorbed by the gripping personalities of the characters. The film contains every sort of bizarre and twisted personality imaginable and flaunts them in a parade of pagan rituals, drug abuse, vaguely criminal activity and postmodern angst. However much of the humour relies on an understanding of Australian stereotypes and only viewers who are able to connect Queensland with cane toads and right wing military nut jobs, Melbourne with gangland crime and dodgy police, and Sydney with anal retentives, will appreciate the farcical situations that arise.
Not nearly as gritty as 'Trainspotting' but if the bizarre lives and apathetic self discovery of that appealed to you then you'll probably appreciate 'He Died with a Felafel in His Hand' as well. Not for people who aren't prepared to accept subtlety in films.
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