During the year 1962, a young prepubescent boy in rural Australia watches painfully as his best friend and first love, an older girl, blossoms into womanhood and falls for a thuggish rugby ... See full summary »
Ken Elkin is a randy young man who is told that the world is about to end. In a race against time, there's only one goal he wants to accomplish: bedding the love of his life, who just happens to be the local pastor's daughter.
The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary »
A dark-sheep type of man returns to his hometown after a prolonged absence. While he's been gone ludicrous rumours have spread about his whereabouts. Is he a big footy player or is he a ... See full summary »
Andrew S. Gilbert
Seymour is a loner. A small, shy, introverted eleven year old whose parents are separated. By chance Seymour meets the beautiful, effervescent but drug-addicted Angie, who is also lonely ... See full summary »
Sudi de Winter,
A poignant and forceful saga which traces the fortunes of two English children uprooted from their beloved Liverpool dockside to the alien environment of Australia in the years following World War Two.
A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective. Written by
The opening line of the credits reads 'For Michael 1960 -1997', referring to Michael Hutchence, a close friend of director Lowenstein. See more »
In the scene with Dirk and Nina arguing over the pineapple chunks, the label on the can changes from shot to shot, from "pineapple pieces" to "sliced pineapple". Neither can contains "pineapple chunks" as said in the dialogue. See more »
Flip, turn the fucking TV off! People are trying to sleep.
[Flip does not respond]
Flip, have some fucking consideration.
[Danny turns the TV off]
For Christ's sake, Flip... Flipster? Oh, shit. Shit! Fuck!
See more »
Apologies to: Jean-Luc Godard, Buster Keaton, Louise Brooks, Anna Karina, Antonin Artand, Robert Bresson, Jean-Pierre Melville, Andrei Tarkovsky, Fedorico Fellini, Emir Kusturica, Wong Kar Wei, Yasujiro Ozu, Jean-Paul Satre, Simone de Beauvoir, Jean-Paul Belmondo, Jean-Pierre Leaud, Alain Delon, Francis Ford Coppola, Elvis Presley & Sandy Harbutt. See more »
A good watch, although very different to the book...
I've read He Died with a Falafel in his Hand several times and I'm a big fan of John Birmingham, he is a wonderful author.
When I first saw this film I have to admit I was quite put out with the character being significantly different to that of Birmingham in the book and also the stories being quite different and most of them being left out altogether. I am the kind of person that get's annoyed with a film if it's 'historically inaccurate' (eg: Marie Antoinette, Becoming Jane etc...make me very angry!) and indeed it annoyed me that this film changed quite a lot of the things that actually happened in Birmingham's real life.
However, after watching it again I realized just how amazing Noah Taylor is and of course the supporting cast. I also realized that if all of the stories in the book were included the film, it would've had to have been HOURS longer. It seems almost as if the film is just a VERY small portion of the book, just a nugget of the overall story, which in it's self didn't finish with the end of the book.
I enjoyed the story in the film, even if it was significantly different. And although I love the book much more than the film, I have learnt to appreciate and respect the film for what it is.
It's a fascinating story and Noah Taylor is just incredible as the main character, Danny. I also recognize a lot of the supporting cast from other Australian films or TV shows. (For example Sophie Lee from Muriel's Wedding.) There's something about Australian share house living that rings true with so many people.
I my self have lived in many share houses and lived with some neurotic freak shows or stoned hippies or insomniac business men, and there is nothing that shows the transition from one place to the next more than this film. (And of course to a larger extent, the book.) It can feel almost likes nothing's changed from one house to the next when you move too often.
Sometimes you have the feeling the script has missed out on some of the plot and character development, but otherwise it's an interesting film. If only for Noah Taylor.
I do recommend reading the book though, as it is for all intents and purposes much better.
1 of 1 people found this review helpful.
Was this review helpful to you?