Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. ... See full summary »

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elisabetta Cavallotti ...
Nina
Stefania Orsola Garello ...
Flavio Insinna ...
Flavio
Gianluca Gobbi ...
Dario
Claudio Spadaro ...
Baroni
Luis Molteni ...
Max Bernabei
Augusto Zucchi ...
Il produttore
...
Joe, the director
...
Castellani
Angelica Ippolito ...
Nina's mother
...
Nina's father (as Yorgo Voyatzis)
Giorgio Gobbi ...
Cooperante Bosnia
Vladimir Luxuria ...
The Queen (as Wladimir Luxuria)
Roberto Gessa ...
Ganzo della disco
...
Ganzo della disco
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Storyline

Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won't be a future. Written by 1felco

Plot Summary | Add Synopsis

Taglines:

Oltre i limiti, l'amore

Genres:

Biography | Drama

Certificate:

X | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

10 September 1999 (Italy)  »

Also Known As:

Гледай ме  »

Filming Locations:

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Based on the life of porn star Moana Pozzi. See more »

Soundtracks

Maman va rentrer
Written by Giorgio Canali
Performed by Tangosh
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User Reviews

 
Erotica Can Be Serious Drama!
3 March 2000 | by See all my reviews

Narrow-minded moviegoers who bypass this pic because of either its non-English language or its lurid subject will be cheating themselves of a seriously fine piece of creative cinema, highlighted by both the director's gloriously imaginative use of visuals to convey eros without sinking to depths and the star's bravely professional work. This is the sort of courageous work Peter Greenaway and Helen Mirren might do had they even more courage. Cavallotti deserves special commendation for having dared what few actresses in "legitimate" cinema can ever imagine, and her astounding fortitude in delivering an Oscar-calibre performance while (un)dressed throughout most of the movie is one of those must-see experiences [Sharon Stone only wishes she had one-tenth this much guts and talent]. Hope that some American distributor with gonads picks up this gem and teaches non-Italian moviegoers what genuine courage can produce. {Reviewed during American Film Market 2000}


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