When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallce begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge. Written by
Chris "Morphy" Terry
The short sword used by the Roman army, the Gladius Hispaniensis, is seen being used by many gladiators in the film. The version used in the arena in the film is accurate as depicted; it was often shorter than the military version. The use of the gladius is actually the source of the word "gladiator". See more »
Maximus has "SPQR" tattooed on his left arm. In real life, it would have said "Legio", with the legion's number. That way the army could keep track of soldiers if they deserted or were lost in battle. See more »
And after your glorious coup, what then? You take your five thousand and... leave?
Yes, I will leave. The soldiers will stay here for your protection, under the guidance of the Senate.
So, after Rome's all yours, you just give it back to the people. Tell me why.
Because that was a dying man's last wish. I will kill Commodus. The fate of Rome, I leave to you.
Marcus Aurelius trusted you. His daughter trusts you. I will trust you. Give me two days, and I will purchase your freedom. And you, stay ...
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Both the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield. See more »
The epic blockbuster returns with the 21st Century's answer to Cecil B DeMille, Ridley Scott and his dramatic tale of courage and revenge, GLADIATOR - "the general who became a slave, the slave who became a gladiator, the gladiator who defied an emperor".
Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".
And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.
The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.
Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.
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