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Directed by | |||
| James Mangold | |||
Writing credits(WGA) | ||
| Susanna Kaysen | (book) | |
| James Mangold | (screenplay) and | |
| Lisa Loomer | (screenplay) and | |
| Anna Hamilton Phelan | (screenplay) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Jack N. Green | (director of photography) (as Jack Green) | ||
Film Editing by | |||
| Kevin Tent | |||
Casting by | |||
| Lisa Beach | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Jeff Knipp | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Milton Buras | .... | key hair stylist | |
| Jane Galli | .... | key makeup artist | |
| Kathrine Gordon | .... | hair stylist: Ms. Ryder | |
| Linda Grimes | .... | makeup artist: Whoopi Goldberg | |
| John E. Jackson | .... | prosthetic makeup application | |
| Cheryl 'Pickles' Kinion | .... | assistant makeup artist | |
| Diane Maurno | .... | makeup artist | |
| Emanuel Millar | .... | hair stylist: Ms. Jolie | |
| Janeen Schreyer | .... | makeup artist: Ms. Jolie | |
| Carol Schwartz | .... | makeup supervisor | |
| Gunnar Swanson | .... | hair stylist | |
| Kathe Swanson | .... | hair styles supervisor | |
| Julia L. Walker | .... | hair stylist: Ms. Goldberg (as Julia Walker) | |
| Matthew W. Mungle | .... | prosthetic makeup designer (uncredited) | |
| Clinton Wayne | .... | prosthetic technician (uncredited) | |
Production Management | |||
| Georgia Kacandes | .... | unit production manager | |
| Susan McNamara | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Dieter 'Dietman' Busch | .... | second assistant director (as Dieter Busch) | |
| Cas Donovan | .... | first assistant director | |
| Kristen Ploucha | .... | second second assistant director | |
| Henry Alex Rubin | .... | second unit director (as Alex Rubin) | |
Art Department | |||
| Krzysztof J. Bratun | .... | scenic artist | |
| Monica Castro | .... | assistant property master (as Monica Ragan) | |
| Harry Conrad Chitwood | .... | construction coordinator (as Conrad Chitwood) | |
| David B. Clark | .... | paint foreman | |
| Josh Ian Elliott | .... | on-set dresser | |
| Hank Giardina | .... | paint supervisor | |
| Jon E. Graf | .... | construction gang boss | |
| John Paul 'J.P.' Jones | .... | property master | |
| Ann Knight | .... | assistant set decorator | |
| David C. Potter | .... | lead man (as David Potter) | |
| Mary Saisselin | .... | set designer | |
| Stephen Siersema | .... | scenic artist | |
| Patrick M. Sullivan Jr. | .... | set designer | |
| Andrea Swistak | .... | prop assistant | |
| Christine Sysko | .... | draper | |
| Mimi Wyeth | .... | art department coordinator | |
| Jonathan A. Davidson | .... | carpenter (uncredited) | |
| Sharon Potts | .... | set dresser (uncredited) | |
Sound Department | |||
| George H. Anderson | .... | sound effects editor (as George Anderson) | |
| Michael J. Benavente | .... | dialogue editor (as Michael Benavente) | |
| Bill W. Benton | .... | re-recording mixer | |
| Michael J. Broomberg | .... | foley artist (as Michael Broomberg) | |
| Fred Burke | .... | foley editor | |
| Ali Derakhshan | .... | assistant sound editor | |
| David Diamond | .... | boom operator | |
| Paul Drenning | .... | adr mixer | |
| Richard Duarte | .... | foley mixer | |
| Howell Gibbens | .... | supervising sound editor | |
| Jeffrey J. Haboush | .... | re-recording mixer | |
| Gary A. Hecker | .... | foley artist (as Gary Hecker) | |
| Hanson Hsu | .... | stage engineer | |
| Elizabeth Kenton | .... | supervising adr editor | |
| James Morioka | .... | assistant sound editor | |
| Greg Robertson | .... | assistant re-recording engineer | |
| Greg Steele | .... | adr mixer | |
| Jim Stuebe | .... | production sound mixer | |
| F. Scott Taylor | .... | assistant sound editor | |
| Hugo Weng | .... | dialogue editor | |
| Gary Wright | .... | foley editor | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects | |
| Jeffrey Cox | .... | special effects | |
Visual Effects by | |||
| Ralph Maiers | .... | visual effects supervisor | |
| Christopher Grandel | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Bob Colletti | .... | stunts | |
| Jennifer Lamb | .... | stunt coordinator | |
| Kym Washington | .... | stunt double | |
Camera and Electrical Department | |||
| Bill Coe | .... | first assistant camera | |
| Jason Cortazzo | .... | company grip | |
| Jan Gould | .... | best boy grip | |
| Jan Gould | .... | second grip | |
| Ryan Green | .... | second assistant camera | |
| Harold Groshon | .... | electrician (as Hal Groshon) | |
| Douglas C. Hart | .... | first assistant camera: "b" camera | |
| Michael Kleiman | .... | additional second assistant camera | |
| Craig Ligget | .... | rigging electrician | |
| Steven Litecky | .... | rigging electrician | |
| David Luckenbach | .... | Steadicam operator | |
| David Luckenbach | .... | camera operator | |
| Bobby McMahan | .... | second assistant camera | |
| Michael K. O'Melia | .... | assistant chief lighting technician | |
| William O'Melia | .... | electrician | |
| Charles Saldana | .... | key grip | |
| Leon Sanginiti | .... | second assistant camera | |
| Suzanne Tenner | .... | still photographer | |
| Paul Varrieur | .... | camera operator: "b" camera | |
| H. Mark Vuille | .... | gaffer | |
| Charles W. Wayt | .... | dolly grip | |
| James D. Wickman | .... | dolly grip | |
| Frank Yario Jr. | .... | 24 frame video operator | |
Casting Department | |||
| Sharon Hillegas | .... | extras casting | |
| Sarah Katzman | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Wendy M. Craig | .... | costumer (as Wendy Craig) | |
| Lorraine Crossman | .... | costumer | |
| Linda Matthews | .... | wardrobe supervisor | |
| Natasha Paczkowski | .... | tailor | |
| Trish Summerville | .... | assistant costume designer | |
| Rory Valentine | .... | costumer | |
Editorial Department | |||
| Tom Dailey | .... | first assistant editor | |
| Mo Henry | .... | negative cutter | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Holly Sachi | .... | second assistant editor | |
| Tom Scully | .... | second assistant editor | |
| Lee Michael Searles | .... | print editor | |
| Mark C. Pituch | .... | dailies colorist (uncredited) | |
Music Department | |||
| Monica Ciafardini | .... | music clearances | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | scoring engineer | |
| Paul Intson | .... | musician | |
| Andrew Lockington | .... | assistant to composer | |
| Thomas Milano | .... | music editor | |
| Ron Searles | .... | scoring engineer | |
Transportation Department | |||
| Bob Foster | .... | transportation captain | |
| Robert Lee Mitchell | .... | transportation co-captain | |
| John H. Stephens | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
"Borderline personality disorder" is one of those phrases that says more about the people who invented it than it does about the patient it's supposed to describe. When Susanna Kaysen (Winona Ryder) the 18-year old heroine of "Girl Interrupted" enters Claymoore hospital, a psychiatric facility outside Boston, she is diagnosed with the syndrome - but in fact, all she's done is made a hapless suicide attempt and acted slack and mopey and lost in her sober daydreams. Her personality isn't borderline -- it's self-pitying and indulgent. Fortunately, the film understands this. Set in 1967, and adapted from Kaysen's memoir of her two-year experience as an adolescent in the throes of a middle-class crack up, "Girl Interrupted" is shrewd, tough and lively - a junior-league "One Flew Over the Cuckoo's Nest" that never makes the mistake of portraying its protagonist as a victim-naif. She's more like the original poster child for Prozac Nation: a girl who'd rather interrupt her own life, even if it means going a little crazy, than grow up.
Susanna is thrown in with a turbulent gallery of disturbed young women. They range from a girl who tried to burn her own face off to one who won't eat anything but chicken from her father's deli (she stores the carcasses under the bed). Most of the patients are harmless, but Lisa (Angelina Jolie) a heartless, charismatic sociopath, delights in her destructive power. Jolie brings the kind of combustible sexuality to the screen that our movies, in the age of Meg Ryan have been missing for too long. As Susanna and Lisa become comrades, then enemies, Susanna becomes like a space cadet fighting a secret war with herself, and through Lisa she plays out that war. The film allows Ryder to trace Susanna's gradual emergence from her "borderline" state as she confronts the cruel truth of mental illness.
Directed with satisfying authority by James Mangold, "Girl Interrupted" is really about the thorny neurotic underside of a contemporary young woman's struggle to leave childhood behind. By the end, you feel that Ryder, at long last, has done that as an actress.