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| Ralph Fiennes | ... | Maurice Bendrix | |
| Stephen Rea | ... | Henry Miles | |
| Julianne Moore | ... | Sarah Miles | |
| Heather-Jay Jones | ... | Henry's Maid (as Heather Jay Jones) | |
| James Bolam | ... | Mr. Savage | |
| Ian Hart | ... | Mr. Parkis | |
| Sam Bould | ... | Lance Parkis (as Samuel Bould) | |
| Cyril Shaps | ... | Waiter | |
| Penny Morrell | ... | Bendrix's Landlady | |
| Simon Fisher-Turner | ... | Doctor Gilbert (as Dr. Simon Turner) | |
| Jason Isaacs | ... | Father Richard Smythe | |
| Deborah Findlay | ... | Miss Smythe | |
| Nicholas Hewetson | ... | Chief Warden | |
| Jack McKenzie | ... | Chief Engineer | |
| rest of cast listed alphabetically: | |||
| Nic Main | ... | Commanding officer (uncredited) | |
Directed by | |||
| Neil Jordan | |||
Writing credits(WGA) | ||
| Graham Greene | (novel) | |
| Neil Jordan | (screenplay) | |
Produced by | |||
| Neil Jordan | .... | producer | |
| Kathy Sykes | .... | co-producer | |
| Stephen Woolley | .... | producer | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Roger Pratt | |||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Anthony Pratt | |||
Art Direction by | |||
| Jon Billington | |||
| Chris Seagers | (supervising art director) | ||
| Tony Woollard | |||
Set Decoration by | |||
| John Bush | |||
| Joanne Woollard | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Christine Beveridge | .... | hair designer | |
| Christine Beveridge | .... | makeup artist | |
| Sarah Trudi Herrmann | .... | trainee makeup artist | |
| Paolo Mantini | .... | hair stylist | |
| Elaine L. Offers | .... | makeup artist: Julianne Moore | |
| Vivien Riley | .... | hair stylist | |
| Vivien Riley | .... | key makeup artist | |
| Demelza Rogers | .... | hair stylist | |
| Demelza Rogers | .... | makeup artist | |
| Jeremy Woodhead | .... | makeup artist: Ralph Fiennes | |
| Felicity Wright | .... | hair stylist | |
Production Management | |||
| Phil Hounam | .... | unit manager | |
| Michael Saxton | .... | post-production supervisor | |
Art Department | |||
| Nicola Barnes | .... | art department production assistant | |
| John Bohan | .... | construction manager | |
| Thomas Brown | .... | art department assistant | |
| Colin Burgess | .... | dressing props | |
| David Cheesman | .... | dressing props | |
| Derek Dackombe | .... | supervising carpenter | |
| Carol Eastwood | .... | construction buyer | |
| Michael Finlay | .... | painter | |
| Heidi Gibb | .... | art department assistant | |
| Alan Gilmore | .... | draughtsman | |
| Matthew Gray | .... | draughtsman (as Matt Gray) | |
| Jo Graysmark | .... | assistant art director | |
| Alan Grenham | .... | stand-by painter | |
| David Haberfield | .... | supervising painter | |
| Robert Harper | .... | painter | |
| Gary Hedges | .... | chargehand carpenter | |
| Margaret Horspool | .... | stand-by art director | |
| Kevin Lloyd | .... | chargehand stagehand | |
| David Lowery | .... | supervising carpenter | |
| Thomas Martin | .... | head carpenter | |
| Dave Midson | .... | props | |
| Steve Mitchell | .... | scenic artist | |
| Daniel O'Regan | .... | supervising carpenter | |
| Danny O'Regan Jr. | .... | stand-by carpenter | |
| John O'Shaughnessy | .... | production buyer | |
| Keith Pitt | .... | dressing props | |
| Danny Rogers | .... | graphic designer | |
| Keith Stevenson | .... | set dresser | |
| Emma Tauber | .... | art department production assistant | |
| Bradley Torbett | .... | stand-by props | |
| Jason Torbett | .... | stand-by props | |
| Keith Vowles | .... | property master | |
| Clive Ward | .... | head painter | |
| Derek Whorlow | .... | supervising stagehand | |
| Clive Wilson | .... | dressing props | |
| Robert Wishart | .... | chargehand carpenter | |
| Tony Marks | .... | carpenter (uncredited) | |
Sound Department | |||
| Mark Auguste | .... | sound editor | |
| Sam Auguste | .... | assistant sound editor | |
| Tim Hands | .... | adr editor | |
| Daniel Laurie | .... | assistant dialogue editor | |
| Dominic Lester | .... | sound re-recording mixer | |
| John Lewis | .... | boom operator | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| David Stephenson | .... | production sound mixer | |
| Richard Street | .... | sound re-recording mixer | |
| Andy Thompson | .... | adr mixer | |
| Derek Trigg | .... | foley editor | |
| Colin Wood | .... | sound maintenance | |
Special Effects by | |||
| James Brady | .... | special effects technician | |
| Dave Crownshaw | .... | snow effects supervisor | |
| Yves De Bono | .... | special effects supervisor | |
| Mark Griffin | .... | special effects buyer/tech | |
| Ron Hone | .... | special effects technician (as Ronald Hone) | |
| Trevor Neighbour | .... | special effects workshop supervisor | |
| Terry Rigarlsford | .... | special effects technician | |
| Andy Wilson | .... | special effects technician | |
Visual Effects by | |||
| Martin Body | .... | optical cameraman | |
| Libby Hazell | .... | visual effects producer | |
| Chris Monks | .... | CG artist | |
| Mark Nelmes | .... | visual effects supervisor | |
| Alex Payman | .... | compositing artist | |
| Pat Wong | .... | digital compositor | |
| Jan Hogevold | .... | digital scanning and recording: CFC (uncredited) | |
| Oliver James | .... | research and development (uncredited) | |
Stunts | |||
| Paul Jennings | .... | stunts | |
| Greg Powell | .... | stunt coordinator | |
| Lee Sheward | .... | stunts | |
| Peter Pedrero | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| David Appleby | .... | still photographer | |
| Danny Espey | .... | electrician | |
| Warren Ewen | .... | electrician | |
| Chuck Finch | .... | gaffer | |
| Stephen Finch | .... | electrician | |
| Guy Frost | .... | clapper loader | |
| Amy Gilliam | .... | camera trainee | |
| Martin Goddard | .... | stand-by rigger | |
| Alan Grosch | .... | electrician | |
| Edwin Hawkins | .... | rigger | |
| Peter Hawkins | .... | rigger | |
| Simon Lucas | .... | electrician | |
| Clive Mackey | .... | focus puller | |
| Colin Manning | .... | grip | |
| Keith Manning | .... | grip | |
| Graham Martyr | .... | focus puller | |
| Billy Merrell | .... | assistant chief lighting technician (as Bill Merrell) | |
| Tommy O'Sullivan | .... | electrician | |
| Mike Roberts | .... | camera operator | |
| Elliot Thomas | .... | electrician | |
| Alf Tramontin | .... | Steadicam operator | |
| Garie Wetherill | .... | video assist trainee | |
| Bernt Wiese | .... | clapper loader (as Berndt Wiese) | |
| Gordon Segrove | .... | clapper loader (uncredited) | |
Casting Department | |||
| Kate Bryden | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Toni Brennand | .... | wardrobe | |
| John Cowell | .... | head costume painter | |
| Charlotte Finlay | .... | wardrobe | |
| Annie Hadley | .... | chief costume cutter | |
| Joe Hobbs | .... | wardrobe | |
| Sharon Long | .... | costume supervisor | |
| Debbie Scott | .... | assistant costume designer | |
| Sunita Singh | .... | wardrobe | |
| Dominic Young | .... | costume maker | |
Editorial Department | |||
| Jens Baylis | .... | first assistant editor | |
| Mike Gaffey | .... | post-production runner | |
| Valentina Giambanco | .... | second assistant editor | |
| Matthew Tucker | .... | assistant editor | |
| Natasha Wilkinson | .... | editor trainee | |
| Philippa Wood | .... | post-production coordinator | |
| Nuala Roche | .... | assistant conforming editor (uncredited) | |
Music Department | |||
| Cameron Allan | .... | music producer | |
| Rachel Allen | .... | musician: violin | |
| Alexander Balanescu | .... | musician: solo violin | |
| Nick Barr | .... | musician: cello | |
| Mark Berrow | .... | musician: viola | |
| Mike Brittani | .... | musician: bass guitar | |
| Michael Chapman | .... | musician: horn | |
| David Chatterton | .... | musician: trumpet and flugel horn | |
| Dave Clarke | .... | music engineer | |
| Michael Connell | .... | music editor | |
| Nick Cooper | .... | musician: cello | |
| Chris Cozens | .... | auricle control systems | |
| Dermot Crehan | .... | musician: violin | |
| Philip D'Arcy | .... | musician: viola | |
| Beverley Davison | .... | musician: violin (as Bev Davison) | |
| Manon Derome | .... | musician: violin | |
| Karen Elliott | .... | music supervisor | |
| Martin Elliott | .... | musician: soprano, alto and baritone saxophone | |
| Jonathan Evans-Jones | .... | musician: violin | |
| Christian Forshaw | .... | musician: English horn | |
| Gemma Gould | .... | assistant music engineer | |
| Isobel Griffiths | .... | orchestral contractor | |
| Simon Haram | .... | musician: soprano, alto and baritone saxophone | |
| John Harle | .... | musician: soprano and alto saxophone | |
| Sophie Harris | .... | musician: bass | |
| Tony Hinnigan | .... | musician: cello | |
| Louise Hopkins | .... | musician: cello | |
| Ian Humphries | .... | musician: violin | |
| Philippa Ibbotson | .... | musician: violin | |
| Austin Ince | .... | music engineer | |
| Patrick Kiernan | .... | musician: violin (as Pat Kiernan) | |
| Boguslav Kostecki | .... | musician: violin | |
| Christopher Laurence | .... | musician: bass (as Chris Laurence) | |
| Julian Leaper | .... | musician: violin | |
| David Lee | .... | musician: bass trombone and tuba | |
| Rita Manning | .... | musician: violin | |
| Paul Martin | .... | musician: viola | |
| Anne Morfee | .... | musician: violin (as Ann Morfee) | |
| Kate Musker | .... | musician: viola | |
| Everton Nelson | .... | musician: violin | |
| Michael Nyman | .... | conductor | |
| Andrew Parker | .... | musician: viola (as Andy Parker) | |
| Helen Paterson | .... | musician: violin | |
| Maciej Rakowski | .... | musician: violin | |
| David Roah | .... | musician: soprano and alto saxophone | |
| Dave Russell | .... | assistant music engineer | |
| William Schofield | .... | musician: bass | |
| Mary Scully | .... | musican: soprano and alto saxophone | |
| Jackie Shave | .... | musician: violin | |
| Jackie Shave | .... | orchestra leader | |
| Katherine Shave | .... | musician: violin (as Kathy Shave) | |
| Sonia Slany | .... | musician: violin | |
| Jonathan Snowden | .... | musician: flute, alto sax, piccolo and bassoon | |
| Cathy Thompson | .... | musician: violin | |
| Phil Todd | .... | musician: flute, alto sax and piccolo | |
| Chris Tombling | .... | musician: violin | |
| Bruce White | .... | musician: viola | |
| Paul Willey | .... | musician: violin | |
| Warren Zielinski | .... | musician: violin | |
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| The End of the Affair | The English Patient | Edvard Munch | Die Blechtrommel | Journal d'un curé de campagne |
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Two years after the sudden end of his affair with Sarah, Maurice bumps into her husband, Henry, who confides in him about his wife's possible infidelity. Driven by the same jealousy that plagued him during their affair, Maurice poses as Sarah's husband and hires a private detective to follow her and find out what she's doing. As his investigators probe Sarah's personal life, Maurice remembers back to his affair.
Having seen the 1950's version of this book, I was interested to see a version that didn't have to worry about the heavy censorship of that period. Funnily though, it is not the nudity, passion or sex that adds to this version of the story; rather it is the ability of the film to show the strong feeling and emotion between the characters. The plot is pretty true to the book and follows the same turns that are ultimately quite touching (even if their reliance on honour and promises to god seem out dated today). The film manages to evoke sympathy, pity and dislike for each of the three main characters - each is a victim here and the film allows us to see that and feel for each of them regardless of the rights and wrongs of their respective situations.
It is difficult to describe but the film is very much of the period; it is very reserved and honourable considering the material, but yet it is deeply emotional and involving. The only sticking point is the plot's reliance on Sarah's prayer; as I said, it seems difficult to accept in this age that this would have been held to - ironically the 50's version was more acceptable for some reason; maybe because I saw them having sex in this film, maybe then I found it harder to accept a `sinner's prayer' as it were. Besides this, it still does work well and is quite tragic as a love story - this is not a romantic date movie sort of thing!
The main reason I was able to buy into the heart of the emotion was the performances. Fiennes is so perfectly English in the role; he is restrained yet bursting with emotion. He does a wonderful job of having his character eat away at himself with jealousy without ever seeming pathetic. Conversely Rea does a good job of making his character pathetic but still very much keeping the sympathy of the audience. The fact that I get to see Moore in the buff (again!) is not a boost to this film, however her performance is. She is good in the role (better and freer than the 50's actress) even if I didn't feel she was as good as Rea and Fiennes - maybe because her character is less expressive and, simply, a `good' person: I can only assume Greene was unable to look down on his lover even after the end of the affair.
Overall this film has a few sticking points but it is a wonderful version of Greene's book of the same name. Much was made of the nudity and such, but it is the rawer emotion of this telling that makes it work well. The script puts them on the screen and the cast do well to bring them out as complex as they are in real life.