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The End of the Affair (1999)

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »

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(novel), (screenplay)
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Nominated for 2 Oscars. Another 2 wins & 25 nominations. See more awards »

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Cast

Complete credited cast:
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Heather-Jay Jones ...
Henry's Maid (as Heather Jay Jones)
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Sam Bould ...
Lance Parkis (as Samuel Bould)
Cyril Shaps ...
Waiter
Penny Morrell ...
Simon Fisher-Turner ...
Doctor Gilbert (as Dr. Simon Turner)
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Nicholas Hewetson ...
Chief Warden
Jack McKenzie ...
Chief Engineer
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Storyline

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The end was just the beginning.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for scenes of strong sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

21 January 2000 (USA)  »

Also Known As:

El ocaso de un amor  »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

$198,535 (USA) (3 December 1999)

Gross:

$10,660,147 (USA) (17 March 2000)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Neil Jordan wanted his longtime collaborator, composer Elliot Goldenthal to do the film, but Goldenthal was committed to score Titus (1999) for his companion, Julie Taymor. John Barry was considered, and he wrote a demo theme for the film, which ended up on his 2001 solo album "Eternal Echoes," but Jordan eventually settled on Michael Nyman. See more »

Goofs

When Henry storms out of the pub after Bendrix tells him about Smythe, Bendrix finishes off his whisky in one gulp. In the next shot, there is still some whisky in the glass. See more »

Quotes

Sarah: Are you on a new book?
Maurice Bendrix: Of course.
Sarah: It's not about us, is it? The one you threatened to write?
Maurice Bendrix: A book takes a year to write. It's too hard work for revenge.
Sarah: If only you knew how little you had to revenge.
Maurice Bendrix: I'm joking. We are adults. We knew it had to end some time. Now we can have lunch and talk about your husband.
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Connections

Referenced in The Vampire Diaries: The End of the Affair (2011) See more »

Soundtracks

The Bouncing Ball
Written by Frank Trumbauer and Russ Case
Performed by Lou Stone and His Orchestra
Courtesy of Vocalion Records
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User Reviews

Controlled and emotional at the same time
20 February 2004 | by (United Kingdom) – See all my reviews

Two years after the sudden end of his affair with Sarah, Maurice bumps into her husband, Henry, who confides in him about his wife's possible infidelity. Driven by the same jealousy that plagued him during their affair, Maurice poses as Sarah's husband and hires a private detective to follow her and find out what she's doing. As his investigators probe Sarah's personal life, Maurice remembers back to his affair.

Having seen the 1950's version of this book, I was interested to see a version that didn't have to worry about the heavy censorship of that period. Funnily though, it is not the nudity, passion or sex that adds to this version of the story; rather it is the ability of the film to show the strong feeling and emotion between the characters. The plot is pretty true to the book and follows the same turns that are ultimately quite touching (even if their reliance on honour and promises to god seem out dated today). The film manages to evoke sympathy, pity and dislike for each of the three main characters - each is a victim here and the film allows us to see that and feel for each of them regardless of the rights and wrongs of their respective situations.

It is difficult to describe but the film is very much of the period; it is very reserved and honourable considering the material, but yet it is deeply emotional and involving. The only sticking point is the plot's reliance on Sarah's prayer; as I said, it seems difficult to accept in this age that this would have been held to - ironically the 50's version was more acceptable for some reason; maybe because I saw them having sex in this film, maybe then I found it harder to accept a `sinner's prayer' as it were. Besides this, it still does work well and is quite tragic as a love story - this is not a romantic date movie sort of thing!

The main reason I was able to buy into the heart of the emotion was the performances. Fiennes is so perfectly English in the role; he is restrained yet bursting with emotion. He does a wonderful job of having his character eat away at himself with jealousy without ever seeming pathetic. Conversely Rea does a good job of making his character pathetic but still very much keeping the sympathy of the audience. The fact that I get to see Moore in the buff (again!) is not a boost to this film, however her performance is. She is good in the role (better and freer than the 50's actress) even if I didn't feel she was as good as Rea and Fiennes - maybe because her character is less expressive and, simply, a `good' person: I can only assume Greene was unable to look down on his lover even after the end of the affair.

Overall this film has a few sticking points but it is a wonderful version of Greene's book of the same name. Much was made of the nudity and such, but it is the rawer emotion of this telling that makes it work well. The script puts them on the screen and the cast do well to bring them out as complex as they are in real life.


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