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The End of the Affair (1999)

 -  Drama | Romance  -  11 February 2000 (UK)
7.2
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Ratings: 7.2/10 from 15,547 users   Metascore: 65/100
Reviews: 162 user | 90 critic | 32 from Metacritic.com

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »

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Nominated for 2 Oscars. Another 3 wins & 24 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
Heather-Jay Jones ...
Henry's Maid (as Heather Jay Jones)
...
...
Sam Bould ...
Lance Parkis (as Samuel Bould)
Cyril Shaps ...
Waiter
Penny Morrell ...
Simon Fisher-Turner ...
Doctor Gilbert (as Dr. Simon Turner)
...
...
Nicholas Hewetson ...
Chief Warden
Jack McKenzie ...
Chief Engineer
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Storyline

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The end was just the beginning.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for scenes of strong sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

11 February 2000 (UK)  »

Also Known As:

El ocaso de un amor  »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

£574,419 (UK) (11 February 2000)

Gross:

SGD 15,000 (Singapore) (5 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Neil Jordan wanted his longtime collaborator, composer Elliot Goldenthal to do the film, but Goldenthal was committed to score Titus (1999) for his companion, Julie Taymor. John Barry was considered, and he wrote a demo theme for the film, which ended up on his 2001 solo album "Eternal Echoes," but Jordan eventually settled on Michael Nyman. See more »

Goofs

When Henry storms out of the pub after Bendrix tells him about Smythe, Bendrix finishes off his whisky in one gulp. In the next shot, there is still some whisky in the glass. See more »

Quotes

Sarah: Are you on a new book?
Maurice Bendrix: Of course.
Sarah: It's not about us, is it? The one you threatened to write?
Maurice Bendrix: A book takes a year to write. It's too hard work for revenge.
Sarah: If only you knew how little you had to revenge.
Maurice Bendrix: I'm joking. We are adults. We knew it had to end some time. Now we can have lunch and talk about your husband.
See more »

Connections

Referenced in Jersey Girl (2004) See more »

Soundtracks

Hurry Home
Written by Joseph Meyer, Robert D. Emmerich and Buddy Bernier
Performed by Bert Ambrose and His Orchestra (as Ambrose and His Orchestra)
Sung by Denny Dennis
Courtesy of The Decca Record Company Ltd.
Under license from The Film and TV Licensing Division of The Universal Music Group
See more »

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User Reviews

 
Complicated, powerful and intriguing
3 June 2000 | by (Atlanta, GA) – See all my reviews

This is an engrossing tale of love, passion and betrayal invloving three star-crossed lovers. Maurice Bendrix (Ralph Fiennes) is a man haunted by jealousy and pain over an affair he had with the wife of one of his friends, Henry Miles (Stephen Rea). The affair has been over for two years when a chance encounter with Miles takes Bendrix to his house where he once again encounters Sarah (Julianne Moore). The obsession for her returns when Henry tells him that he suspects that Sarah is having an affair. At hearing this Maurice gets jealous, thinking that he has been replaced as her paramour. What follows is a complex and tangled web of suspicion, jealousy and dolor.

This is a wonderfully complicated story that opens slowly like a flower. It is a first person narrative delivered by Bendrix and it gets more intriguing as the film progresses. The use of flashbacks is subtlety effective, where the realizations about misinterpretations come not from the dialogue, but from seeing the same scene from two perspectives. The love scenes are sensuously done and the general tone of the film is poignant and sensitive.

The film was nicely photographed with various filters to give it an old feel without losing the richness. Director Neil Jordan did a fine job of giving the film a genuine look of the period with proper English costumes from the 1940's.

Ralph Fiennes was excellent as the jealous lover. He played the character as civilized and staid with molten lava just beneath the surface. He was masterful at conveying strong emotion with a sideways glance or hand gesture without losing his composure.

Julianne Moore has added another fabulous dramatic performance to her resume as Sarah. She played the part with fatalistic passion, victimized by vortex of events she felt powerless to control.

Stephen Rea also shined as the impassive cuckold. Rea tends to be very understated in his portrayals, often too much so. But he was the perfect choice for the hapless Miles; so intellectual, withdrawn and defenseless. His phlegmatic response upon being confronted by Bendrix about their affair, showed a resigned helplessness that was both pathetic and believable.

I enjoyed this film immensely and gave it a 9/10. It is finespun yet powerful. It takes its time unfolding, so if you like pace this film might test your patience. But if you enjoy a good old fashioned steamy love triangle, this film will do nicely.


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