Middle-aged Antonin and his friends, the major, now retired, and the canon, are in the river, swimming and philosophizing. Then it starts to rain. It just seems to be that sort of summer. ... See full summary »
Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.
A historic mega-film, one family saga, three generations (1887 -1917) assimilated to the bee community in the hive. The queen bee serves as a big mother that symbolizes the family and ... See full summary »
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris ... See full summary »
Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
I waited a long time to watch this film, first reading about it in an issue of Shock Cinema and later in Amos Vogel's Film as a Subversive Art (two very different but equally interesting publications). The descriptions in both sources painted the picture of a howling, surrealist anti-war film. I was curious. After a decade, I tracked down an English subtitled copy through All Clues No Solutions. Was it worth the wait?
Made during the 1968 Russian invasion of Czechoslovakia, The Deserter and the Nomads is an anthology of war, opening with a story set in WWI, then one at the end of WWII, and, finally, in a post-apocalyptic world. One reoccurring character is the only narrative link to the stories. In the first episode, a gypsy soldier deserts and returns home. The gypsy hides out from his troop who want to kill him. This story, my favorite, brought to mind some of Emir Kusturica's work (Black Cat, White Cat, particularly) with its view of gypsy life. However, the humor here is much darker. In the second episode, a seller of eggs stumbles into a village where a rag tag militia is imprisoning and executing all strangers. The setting is the close of WWII. This story builds to the best scene in the film, involving guns and a flock of geese. The final story opens in an underground asylum/nursing home. The lone nurse, a young woman, has apparently lived underground her whole life and has never seen the outside world. She and a mysterious stranger escape into the world only to find no one left. This episode dragged. Once the couple came out of the underground asylum, they talked, moped around, and not much happened. The cinematography was still good, but the drama was not there. I was reminded of Glen and Randa, another meandering late 60's apocalyptic film.
The Deserter and the Nomads: Two good stories and a fair, at best, one. Not bad percentage wise, but my expectations were high. Those with lesser ones, may like the film more. Incidentally, this is the third Juraj Jakubisko film I have watched and it falls in the middle. An Ambiguous Report on the End of the World was better, but Birds, Orphans, and Fools was, in my opinion, much worse.
2 of 2 people found this review helpful.
Was this review helpful to you?