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Wonderland (1999)

 -  Drama  -  14 January 2000 (UK)
7.2
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Ratings: 7.2/10 from 3,444 users   Metascore: 71/100
Reviews: 61 user | 48 critic | 28 from Metacritic.com

There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »

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Title: Wonderland (1999)

Wonderland (1999) on IMDb 7.2/10

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2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Debbie
...
Nadia
...
Molly
...
Dan
...
Eddie
...
Tim
Kika Markham ...
Eileen
...
Bill
...
Darren
...
Melanie
David Fahm ...
Franklyn
Ellen Thomas ...
Donna
Peter Marfleet ...
Jack
Nathan Constance ...
Alex
...
Danny
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Storyline

There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; Debbie, a single mom, entertains men at the hair salon after hours; her son spends part of the weekend with her ex, a man with a hair-trigger temper. Molly is expecting her first baby and its father acts as if the responsibility is too much for him. Eileen is bitter, complaining about her husband and the dog next door; Bill's a doormat. His West Indian neighbor offers him a drink; her own grown son locks himself in his room most of the time. Will anyone connect during this Guy Fawkes weekend? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Everybody's looking for something.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some strong sexuality, and for language | See all certifications »
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Details

Country:

Language:

Release Date:

14 January 2000 (UK)  »

Also Known As:

Csodaország  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Connections

Features Eraserhead (1977) See more »

Soundtracks

Runaground
Written by Tim Booth, Jim Glennie (as James Glennie), David Baynton-Power,
Saul Davies and Mark Hunter
Performed by James
Recording Courtesy of Mercury Records Limited (London)
© 1998 Polygram Music Publishing Ltd
Licensed by kind permission from Polymedia Film & TV Licensing UK, a Universal Music Company
See more »

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User Reviews

the best damn tear-jerker ever made!
23 March 2002 | by (Cambridge, MA) – See all my reviews



This film hit home and touched me so deeply on a personal level, its not even funny. And I believe it should have a fairly wide appeal, as well. The main limiting factor is that it may only be fully appreciated by Britons and anglophiles. There are so many specifics of daily working class London life, and the accents are slightly thick, that non-Britons may not be able to connect.

I read a review of this film in the Village Voice (it was very positive, and I rented the title on the strength of the recommendation) and one of the things it said was that this film didn't avert its eyes from the ugly things in life. And that is exactly what give this film is weight and poignancy.

This film even manages to capture one of the most difficult (and therefore least often seen, in films) aspects of modern working class life: the mind numbing crassness, tedium and insignificance. And at the same time, it manages to give dignity to these people's lives and gives them hope for finding threads of meaning in the garbage heap of modern life. The thought that came most forcefully to me at the end of this film was: how many years of suffering do the working class have to endure before their lives are portrayed with dignity and meaning?

One thing about this film that is consistently downbeat, and that the film maker had the good sense not to try and sugar coat, is the awful over crowding in modern Britain. This aspect is truly horrific, suffocating and overwhelming. And maybe this is the most topsy-turvy aspect of this film, that modern Britons are expected to endure this with good grace, but I don't know, I can't say.

The music is lovely as well, very well chosen, very understated. And its all in a minor key, of course.

Its films like this that re-affirm my faith in film as an artistic medium. But, although this film gives a sweet dignity to the recent past, it doesn't seem to hold out any real hope for the future. And it is this sidestepping of facile hopefulness where this movie really hits the deepest. This film says, in my opinion, that any progress towards a livable future is going to take everything we have to struggle to achieve.






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