| Linus Roache | ... | Vlado | |
| Vincent Perez | ... | Slavko | |
| Lia Williams | ... | Maida | |
| Adam Kotz | ... | Miso | |
| Soo Garay | ... | Amela | |
| Lothaire Bluteau | ... | Zijah | |
| Viktória Bajza | ... | Lenka | |
| Daniel Betts | ... | Serbian Soldier | |
| Balázs Farkas | ... | Malik | |
| Gabriella Fon | ... | Nurse | |
| Zoltán Gera | ... | Nebojis | |
| Karianne Henderson | ... | Nadja | |
| Róbert Irisz | ... | Novak | |
| Claudia Liptai | ... | Post Office Woman | |
| Daniel Newman | ... | Sasa (as Danny Newman) | |
| Tünde Nyilas | ... | Female Employee | |
| Laura Petela | ... | Lejla Kovacevic | |
| Gábor Pintér | ... | Fruit Seller | |
| Gábor Piroch | ... | Dusko | |
| Zoltán Rajkai | ... | Duranovics | |
| Mihály Szabados | ... | 1st Junior Officer | |
| Zsuzsa Száger | ... | Ana | |
| Tibor Szervét | ... | Bruno | |
| Ildikó Szücs | ... | Assaulted Woman | |
| Barnabás Tóth | ... | Oroz (as Barna Tóth) | |
| Caroline Trowbridge | ... | Natasha | |
| Philip Whitchurch | ... | Drago | |
| Emil Wolk | ... | Emil | |
| Martin Young | ... | Television Reporter | |
| Claire Trevena | ... | Television Reporter | |
| Michael McIvor | ... | Television Reporter | |
| rest of cast listed alphabetically: | |||
| Radovan Karadzic | ... | Himself (uncredited) | |
Directed by | |||
| David Attwood | |||
Writing credits | ||
| Guy Hibbert | ||
| John Falk | magazine article "Anti-Sniper" | |
Produced by | |||
| Su Armstrong | .... | producer | |
| George Faber | .... | associate producer | |
| László Helle | .... | associate producer | |
| Robert Lantos | .... | executive producer | |
| Francine Lefrak | .... | executive producer | |
| Charles Pattinson | .... | associate producer (as Charlie Pattinson) | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Cinematography by | |||
| Gábor Szabó | |||
Film Editing by | |||
| Tim Wellburn | |||
Casting by | |||
| Joyce Nettles | |||
Production Design by | |||
| Barbara Dunphy | |||
Art Direction by | |||
| Judit Csák | |||
| Hertha Hareiter | (as Herta Pischinger) | ||
Set Decoration by | |||
| Ferenc Schöffer | |||
| Mihály Süttõ | |||
Costume Design by | |||
| Maria Hruby | |||
Makeup Department | |||
| Jo Allen | .... | prosthetic makeup supervisor | |
| Judit Endrényiné | .... | hair supervisor | |
| Paul Hyett | .... | prosthetic makeup artist | |
| Agnes Kárpáti | .... | assistant hair stylist | |
| Agnes Kárpáti | .... | assistant makeup artist | |
| Angelika Pintér | .... | hair interpreter | |
| Angelika Pintér | .... | makeup interpreter | |
| Katalin Skuts | .... | prosthetic makeup assistant | |
| Julia Vitray | .... | makeup supervisor | |
Production Management | |||
| Nigel Gostelow | .... | production manager | |
| Peter Gyorgy | .... | assistant unit manager | |
| Deborah Osborne | .... | post-production supervisor | |
| László Szabó | .... | unit manager | |
| György Sánta | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Trevor Kaye | .... | second assistant director | |
| Eszter Nagy | .... | third assistant director | |
| Judit Soltész | .... | co-first assistant director | |
| Peter Stenning | .... | first assistant director | |
Art Department | |||
| Ismet Begtasévic | .... | assistant art director: Sarajevo | |
| Panni Belényesi | .... | art department translator | |
| Tamás Breier | .... | assistant set decorator | |
| Elisabeth Checroune | .... | on-set dresser (as Babeth Chrecroune) | |
| Gyula Farkas | .... | assistant property master | |
| Gyula Fazekas | .... | stand-by carpenter: main unit | |
| Ifj. Gyula Fazekas | .... | stand-by carpenter: main unit | |
| Dénés Gether | .... | art department translator | |
| Miklós Halász | .... | carpenter: main unit | |
| Jenö Kapcsos | .... | stand-by painter: main unit | |
| György Lakatos | .... | property master | |
| Gabriella Mányoki | .... | art department assistant | |
| László Nagyidai | .... | carpenter: main unit | |
| László Nagyidai | .... | construction coordinator: main unit | |
| Zoltán Schöffer | .... | property buyer | |
| László Somogyi | .... | stand-by carpenter: main unit | |
| Zoltán Szabó | .... | assistant set decorator | |
| Zoltán Szilágyi Varga | .... | assistant construction coordinator: main unit (as Zoltán Varga Szilágyi) | |
| Béla Tóth | .... | carpenter: main unit | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Todd Beckett | .... | sound re-recording mixer | |
| Kristine Child | .... | foley assistant (as Christine Child) | |
| Michele Cook | .... | dialogue editor | |
| Clive Derbyshire | .... | sound mixer | |
| Csaba Erös | .... | boom operator | |
| Janice Ierulli | .... | supervising dialogue editor | |
| Garrett Kerr | .... | adr editor | |
| Punam Khosla | .... | dialogue assistant | |
| Goro Koyama | .... | foley assistant | |
| John Laing | .... | adr editor | |
| Mishann Lau | .... | dialogue assistant | |
| Andy Malcolm | .... | foley artist | |
| Peter Margrave | .... | sound maintenance engineer | |
| Tim O'Connell | .... | sound re-recording mixer | |
| Julie Saragosa | .... | assistant sound effects editor | |
| Mark Shnuriwsky | .... | sound editor | |
| Mark Shnuriwsky | .... | sound effects editor | |
| Jane Tattersall | .... | supervising sound editor | |
| Tony Van den Akker | .... | foley recordist | |
Visual Effects by | |||
| Jon Campfens | .... | visual effects supervisor: Gajdecki Visual Effects | |
| Shawn Hillier | .... | Inferno artist: Gajdecki Visual Effects | |
| Sue Riedl | .... | in-house producer: Gajdecki Visual Effects | |
| Wendy Whaley | .... | lead CGI artist: Gajdecki Visual Effects | |
| Jamie Hallett | .... | digital artist (uncredited) | |
Stunts | |||
| József Kovalik | .... | stunts | |
| Gábor Piroch | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Iván Bagi | .... | electrician | |
| László Bille | .... | focus puller | |
| Craig Blankenhorn | .... | still photographer | |
| Sándor Domokos | .... | first assistant camera | |
| Attila Dóczi | .... | best boy | |
| Simon Harding | .... | Steadicam operator | |
| Tamás Krausz | .... | electrician | |
| Tamás Lajos | .... | camera operator: second unit, Hungary | |
| Clive Mackey | .... | focus puller: second unit, Hungary | |
| László Major | .... | generator operator | |
| Gábor Marosi | .... | camera loader | |
| Gábor Marosi | .... | clapper loader | |
| Mihály Mészáros | .... | grip | |
| Árpád Szirmai Jr. | .... | electrician | |
| Árpád Szirmai | .... | gaffer | |
| István Sánta | .... | key grip | |
| Lénárd Utasi | .... | electrician (as Lénárt Utasi) | |
| Stephen Wickens | .... | camera loader: second unit, Hungary (as Steve Wickens) | |
| Stephen Wickens | .... | clapper loader: second unit, Hungary (as Steve Wickens) | |
| István Õsz | .... | electrician | |
Casting Department | |||
| Louise Cross | .... | casting assistant: United Kingdom | |
| László Sipos | .... | casting: Hungary | |
| Wendy Weidman | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Csaba Farkas | .... | costumer | |
| Mária Farkas | .... | costumer | |
| Zsuzsa Majláth | .... | dresser (as Zsuzsanna Majláth) | |
| Miklós Nemes | .... | costumer | |
| Imre Orosz | .... | wardrobe master | |
| Péter Palotás | .... | dresser | |
| Móni Simkó | .... | costumer (as Mónika Simkó) | |
| Szilvia Szilágyi | .... | interpreter: costume department | |
Editorial Department | |||
| Leslie D'Brass | .... | color timer | |
| Jim Fleming | .... | dailies colorist | |
| Louise Hogarth | .... | assistant editor | |
| Lynda McKenzie | .... | post-production coordinator | |
| Steve Mercer | .... | assistant editor | |
| Tanya Paoli | .... | post-production assistant | |
| Fiona Paterson | .... | assistant editor | |
| Gábor Pintér | .... | editor: stock footage | |
| Tod Scott Brody | .... | post-production (uncredited) | |
Music Department | |||
| Andy Brown | .... | music contractor (as Andrew Brown) | |
| Rosemary Furniss | .... | musician: violin solo | |
| Evyen Klean | .... | music consultant | |
| Evyen Klean | .... | music supervisor | |
| Bob Lowdell | .... | music preparation | |
| Stephen McLaughlin | .... | scoring mixer | |
| Marlon Weyeneth | .... | music production assistant | |
Transportation Department | |||
| András Balogh | .... | unit driver: cast car, main unit | |
| Péter Balogh | .... | unit driver: main unit | |
| Mickey Flitch | .... | driver: honeywagon, United Kingdom | |
| Zoltán Galla | .... | unit driver: cast car, main unit | |
| Péter 'Kiki' György | .... | driver: main unit | |
| Mihály Gáspár | .... | unit driver: main unit | |
| Tamás Híves | .... | unit driver: cast car, main unit | |
| Imre Krisztian | .... | driver: main unit | |
| Attila Lakézi | .... | driver: main unit | |
| Zoltán Magyar | .... | driver: main unit | |
| Zoltán Makra | .... | driver: main unit | |
| Jozsef Nyiri | .... | unit driver: main unit | |
| Sándor Nyéki | .... | unit driver: cast car, main unit | |
| Katalin Pintye | .... | transportation coordinator: main unit (as Kati Pintye) | |
| Pál Prázsal | .... | driver: main unit | |
| Sandor Szakál | .... | driver: main unit | |
| Zoltán Szijjártó | .... | unit driver: director car, main unit | |
| Attila Szûcs | .... | unit driver: main unit (as Attila Szücs) | |
| Pál Tóth | .... | unit driver: main unit | |
| Gyula Varga | .... | driver: main unit | |
Thanks | |||
| Almas Duramovic | .... | special thanks | |
| Roberta Ibba-Hartog | .... | special thanks | |
| Azza Krajisek | .... | special thanks | |
| Robert Muirhead | .... | special thanks | |
| Amila Omersoltic | .... | special thanks | |
| David C. Williams | .... | special thanks (as David Williams) | |
| Suzanne Wilson-Fellows | .... | special thanks | |
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I was in Sarajevo at the time (7 years old) and the movie is pretty accurate.
Uniforms and bad accents don't matter, its a good story, especially the trench type of warfare that was fought. A bit different from the blitzkrieg style campaigns that we see now days over the TV in Iraq and Afghanistan.
There are a lot of small details that make it very realistic, like the wood for burning during the winter stockpiled in the appartments, the way people die, living conditions in general, no water, no electricity, barelly enough food, etc
Somethimes that period of my life seems like it was only a dream...