Glasgow, summer, 1973. Dustmen are striking; bags of garbage add to the blight of council flats and a fetid canal. Ryan, who's about 12, drowns during a play fight with his neighbor, the ...
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It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's ... See full summary »
Lynne Ramsay Jr.,
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children,lovers and a tramp their ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Glasgow, summer, 1973. Dustmen are striking; bags of garbage add to the blight of council flats and a fetid canal. Ryan, who's about 12, drowns during a play fight with his neighbor, the jug-eared James. James runs home, a flat where he lives with his often-drunk da, his ma, and sisters, who live in hope of moving to newly-built council flats. The slice-of-life, coming-of-age story follows James as he tags along with the older lads; has a friendship with his quirky wee rodent-loving neighbor, Kenny; spends time with Margaret Anne, myopic, slightly older, the local sexual punching bag; and, has a moment or two of joy. The strike may end, but is there any way out for James? Written by
Fantastic. I'm reminded of Kieslowski, before he got budgets and beautiful actresses (which is fine, they were gorgeous). The depiction of slum living as beautiful cinematically is a risky approach, but she pulls it off with aplomb. This film is great not because of its story but its images. The young kid staring out the window of the newly-constructed houses at the field of barley is utter beauty, I was reminded of Malick. The depiction of a young boy is superb, that child is a brilliant actor, watch the way he changes his walk when he's with the older, idiot, desensitised boys. And the mouse floating off to the moon on a helium balloon, surrealism lives, low budget FX and all, risky, works brilliantly, brought down to earth with 'But you killed him, Kenny.' No one who was ever a child and who enjoys brilliant cinematography will fail to enjoy this splendid film.
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