Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one ... See full summary »
The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, ... See full summary »
High powered lawyer Claire Kubik finds her world turned upside down when her husband, who she thought was Tom Kubik, is arrested and is revealed to be Ron Chapman. Chapman is on trial for a... See full summary »
In Huntingburg, the armored truck with three million dollars driven by Tom and his Uncle Charlie gets stuck in the flooding and realizes that the town has been evacuated since the dam does ... See full summary »
A Kansas City waitress with dreams of becoming a nurse becomes delusional after seeing her no-good car salesman husband murdered. Becoming delusional from shock, she becomes convinced that she is the former fiancée of her soap opera idol. What she also believes is that the soap opera is real and goes to LA to find the hospital where he works as a cardiologist. Meanwhile, her husband's murderers are searching for the drugs stolen by her husband and, as luck would have it, they are stored in the trunk of the car she drove off in. Freeman, an aging hit man planning his retirement after this job, also becomes delusional about the woman he is tracking. Written by
John Sacksteder <email@example.com>
Paul Threlkeld, the grip on the soap opera set of the show-within-a-show, was the dolly grip for the movie. See more »
As Charlie and Wesley are walking away from their broken down car, they argue about the picture of Betty that Charlie keeps looking at. Wesley grabs the picture from Charlie's hand and rips it into 3 pieces. Charlie runs back and picks it up and puts the pieces back together. Only now it is only torn in 2 pieces. See more »
The Bad: The gimmick of this film, as with very many, is contrast. This time its the well-exercised contrast between mindless brutality and open, honest innocence. What's new is the ratcheting up of the extremes. The violence is a new extreme in this context. How much more can we escalate? Is our own innocence so permanently numb?
The Good: This film is remarkably sophisticated in its self-referential layering. Here is an indicator that in this category at least the general intelligence level in the US is rising. It takes real abstract thinking to appreciate this, and one imagines that an audience in the 80s would be thoroughly puzzled.
Simple films with theatric self-reference usually mix real life with a play-within-the-play. "Shakespeare in Love" and "illuminata" are of this ilk. Slightly more complex is real life within the play as with "The Truman Show." But here we have a new and lovely evolution, six layers of self-reference.
We have the layer of the real-life Renee and her film character. I am in no doubt that the marketing of Renee as the new America's Sweetheart is the real basis of this effort. So Renee playing the public Renee. Then we have Renee playing Betty. We are lead to believe that the three are simultaneously real. But this has been common for 75 years.
What's new is Betty "becoming" Nurse Betty. Another layer, and then full circle as the "real" nurse Betty becomes the play Nurse Betty. This last is assumed before it actually happens. Finally, we have Freeman's fantasy angel Betty, which we assume is the root of all the conflated layers. That makes six layers by my count. Think about it: this film requires a sophisticated viewer. As it will likely be a big hit, that sophistication must exist in the masses. Wonderful!
Incidentally, only two people in this film can act, and one is not Chris Rock. What's with this guy?
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