| Gene Wilder | ... | Cash Carter | |
| Mike Starr | ... | Tony | |
| Terry O'Quinn | ... | Sidney Lassiter | |
| Cherry Jones | ... | Mimi | |
| Frances Conroy | ... | Martha Lassiter | |
| Deirdre O'Connell | ... | Kate Faxton | |
| Ebon Moss-Bachrach | ... | Billy | |
| Elisabeth Rosen | ... | Sophie Carter | |
| Terri Hawkes | ... | Esther | |
| David Fox | ... | Walter Godlin | |
| rest of cast listed alphabetically: | |||
| James Allodi | ... | Man in Tuxedo | |
| Ben Bass | ... | Michael | |
| Justine Campbell | ... | Sexy Woman | |
| Fulvio Cecere | ... | Richard | |
| Matthew Edison | ... | Albert Lassiter | |
| Sten Eirik | ... | Thin Man / Kovacs | |
| Craig Eldridge | ... | Detective Eddy | |
| Christian Hebert | ... | Teddy, the Gardener | |
| Kate Hennig | ... | Mary, the Maid | |
| Sam Malkin | ... | Medical Examiner | |
| Renee Murphy | ... | Vickie | |
| Roman Podhora | ... | Detective Scalise | |
| Carlo Rota | ... | Charles | |
Directed by | |||
| Joyce Chopra | |||
Writing credits(WGA) | ||
| Gilbert Pearlman | (written by) & | |
| Gene Wilder | (written by) | |
Produced by | |||
| Fred Berner | .... | producer | |
| David Craig | .... | supervising producer | |
| Craig McNeil | .... | producer | |
| Steven Paul | .... | producer | |
| Antony Root | .... | executive producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Bruce Surtees | |||
Film Editing by | |||
| Peter C. Frank | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
| Clare Walker | |||
Production Design by | |||
| Harold Thrasher | |||
Art Direction by | |||
| Mario Mercuri | |||
Set Decoration by | |||
| Jerri Thrasher | |||
Costume Design by | |||
| Martha Mann | |||
Makeup Department | |||
| Katarina Chovanec | .... | key hair stylist | |
| Ava Stone | .... | key makeup artist | |
| Frederick London | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Julie Antonelli | .... | post-production supervisor | |
| Nowell Grossman | .... | production supervisor | |
| Mary Pantelidis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jonnie Katz | .... | third assistant director | |
| Lorraine M. Kearsey | .... | trainee assistant director | |
| Randi Richmond | .... | first assistant director | |
| Samantha Snidal | .... | second assistant director | |
Art Department | |||
| Ken Innes | .... | lead dresser | |
| Ron Lightfoot | .... | construction manager | |
| Geoff Murrin | .... | assistant property master | |
| Jim Murrin | .... | property master | |
| Michael Sackler-Berner | .... | property assistant | |
| Peter Waffle | .... | lead dresser | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Benjamin Beardwood | .... | dialogue editor (as Ben Beardwood) | |
| Christopher Briles | .... | sound effects editor | |
| Tim Chilton | .... | foley artist | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Scott Ganary | .... | sound re-recording mixer | |
| Dennis Gray | .... | dialogue editor | |
| Stephen Grubbs | .... | supervising sound editor | |
| Gary Krause | .... | sound effects editor | |
| Paul Longstaffe | .... | dialogue editor | |
| Ao Loo | .... | production sound mixer | |
| Stuart Martin | .... | assistant sound editor | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Brian Thomas Nist | .... | sound effects editor | |
| Ralph Osborn | .... | dialogue editor | |
| Nancy Parker | .... | foley artist | |
| Brian Ruberg | .... | foley mixer | |
| Christopher Ryan | .... | assistant sound editor | |
| Warren Smith | .... | dialogue editor | |
| Buz Watson | .... | boom operator | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
Special Effects by | |||
| Michael Innanen | .... | special effects foreman | |
| John LaForet | .... | special effects coordinator | |
| Steve Stanford | .... | special effects technician | |
Visual Effects by | |||
| O.T. Hight | .... | visual effects artist | |
Stunts | |||
| Shelley Cook | .... | stunt double | |
| Rick Forsayeth | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Rocky Brown | .... | crane grip | |
| Thomas Care | .... | dolly grip (as Tom Care) | |
| John Colavecchia | .... | first assistant camera (as Johnny Colavecchia) | |
| Cylvan Desrouleaux | .... | second assistant camera | |
| Michael Fylyshtan | .... | Steadicam operator | |
| Tony Guerin | .... | camera operator | |
| Dianne L. Haggarty | .... | best boy grip (as Dianne Haggarty) | |
| Ben Mark Holzberg | .... | still photographer | |
| John Medland | .... | still photographer | |
| David Pamplin | .... | key grip | |
| Chris Stagg | .... | best boy grip | |
| Harry Stroud | .... | gaffer | |
| Brad Vos | .... | first assistant camera: dailies | |
| Christopher Watson | .... | best boy electric (as Chris Watson) | |
Casting Department | |||
| Zameret Kleiman | .... | extras casting | |
| Joanna Polley | .... | extras casting | |
| Jonathan Strauss | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Sharon Purdy | .... | assistant costume designer | |
Editorial Department | |||
| Rick Downey | .... | negative cutter | |
| Terry Haggar | .... | negative timer | |
| Irene Kassow | .... | assistant editor | |
| Marc Laub | .... | assistant editor | |
| Joe Parisella | .... | color timer | |
Music Department | |||
| Thomas Bartke | .... | assistant music editor | |
| Mike Flicker | .... | music editor | |
| Mike Flicker | .... | music supervisor | |
Transportation Department | |||
| Grant Wilkins | .... | transportation coordinator | |
Other crew | |||
| Drazen Baric | .... | assistant location manager | |
| Heather Blurton | .... | set supervisor | |
| Teryn Douglas | .... | production assistant | |
| Ann Fitzgerald | .... | production accountant | |
| Cheryl Francis | .... | assistant: Mr. Berner | |
| Mark Logan | .... | location manager | |
| Oliver Olsen | .... | script supervisor | |
| Mary Robbie | .... | assistant accountant | |
| Carole Rosenberg | .... | assistant production coordinator | |
| Clare Saxby | .... | script editor | |
| Fran Solomon | .... | production coordinator | |
| Nick Veziris | .... | gun wrangler | |
| James Wiser | .... | assistant: Mr. McNeil | |
| Steven Zander | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Having lost his wife in a violent crime, theatre director Larry "Cash" Carter moves to a small town in Connecticut to get away from the stresses of bigger city life. Looking for funding for his latest play, Cash comes into contact with local millionaire Sidney Lassiter who immediately rubs him up the wrong way by being anti-Semitic and demanding. And so Cash finds himself just one of many people that have a reason to dislike Lassiter. So later that night when Cash's friend Lt Tony Rossini tells him that he is investigating Lassiter's murder, Cash helps out and gets involved in the case.
Having seen "The Lady in Question" and found it bland and undemanding fare, I still decided to give the other film in the stalled series a try. Like the second film this is very undemanding fare that will fit nicely with audiences that enjoy the basic mystery movies on Hallmark and the like (Mystery Woman, Jane Doe etc). The plot is interesting without ever getting going although the development of the case is reasonably engaging. Of course this means it lacks any depth which is rarely a problem when a film is slick and stylish, sadly this one tends to move sluggishly as if it has nowhere to go and nothing to do an approach that rather flies in the face of face of the fact that a murder has occurred! The director does well if this was her aim but otherwise she plays it far too slowly and with a sense of urgency that was needed underneath.
The cast match this meandering approach and with a bit more help could have pulled it off. As it is they are just reasonably good in an average film. Wilder is a bit more interesting here than in the second film (where it did feel like he was just moments away from falling asleep at times). Here he is actually pretty good fun despite the material. Starr's character doesn't make a great deal of sense but he is a fun character. The two men have a bit of chemistry but it is difficult to believe they know one another that well because they don't merge that well I assume this is part of the reason that the series didn't catch on. The support cast features turns from Lost's O'Quinn and Six Feet Under's Conroy and others like Edison and Rosen. None of them have much to do though and generally their characters are just quite thin.
Overall this is a mediocre or average film that might just be good enough to distract viewers who aren't looking for much more than that. The cast match the amiable and ambling mood which makes for some nice touches but generally just slows the film down further.