A widowed theatre director moves to a small Connecticut town where he gets involved in solving the murder of a millionaire, who was the most despised man in town.

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Cast

Cast overview, first billed only:
...
Cash Carter
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Tony
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Sidney Lassiter
...
Mimi
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Martha Lassiter
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Kate Faxton
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Billy
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Sophie Carter
Terri Hawkes ...
Esther
David Fox ...
Walter Godlin
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Charles
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Albert Lassiter
...
Michael
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Thin Man / Kovacs
Renee Murphy ...
Vickie
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Storyline

Due to a tragic incident Larry "Cash" Carter, a successful Broadway director, winds up in a small town in Connecticut working in community theater. With an eye for details and a view of the criminal mind, Cash soon finds that he is in demand by the local detective when the town's leading industrialist is found shot dead. While there were many people who may have wanted him dead, it is up to Cash to narrow the list of suspects. When the second murder is committed clues left at the scene lead Cash to the identity of the killer. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis


Certificate:

TV-PG | See all certifications »
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Details

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Release Date:

10 January 1999 (USA)  »

Also Known As:

Asesinato en Stamford  »

Company Credits

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Technical Specs

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Connections

Features Angels with Dirty Faces (1938) See more »

Soundtracks

You're Getting to Be a Habit with Me
Music by Harry Warren
Lyrics by Al Dubin
Played at the French restaurant
Sung during the final scene
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User Reviews

Average film for the undemanding mystery daytime TV fan
20 June 2006 | by (United Kingdom) – See all my reviews

Having lost his wife in a violent crime, theatre director Larry "Cash" Carter moves to a small town in Connecticut to get away from the stresses of bigger city life. Looking for funding for his latest play, Cash comes into contact with local millionaire Sidney Lassiter who immediately rubs him up the wrong way by being anti-Semitic and demanding. And so Cash finds himself just one of many people that have a reason to dislike Lassiter. So later that night when Cash's friend Lt Tony Rossini tells him that he is investigating Lassiter's murder, Cash helps out and gets involved in the case.

Having seen "The Lady in Question" and found it bland and undemanding fare, I still decided to give the other film in the stalled series a try. Like the second film this is very undemanding fare that will fit nicely with audiences that enjoy the basic mystery movies on Hallmark and the like (Mystery Woman, Jane Doe etc). The plot is interesting without ever getting going although the development of the case is reasonably engaging. Of course this means it lacks any depth which is rarely a problem when a film is slick and stylish, sadly this one tends to move sluggishly as if it has nowhere to go and nothing to do – an approach that rather flies in the face of face of the fact that a murder has occurred! The director does well if this was her aim but otherwise she plays it far too slowly and with a sense of urgency that was needed underneath.

The cast match this meandering approach and with a bit more help could have pulled it off. As it is they are just reasonably good in an average film. Wilder is a bit more interesting here than in the second film (where it did feel like he was just moments away from falling asleep at times). Here he is actually pretty good fun despite the material. Starr's character doesn't make a great deal of sense but he is a fun character. The two men have a bit of chemistry but it is difficult to believe they know one another that well because they don't merge that well – I assume this is part of the reason that the series didn't catch on. The support cast features turns from Lost's O'Quinn and Six Feet Under's Conroy and others like Edison and Rosen. None of them have much to do though and generally their characters are just quite thin.

Overall this is a mediocre or average film that might just be good enough to distract viewers who aren't looking for much more than that. The cast match the amiable and ambling mood which makes for some nice touches but generally just slows the film down further.


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