| Photos (See all 30 | slideshow) |
| Ben Stiller | ... | Rabbi Jake Schram | |
| Edward Norton | ... | Father Brian Finn | |
| Jenna Elfman | ... | Anna Riley | |
| Anne Bancroft | ... | Ruth Schram | |
| Eli Wallach | ... | Rabbi Ben Lewis | |
| Ron Rifkin | ... | Larry Friedman | |
| Milos Forman | ... | Father Havel | |
| Holland Taylor | ... | Bonnie Rose | |
| Lisa Edelstein | ... | Ali Decker | |
| Rena Sofer | ... | Rachel Rose | |
| Ken Leung | ... | Don | |
| Brian George | ... | Paulie Chopra | |
| Catherine Lloyd Burns | ... | Debbie | |
| Susie Essman | ... | Ellen Friedman | |
| Stuart Blumberg | ... | Len | |
| Samuel R. Goldberg | ... | Teenage Jake Schram (as Sam Goldberg) | |
| Michael Charles Roman | ... | Teenage Brian Finn (as Michael Roman) | |
| Blythe Auffarth | ... | Teenage Anna Riley | |
| Jonathan Randell Silver | ... | Alan Klein | |
| Brian Anthony Wilson | ... | T-Bone | |
| Juan Piedrahita | ... | Omar | |
| Kelly Deadmon | ... | Woman in Bar | |
| Raphael M.A. Frieder | ... | Cantor | |
| Bodhi Elfman | ... | Howard the Casanova | |
| Chris Gardner | ... | Basketball Kid #1 (as Christopher Gardner) | |
| Santi Formosa | ... | Basketball Kid #2 | |
| Francine Beers | ... | Greta Nussbaum | |
| Rena Blumberg | ... | Chaya | |
| Ellen Hauptman | ... | Roz Lentz | |
| Liz Larsen | ... | Leslie | |
| Matt Winston | ... | Matt | |
| Nelson Avidon | ... | Joel | |
| David Wain | ... | Steve Posner | |
| Donna Hanover | ... | Confessional Woman #1 | |
| Wai Ching Ho | ... | Confessional Woman #2 | |
| Howard Greller | ... | Doctor | |
| Brenda Denmark | ... | Nurse (as Brenda Thomas Denmark) | |
| Marilyn Cooper | ... | 'Don't Walk' Lady | |
| Hawk Koch | ... | Rabbinical Professor | |
| Craig Castaldo | ... | Radio Man (as Radio Man) | |
| Keith Perry | ... | Old Man Hit with the Censor | |
| John Arocho | ... | Bully | |
| Derrick Eason | ... | Co-Worker | |
| Ray Carlson | ... | Monsignor | |
| Barbara Haas | ... | Mother in Synagogue Reception Room | |
| Sunny Keyser | ... | Mother | |
| Lorna Lable | ... | Mother | |
| Paula Raflo | ... | Mother | |
| Hillary Brook Canter | ... | Daughter | |
| Dana Lubotsky | ... | Daughter | |
| Alexandra Rella | ... | Daughter | |
| Eugene S. Katz | ... | Mohel | |
| Tony Rossi | ... | Hot Dog Vendor | |
| John P. Duffell | ... | Father Duffell | |
| Keith Williams | ... | AIDS Patient | |
| Dagmara Dominczyk | ... | Claire | |
| Kryss Anderson | ... | Craig | |
| Sophia Alexis | ... | Party Guest | |
| Tony Devon | ... | Jewish Neighbor | |
| rest of cast listed alphabetically: | |||
| Giovanni Capitello | ... | Bartender at cocktail party | |
| Bronwen Carson | ... | Sexy Secretary | |
| Robin Clark | ... | Singer In Gospel Choir | |
| Andre Da Silva | ... | Guitar player | |
| Dan Griffin | ... | Various | |
| Jeff Millstein | ... | Synagogue member / movie patron (scenes deleted) | |
| Victoria Rong | |||
| Laura Summer | ... | (voice) | |
| Amy Wilson | ... | Ruth (scenes deleted) | |
| Frank Floyd | ... | Choir Member (uncredited) | |
| Paul Hogan | ... | Karaoke Singer Sean (uncredited) | |
| Jessica Montanez | ... | Synagogue Member (uncredited) | |
| Martin Pfefferkorn | ... | Homeless Man (uncredited) | |
| Shabazz Ray | ... | Himself (uncredited) | |
| Robert F. Saunders | ... | Man in Front Row (uncredited) | |
| Bernard J. Tarver | ... | Movie Theater Patron (uncredited) | |
| Cliff Townsend | ... | Gospel Choir Member (uncredited) | |
Directed by | |||
| Edward Norton | |||
Writing credits(WGA) | ||
| Stuart Blumberg | (written by) | |
Produced by | |||
| Gary Barber | .... | executive producer | |
| Roger Birnbaum | .... | executive producer | |
| Stuart Blumberg | .... | producer | |
| Jonathan Glickman | .... | executive producer | |
| Hawk Koch | .... | producer | |
| Edward Norton | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Anastas N. Michos | |||
Film Editing by | |||
| Malcolm Campbell | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Wynn Thomas | |||
Art Direction by | |||
| Chris Shriver | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Michael Kaplan | |||
Makeup Department | |||
| Victor DeNicola | .... | key hair stylist | |
| Ann Masterson | .... | makeup artist: Jenna Elfman | |
| Rita Ogden | .... | makeup artist | |
| Jackie Payne | .... | hair stylist | |
| Carla White | .... | key makeup artist | |
Production Management | |||
| Jonathan Filley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mark Carter | .... | assistant director | |
| Mark Cotone | .... | first assistant director | |
| Stephen Lee Davis | .... | assistant director | |
| Paul Hogan | .... | dga trainee | |
Art Department | |||
| Eric Cheripka | .... | props | |
| Robert Currie | .... | props | |
| Peter DeCurtis | .... | set dresser | |
| James Donahue | .... | scenic artist | |
| Christopher Doogan | .... | scenic artist | |
| Jeffrey L. Glave | .... | scenic artist | |
| Heather Danielle Kane | .... | assistant property master | |
| Erik Knight | .... | art department coordinator | |
| Christine Moosher | .... | assistant set decorator | |
| Malcolm Reid | .... | key shop craftsman | |
| Raymond M. Samitz | .... | construction coordinator | |
| Ron Stone | .... | property master | |
| Loren Weeks | .... | assistant art director | |
| Joan Winters | .... | graphic designer | |
| Brick Mason | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Pembrooke Andrews | .... | assistant dialogue editor | |
| Christopher S. Aud | .... | sound editor | |
| Kevin E. Carpenter | .... | sound re-recording mixer | |
| Jeffrey Cranford | .... | assistant sound editor | |
| Paul Curtis | .... | adr editor | |
| Paul Curtis | .... | dialogue editor | |
| Francesca Dodd | .... | dialogue editor | |
| Patrick Dodd | .... | supervising sound editor | |
| Terry Garcia | .... | assistant sound editor | |
| Eric Gotthelf | .... | foley mixer | |
| Michael Herbick | .... | sound re-recording mixer | |
| J. Paul Huntsman | .... | supervising sound editor | |
| Tom Nelson | .... | production sound mixer | |
| Marsha Sorce | .... | sound recordist | |
| John C. Stuver | .... | dialogue editor | |
| Kevin Webb | .... | sound recordist | |
Special Effects by | |||
| John Ottesen | .... | special effects | |
Visual Effects by | |||
| Dennis Berardi | .... | visual effects supervisor: Toybox | |
| Max Harris | .... | visual effects compositor: Toybox | |
| Carey Len Smith | .... | visual effects coordinator: Toybox | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Blaise Corrigan | .... | stunt coordinator | |
| Stephanie Finochio | .... | stunt double | |
| Shawnna Thibodeau | .... | stunt double | |
Camera and Electrical Department | |||
| Bill Almeida | .... | best boy electric | |
| Steven Blaho | .... | rigging grip | |
| Kenny Burke | .... | best boy grip | |
| Ronald Burke | .... | dolly grip (as Ron Burke) | |
| Andrew Cheung | .... | company grip | |
| Matt Chubet | .... | company grip | |
| James Edmiston | .... | company grip | |
| Morris Flam | .... | gaffer | |
| Joel Holland | .... | video assist operator | |
| Francis Leach | .... | electrician | |
| Clay Liversidge | .... | rigging gaffer | |
| William MacGhee | .... | electrician | |
| Peter Masterson | .... | assistant camera | |
| Jason Micallef | .... | electrician | |
| David Norris | .... | camera operator: Wescam camera | |
| John Panuccio | .... | key rigging grip | |
| Lance E. Phox | .... | rigging electric | |
| Robert T. Prate | .... | rigging grip | |
| Tom Prate | .... | key grip | |
| Darren Ryan | .... | 24 frame video operator | |
| Brooke Stanford | .... | electrician | |
Casting Department | |||
| Beth Bowling | .... | casting associate | |
| Nicole Brown | .... | extras casting assistant | |
| Byron Crystal | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lorraine Calvert | .... | assistant costume designer | |
Editorial Department | |||
| James A. Brewer | .... | first assistant editor | |
| Lisa Hayden | .... | assistant editor (as Lise Hayden) | |
| John F. Lyons | .... | assistant editor | |
| Janet Ogletree | .... | assistant editor | |
| Angela Torrez Parker | .... | post-production | |
Music Department | |||
| Emilie A. Bernstein | .... | orchestrator | |
| Kathy Durning | .... | music editor | |
| Lisa Jaime | .... | music editor | |
| Kenneth Karman | .... | supervising music editor | |
| Kathy Nelson | .... | executive in charge of music: Buena Vista | |
| Robert Puff | .... | music librarian | |
| Patrick Russ | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Bobby Marsh | .... | driver | |
Other crew | |||
| Erin Alexander | .... | assistant to cast | |
| Liza Bigger | .... | production assistant | |
| Teena Byl | .... | production secretary | |
| Tami Cassell | .... | adr loop group | |
| Al Cerullo | .... | helicopter pilot | |
| Ellen Gannon | .... | production coordinator | |
| Chris George | .... | unit location assistant | |
| Laurie Gershon | .... | product placement/clearances | |
| Stefan Morris Hogan | .... | production assistant | |
| Deirdre Horgan | .... | script supervisor | |
| Julie Kuehndorf | .... | unit publicist | |
| Deanna Leslie | .... | set production assistant | |
| Adam Levine | .... | stage manager | |
| Josh Liveright | .... | stage manager | |
| Lev Mailer | .... | adr voice | |
| Theresa Marsh | .... | first assistant production accountant | |
| David Ray Martin | .... | location assistant | |
| Terry McAllister | .... | security investigator | |
| Kiersten Pilar Miller | .... | production assistant | |
| Jesse Nye | .... | production assistant | |
| Evan Perazzo | .... | location assistant | |
| Wayne Petrucelli | .... | security coordinator | |
| Kris Schackman | .... | location assistant | |
| Michael Stricks | .... | location manager | |
| Maria Williams | .... | assistant: Ben Stiller | |
| Nate Wood | .... | production assistant | |
| Benjamin Woodlock | .... | production assistant | |
| Tim Ballou | .... | script clearance administrator (uncredited) | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
| Meredith Mills-Cavalluzzo | .... | assistant: Anne Bancroft (uncredited) | |
| Anthony Reynolds | .... | stand-in: Edward Norton (uncredited) | |
| Jonathan Roumie | .... | location assistant (uncredited) | |
| Hilary Walker | .... | location scout (uncredited) | |
| K.L. Connie Wang | .... | assistant script clearance administrator (uncredited) | |
Thanks | |||
| David Fincher | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
KEEPING THE FAITH (2000) *** Ben Stiller, Edward Norton, Jenna Elfman, Eli Wallach, Anne Bancroft, Ron Rifkin, Rena Sofer, Lisa Edelstein, Milos Forman. (Dir: Edward Norton)
So did you hear the one about the priest and the rabbi and the `business woman'? Well if that sounds familiar don't let that dissuade you from this frequently hilarious romantic comedy of the unlikeliest of menage a trois in cinema history.
Childhood chums, Jake Schram, Brian Finn and Anna Reilly - The Three Muskateers of the 8th Grade of Manhattan - are reunited nearly 2 decades later with a lot of catching up to do when Anna comes back east for a short stint as a high powered brokerage businesswoman (portrayed in full giddy sexy appeal by Elfman of tv's kooky couple `Dharma & Greg') who has her hands full when she finds her best buddies, Jake (Stiller in fine leading man/comedy mode) and Brian (Norton, equally riotous in his directorial debut) are, respectively, a rabbi and priest.
Seems the best friends only bonded stronger when their female compatriot moved out of the neighborhood pre-adolescently and shared more than their uncommon friendship: their devotion to their separate faiths. To make matters more difficult in Anna's sudden return into their lives is the fact that both buddies are in love with her but it is Jake who winds up making the first move as the frustrated young rabbi who is constantly being set up on disastrous blind dates by his meddlesome congregation (`the kosher-nostra'). After the initial awkwardness is overcome the two friends become a casual sex relationship that only gets further complicated when Jake cannot handle the fact Anna's non-Judea background must be taken into effect if he is to become a full-fledged rabbi at his synagogue. Brian, meanwhile, has found his libido at its leash when Anna begins to subsist in his dreams leading to a comical revelation by the film's conclusion.
The threesome have chemistry to spare and banter so witty and blunt by Stuart Blumberg's script that the pedestrian storyline (will Jake realize just what a good thing Anna really is and will Anna realize Brian really wants the best for her) is a no-brainer (and I have to admit the climax of Stiller addressing his followers with a mea culpea seemed to miss its mark since there was no real sense of him `betraying' his people), the film chugs along merrily and makes light of the religious overtones (one truly funny moment is the depiction of the young Jake sorting through his Jewish rabbi hero trading cards the way one would relish finding a Mickey Mantle rookie card) with a contemporary spin. Edelstein is memorable as well as the sinfully sensual Sofer as, respectively, date from hell and date from heaven for Jake. Bancroft and Wallach also lend veteran character actor shtick with all the nourishment of a nosh at the Carnegie Deli.
Elfman has proven to be a lovely comedienne and has always reminded me of Jamie Lee Curtis with her buoyant performances and adds just the right bounce as the tomboy all grown up. Stiller continues his stance as the hardest working man in comedy with another deft, dry turn as the befuddled rabbi and Norton display the tricky balance of skilled actor of his generation (his choirboy persona is perfectly advanced for his good-hearted priest and his knack for perfect imitations - i.e. Dustin Hoffman's `Rain Man' )- is only matched by his straight ahead approach to filmmaking; trimming the fat but keeping the high calorie comedy quota intact.
He even gets his former director Milos Forman (who put Norton through the paces on `The People vs. Larry Flynt') for a small cameo as an elder clergyman to get one of the film's biggest laughs (interrupted by a middle-of-the-night phone call for Norton he says he was `dreaming of his mother's sausages').
Believe in love and laughter is to appreciate a wonderful romantic comedy that has both in spades.