A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her. Written by
During the conversation between Jake and Brian, after the fight in the synagogue, the camera is on Jake's face from behind Brian's shoulder at one point. You can clearly see that he is not talking, and yet we hear Brian's voice. See more »
[showing teenage Jake how to do the sign of the cross]
Spectacles, testicles, wallet, watch.
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Thank-yous include one to "Salmita Bonita", a reference to actor-director 'Edward Norton''s girlfriend, actress Salma Hayek. See more »
"Keeping the Faith" as an adult romantic comedy works well. Norton's timing, both as a director and as an actor are magnificent, and Stiller and Elfman add to this shining cast. The approach to religion in a mainstream film is a new one for me at least with deference being paid to each of the respective character's, and the jokes are basically laughing with the religion, rather than at it. The inner struggles that each man faces with his own religion and the woman that threatens to tear apart their religious selves are the most interesting aspects of the film.
The first half is a comedic gem, a laugh-barrage, that completely changes once sex is introduced. It loses focus, changing its story into that of a failing friendship and blossoming love interspersed with awkward and frankly embarrassing moments of comedy. For those who have seen it I refer to the "touchy-feely confession" joke.
At over two hours, it's way too long for a comedy, and it definitely feels it. It's a good film, but by no means can it be considered great. See it to laugh for an hour if you don't mind chuckling and fidgeting in your seat for the second hour.
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