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The Haunting (1999)

 -  Fantasy | Horror | Mystery  -  23 July 1999 (USA)
4.8
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Ratings: 4.8/10 from 52,274 users  
Reviews: 798 user | 165 critic

When Eleanor, Theo, and Luke decide to take part in a sleep study at a huge mansion they get more than they bargained for when Dr. Marrow tells them of the house's ghostly past.

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(screenplay), (novel)
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Title: The Haunting (1999)

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Cast

Cast overview, first billed only:
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Lou
Charles Gunning ...
Saul Priever ...
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Hadley Eure ...
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Storyline

A remake of the classic 1963 movie "The Haunting" about a team of paranormal experts who look into strange occurrences in an ill-fated house. Through the course of the night some will unravel, some will question, and all will fight for their lives as the house fights back. Written by PofRules

Plot Summary | Plot Synopsis

Taglines:

Welcome to Hill House. This is its body, this is its skin, this is its eyes. Won't you come in? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense horror sequences | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 July 1999 (USA)  »

Also Known As:

La maldición  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£1,562,169 (UK) (24 September 1999)

Gross:

£5,625,789 (UK) (29 October 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Deleted scenes shown in theatrical trailers and TV commercials for "The Haunting", but not included in the final cut of the film, include a scene where Nell and Theo open up doors to the house while exploring and they find brick walls in the doorway to prevent them from entering and a scene with Theo in Nell's bedroom, shortly before Dr. Marrow admits the truth about his experiment, with Theo saying "As soon as I turn out the light, my heart starts pounding." See more »

Goofs

When Nell sees the advertisement in the newspaper, it says "in Berkshires," but when driving to Hill House, she looks at a map that clearly shows Central Massachusetts. See more »

Quotes

[first lines]
Jane: You already owe two months worth of rent.
Eleanor "Nell" Vance: It's mine, and you're not taking it away.
Jane: Read the will, Nell. It states in plain language, the executor shall have the right to dispose of any and all personal property, as he shall see fit.
Eleanor "Nell" Vance: He's not even real family.
Jane: Yeah, maybe not, but clearly Mother thought Lou would be better off dealing with these unpleasant details than you.
Eleanor "Nell" Vance: [angrily] Unpleasant details? What have I been dealing with for the past eleven years? I've cooked, I've ...
See more »

Crazy Credits

At the beginning, the music from Dreamwork's studio is not heard. Instead we hear the strange noises from inside Hill House. See more »

Connections

Referenced in Thir13en Ghosts (2001) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
More Like Hammer Films
1 June 2001 | by (Chicago) – See all my reviews

I know it is fashionable now to hate this movie. I have seen hundreds of spook films including he original 1963 Haunting as well as most of the Hammer films. This film is not restrained and does not hold back at all which is probably why so many modern viewers seemed not to like it. Yet many viewers can accept out of control films like Scream because knife killers are more easy to believe for most people than demons or ghosts. Actually this film had many great scenes and the acting and special effects were great. I have seen it 15 times now and it gets better every time. The director of this film has made a number of interesting and stylish films and was not trying for the type of realism of the 6th sense. The Haunting lets go and is certainly not boring. Perhaps this film might appeal more to John Carpenter fans but more of an traditional plot structure. The old Haunting was also a fine film from 1963. It was even more scary. See both and also The Innocents and The Legend of Hell House with Pamela Franklin.


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