The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
Nicol Williamson takes the lead role in this star-studded 1969 version of William Shakespeare's tragedy. Prince Hamlet mourns both his father's death and his mother's remarriage to Claudius... See full summary »
In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.
Hamlet, Prince of Denmark, returns home to find his father murdered by Claudius, Hamlet's uncle. Claudius usurps the throne of Denmark, and marries Hamlet's recently widowed mother. Hamlet is tormented, haunted, and increasingly unstable.
New York, 2000. A specter in the guise of the newly-dead CEO of Denmark Corporation appears to Hamlet, tells of murder most foul, demands revenge, and identifies the killer as Claudius, the new head of Denmark, Hamlet's uncle and now step-father. Hamlet must determine if the ghost is truly his father, and if Claudius did the deed. To buy time, Hamlet feigns madness; to catch his uncle's conscience, he invites him to watch a film he's made that shows a tale of murder. Finally convinced of Claudius's guilt, Hamlet must avenge his father. Claudius now knows Hamlet is a threat and even uses Ophelia, Hamlet's love, in his own plots against the young man. Murder will out? Written by
When Hamlet is in Blockbusters, saying his soliloquy, the film that is playing is The Crow: City of Angels (1996), the second installment of the Crow series; a series in which the protagonists are sent to avenge the dead and set things right. See more »
In Gertrude's bedroom, just after Hamlet kills Polonius, a boom mic is reflected in the windows. See more »
We are oft to blame in this, tis too much proved that with devotions pious we do sugar o'er the devil himself
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Shakespeare's tragedy of a son's vengence for the murder of his father, the king of Denmark..
I thought this film was absolutley brilliant. Almereyda, so captured Shakespeare's profound insight into human nature and motivation. I have NEVER liked modern productions of Shakespeare, either on film or the stage. But this vision was extraordianary in illustrating that Shakespeare's observations are truly timeless, and he knew far, far more about human nature than Freud or Jung or any modern psychologist!
Almereyda's direction was superb. His Hamlet was so contemporary .... so the sulking, modern, slacker, malcontent, and it captured the spirit of Hamlet beautifully (as did Ethan Hawke's rather astonishing performance). In addition, every word Ophelia uttered, sounded so like an overwrought, emotional, girl of this age....and yet not of word of The Bard's was changed. Almereyda's use of video, modern branding and icons, were also brilliant....and he used the wonderful Carter Burwell to score his film. There is so much more to say, but, you get the picture. I loved it, as did my 13 year old son. And, as "brevity is the soul of wit," (Polonius) I will end by simply saying......bravo Almereyda!
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