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Hamlet (2000)

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Ratings: 6.0/10 from 7,435 users   Metascore: 70/100
Reviews: 164 user | 84 critic | 32 from Metacritic.com

Modern-day New York City adaptation of Shakespeare's immortal story about Hamlet's plight to avenge his father's murder.

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Storyline

New York, 2000. A specter in the guise of the newly-dead CEO of Denmark Corporation appears to Hamlet, tells of murder most foul, demands revenge, and identifies the killer as Claudius, the new head of Denmark, Hamlet's uncle and now step-father. Hamlet must determine if the ghost is truly his father, and if Claudius did the deed. To buy time, Hamlet feigns madness; to catch his uncle's conscience, he invites him to watch a film he's made that shows a tale of murder. Finally convinced of Claudius's guilt, Hamlet must avenge his father. Claudius now knows Hamlet is a threat and even uses Ophelia, Hamlet's love, in his own plots against the young man. Murder will out? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »
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Details

Official Sites:

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Release Date:

12 July 2000 (Belgium)  »

Also Known As:

Amlet 2000  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$17,432 (UK) (15 December 2000)

Gross:

$17,432 (UK) (15 December 2000)
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Company Credits

Production Co:

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The music that plays during the film the Mousetrap is part of Tchaikovsky's "Hamlet", op. 67. See more »

Goofs

When we first see Claudius speaking, his mouth is obviously saying something other than what we hear. It lasts for about five seconds. See more »

Quotes

Polonius: We are oft to blame in this, tis too much proved that with devotions pious we do sugar o'er the devil himself
See more »

Connections

References King Kong (1976) See more »

Soundtracks

Symphony No. 1: First Movement
(excerpt)
Music by Johannes Brahms
Played when Hamlet rides in the limousine
See more »

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User Reviews

 
A potent translation
15 May 2000 | by (Los Angeles, CA) – See all my reviews

With his stunning new vision of the most revered of Shakespeare's plays, director Michael Almereyda has effectively transposed many of the enduring themes of that classic work to our contemporary hi-tech era. Even if you are not very familiar with Shakespeare's plays or have always been confounded by his verse, one can still appreciate this film for the tremendously inventive ways by which Almereyda has interpreted the core scenes of Hamlet in the context of corporate America. His visually striking translation of scenes like Ophelia's drowning and Hamlet's famous `to be or not to be' soliloquy are a delight and true brain candy. The cast is all around superb, with the classically delivered lines from actors Liev Schreiber (Laertes) and Sam Shepard (Ghost) nicely counterbalancing the very contemporary style of delivery from Ethan Hawk (Hamlet), Bill Murray (Polonius), and Julia Stiles (Ophelia).

There will no doubt be much comparison between this film and Baz Luhrmann's flashy modern remake of Romeo and Juliet. However, whereas Luhrmann's film ultimately fails in going beyond the boundaries of its visually striking presentation, Almereyda's Hamlet proves to be far more than a mere spectacle for the senses. In fact, this is the serious flaw that plagues most of the films coming from young, talented independent filmmakers these days: all style, no substance. Well, this Hamlet has both. By setting the film deep in the heart of a very real and very modern steel and concrete American jungle like New York City, which is infused with the relics of the mass media and cold capitalistic consumerism, Almereyda powerfully enhances for the audience the sense of the desolation of his characters that results from urban isolation. This is a theme that Hong Kong director Wong Kar-Wai has so masterfully examined with his films Fallen Angels and Chungking Express. In Hamlet, we get a powerful dose of both Kar-Wai's visual flair and the sensitive, crumbling heart that it sheathes.


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