A thesis picture: is Western Europe turning a blind eye to the dangers of Islamic fundamentalism? Professor Alceo Bandini believes so. He writes and lectures to a few students at a Roman ... See full summary »
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
Henry James' classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess... See full summary »
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ... See full summary »
JJ's life has been miserable ever since his ill mother had to give him up. The only two good things he has are his best friend Sophia and his wonderful talent for music. Determined to know what happened to his mom, the young man escapes from his foster mother, a woman who encourages her charges to steal and bully. Following his memories, he takes shelter in Central Park. JJ becomes the new protégé of the Guardian, a homeless eccentric and self-appointed King of Central Park who promises to protect the boy and offers him the companionship of a dog called Mutt in exchange for food. Also, JJ's path crosses with Rebecca Cairn, another eccentric who lives in a brownstone overlooking the park. She takes particular interest in him, as does her estranged husband Noah Cairn who is always rescuing Rebecca when she grows depressed. JJ tries to shake off the help of these characters, thinking that his life would be better on his own. However, JJ's foster mother is looking for him, making his ... Written by
The auteur of "Prince" manages to take an excellent cast, a decent story, a mediocre script and carefully assemble them into one boring, monotonous, amateurish mess. In spite of a strong central performance by Frank Nasso, the Prince, this disjointed film wanders aimlessly from scene to scene, painfully disintegrating into hash. The result brings a sigh of relief at the end where the tears of joy should be. A sad waste of time and talent and a good example of how NOT to direct a film.
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